I don’t often say this, but I regret reading this book, a collection of short stories by Lindholm (aka Hobb). Not only did I dislike nearly all of them, but many of them were creepy and unpleasant, full of child abuse, animal abuse, preachiness, and despair. In particular, two stories were largely centered around cat corpses. There’s a theme I can do without!
I got the book from the library because I love Lindholm’s Ki and Vandien series, and enjoyed almost all her novels written as Lindholm. (I see cheap used copies of Harpy's Flight
here.) I also liked Hobb’s first two “Assassin” and “Ship” books enough to read most of her other novels, even though the rest ranged from okay to terrible.
But I had forgotten, or traumatically repressed, that of the two Lindholm short stories I’d previously read, one was the charming Ki and Vandien adventure “Bones for Dulath” (not reprinted in this volume, probably because it’s too much fun,) but the other was the awesomely depressing lizard messiah story (which was reprinted, probably because it’s so full of DOOM.) It also contains my new nominee for the ultimate Never befriend a person with problems story
“Silver Lady and the Fortyish Man” is an exception to the doom parade. It’s a cute urban fantasy romance – a bit too cute for my taste.
“Finis” is a vampire story with a predictable twist ending.
“Drum Machine” is an annoying, preachy sf story about genetically engineered babies, the Horror of Sameness, and how if we eliminate mental illness, we will eliminate creativity. SIGH.
“Cut” is an annoying, preachy sf story in which the price of allowing girls to get abortions without their parents’ permission is that anyone over 15 can now make any bodily alteration without their parents’ permission, but parents can do anything to their children if they’re under 15. The heroine’s grand-daughter is going to voluntarily undergo female genital mutilation, and make her infant daughter do the same. This story was effectively manipulative, but when I’m being manipulated, I’d like it to be little less obvious. The foreword notes that “Cut” isn’t supposed to be an anti-abortion polemic, which is surprising given how exactly it reads as one.The Inheritance( Cut for spoilers regarding DOOM, child abuse, dead cats, and the Lizard Messiah. )