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Midnight Never Come
, by Marie Brennan.
In parallel stories which eventually mesh, a tale of parallel courts closely joined unfolds. In London, an ambitious courtier tries to uncover a mysterious influence affecting Queen Elizabeth, and in the Faerie Onyx court, a disgraced faerie courtier tries to win back her position by impersonating a human woman in the court above. This seemed very well-researched, and the politics are laid out so clearly that even I could follow them. It's interesting but a bit meandery at first, but becomes quite gripping about halfway through. There are sequels but the conclusion is satisfying and feels conclusive.
My big nitpick was that the main relationship in the story, between the human and faerie courtiers, begins as one of deception and then grows into something real. But the deceptive relationship, which lasts a year and is very intense, occurs almost entirely off-page, and so the change from fake to real loses much of the power it could have had. We also miss Lune manipulating the man she will eventually love, and watching him fall in love with her human front. Nor do we get to see much of what her human persona is like, and get to judge for ourselves how congruent it is with her real self. I would have liked a longer book that spent some time on that missing year, rather than simply skipping it.
Overall though, I enjoyed it a lot, even though faeries are a very hard sell to me nowadays.
First Light
, by Rebecca Stead. Extremely readable and quirky middle-grade sf with parallel stories (again) following a boy who goes with his scientist parents to Antarctica, and a girl living in an underground world beneath the ice. Clever and compelling, but suffers a bit in comparison with Stead's own When You Reach Me, which uses some similar plot devices better, and also has better characterization. Still well worth reading.
The Cats of Seroster (Piccolo Books)
, by Robert Westall.
Again with the parallel stories! An old British fantasy, in which sentient cats in a medieval human kingdom embark upon a complex plot to restore the deposed king (who will treat them well) to his throne, and get rid of a usurper (who hates cats.) The story threads follow the cats from own point of view, and also the hapless traveler magically forced into the role of the legendary savior of the kingdom. Very readable, with excellent battle sequences and an unusual perspective in general, but marred by casual but persistent and creepy misogyny: rape, rape threats, the only major human female is unnamed and does nothing but have sex with the hero, etc.
The Eagle of the Ninth
, by Rosemary Sutcliff.
Beautifully written historical adventure set in Roman Britain, which reminded me a bit in prose quality, atmosphere, emotional and political complexity, and characterization of A Wizard of Earthsea, though there's no magic. Roman soldier Marcus is severely wounded in a battle with the native Britons and forced into a very early retirement. When he sees a terrified young man his own age forced to fight as a gladiator, Marcus buys him as a slave. The young man turns out to be a captive British warrior, Esca. The two young men end up traveling in search of the lost legion of Marcus's father. Lots of warriorly bonding ensues, along with adventure and a complex look at the colonialism of the time.
I am a complete sucker for Noble Warrior Guys bonding and adventuring and "He was such a great fighter, I was honored to kill him," and this book is all about that. (Slash fans, don goggles now.) I loved the language, the vivid setting, and basically everything about this book. I wish there were more women, though the ones we do meet are interesting and non-stereotypical. The very beginning was a little slow and heavy on historical detail, but I was soon grabbed and thereafter didn't put the book down till I had finished it.
, by Marie Brennan. In parallel stories which eventually mesh, a tale of parallel courts closely joined unfolds. In London, an ambitious courtier tries to uncover a mysterious influence affecting Queen Elizabeth, and in the Faerie Onyx court, a disgraced faerie courtier tries to win back her position by impersonating a human woman in the court above. This seemed very well-researched, and the politics are laid out so clearly that even I could follow them. It's interesting but a bit meandery at first, but becomes quite gripping about halfway through. There are sequels but the conclusion is satisfying and feels conclusive.
My big nitpick was that the main relationship in the story, between the human and faerie courtiers, begins as one of deception and then grows into something real. But the deceptive relationship, which lasts a year and is very intense, occurs almost entirely off-page, and so the change from fake to real loses much of the power it could have had. We also miss Lune manipulating the man she will eventually love, and watching him fall in love with her human front. Nor do we get to see much of what her human persona is like, and get to judge for ourselves how congruent it is with her real self. I would have liked a longer book that spent some time on that missing year, rather than simply skipping it.
Overall though, I enjoyed it a lot, even though faeries are a very hard sell to me nowadays.
First Light
, by Rebecca Stead. Extremely readable and quirky middle-grade sf with parallel stories (again) following a boy who goes with his scientist parents to Antarctica, and a girl living in an underground world beneath the ice. Clever and compelling, but suffers a bit in comparison with Stead's own When You Reach Me, which uses some similar plot devices better, and also has better characterization. Still well worth reading.The Cats of Seroster (Piccolo Books)
, by Robert Westall. Again with the parallel stories! An old British fantasy, in which sentient cats in a medieval human kingdom embark upon a complex plot to restore the deposed king (who will treat them well) to his throne, and get rid of a usurper (who hates cats.) The story threads follow the cats from own point of view, and also the hapless traveler magically forced into the role of the legendary savior of the kingdom. Very readable, with excellent battle sequences and an unusual perspective in general, but marred by casual but persistent and creepy misogyny: rape, rape threats, the only major human female is unnamed and does nothing but have sex with the hero, etc.
The Eagle of the Ninth
, by Rosemary Sutcliff.Beautifully written historical adventure set in Roman Britain, which reminded me a bit in prose quality, atmosphere, emotional and political complexity, and characterization of A Wizard of Earthsea, though there's no magic. Roman soldier Marcus is severely wounded in a battle with the native Britons and forced into a very early retirement. When he sees a terrified young man his own age forced to fight as a gladiator, Marcus buys him as a slave. The young man turns out to be a captive British warrior, Esca. The two young men end up traveling in search of the lost legion of Marcus's father. Lots of warriorly bonding ensues, along with adventure and a complex look at the colonialism of the time.
I am a complete sucker for Noble Warrior Guys bonding and adventuring and "He was such a great fighter, I was honored to kill him," and this book is all about that. (Slash fans, don goggles now.) I loved the language, the vivid setting, and basically everything about this book. I wish there were more women, though the ones we do meet are interesting and non-stereotypical. The very beginning was a little slow and heavy on historical detail, but I was soon grabbed and thereafter didn't put the book down till I had finished it.
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Hmm... I might have to check it out. Sounds like a possible yuletide fandom.
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Then you DEFNITELY need more Sutcliff!
These, perhaps:
The Silver Branch
The Lantern Bearers
Frontier Wolf
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I just read The Shield Ring and Knight's Fee, which are both very good, both set about 30 years after Hastings, and at opposite ends of England. Again, vivid sense of place, embedded in the minutia of daily life, with moving interpersonal relationships.
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* It is very hard to make faeries rise above the indistinguishable mass of third-generation copies. As for Elizabethan England, my two problems are incomprehensible politicking and "Forsoothely my leige, it is a right merry horn cockscomb of a cuckoo's egg, and a rum derry diddle!"
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(Admittedly this is partly because I like the idea of dealing with less-used historical periods: you get Celtoid Faeries With Optional Evil Romans, Celtoid Faeries With Optional Evil Saxons, Vaguely Medieval Faeries With No Actual Time Period, and Elizabethan Ye Olde Faeries, and then you skip a whole bunch and get Faeries in New York/at the Renn Faire.)
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Amen. My usual attitude is, unless you're Diana Wynne Jones or Susanna Clarke, don't bother. But this sounds pretty good.
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//chokes on tea
Yeah, Fake Elizabethan is awful, and if you are used to real Elizabethan at all, even not-so-horrible Fake Elizabethan can really grate. It's such a supple expressive flowing juicy language, and really has a different mindset than modern English.
(We are not speaking of Fake Chaucerian, ohno.)
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Ys therre muche?[*]
[*]This was deliberate. Please don't kill me.
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...actually it reminds me a bit of Mistress Masham's Repose---specifically when the schoolmaster meets Nurse...he says something like that, doesn't he?
I am burnt-out to char point on faeries, fairies, fae, and all their ilk.
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Yay Sutcliff! If you enjoyed that one, I suspect there are many hours of happy reading working through her back catalogue ahead of you. (Although alas, the general pattern of the women being interesting and non-cardboard, but neither numerous nor spending a great deal of time on stage, is rather common.)
Have you started in on the Horrible Thing yet? XD
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PS. I discovered my Volks "everyone gets one" gift, a silver-colored metal doll necklace with a pretty silver butterfly, still in its original plastic box. Think it's worth something?
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*iconspams you with more dolly pics*
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Still, a very lovely story, and so far I'm enjoying the next one.
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(Reposted to correct HTML errors.)
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Have you ever read any David Gemmell? He pretty much single-handedly gave me that kink.
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One thing I noticed on rereading was how many of the characters were displaced, and how they ended up putting down roots in the new place.
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I remain sad that when Peter Bellamy was setting as much of Kipling's verse to music as he had time for, he didn't make an exception to the catalogue and include "The Girl I Kissed at Clusium." I have always wanted to be able to sing that one, and you know it was popular right around the same time as Parnesius' "Rimini."
As you can tell, I love the book. I am praying the film adaptation is not going to be stupid.
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Have you seen the trailer (http://www.youtube.com/watch?v=Yx4bnwvGmKM) for the upcoming movie? I'm really not sure what I think about those changes they made.
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I'm not feeling too enthused about the movie.
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