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  <id>tag:dreamwidth.org,2009-04-16:76086</id>
  <title>Dangerous Jam</title>
  <subtitle>Comforting the afflicted and afflicting the comfortable since 2004!</subtitle>
  <author>
    <name>rachelmanija</name>
  </author>
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  <updated>2013-02-11T22:54:36Z</updated>
  <dw:journal username="rachelmanija" type="personal"/>
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  <entry>
    <id>tag:dreamwidth.org,2009-04-16:76086:1099483</id>
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    <title>Yes, Chef, by Marcus Samuelsson</title>
    <published>2013-02-11T22:53:55Z</published>
    <updated>2013-02-11T22:54:36Z</updated>
    <category term="cooking"/>
    <category term="author: samuelsson marcus"/>
    <category term="genre: memoir"/>
    <dw:security>public</dw:security>
    <dw:reply-count>2</dw:reply-count>
    <content type="html">Chef Marcus Samuelsson was adopted from Ethiopia to Sweden when he was two years old, along with his older sister. His mother had died of tuberculosis, and her children were incorrectly believed to be orphans. (I'm using the passive voice because Samuelsson never found out exactly how this came about, or if any of his living relatives would have been willing or able to take him in had they known what was going on or, for that matter, if any of them did know.)&lt;br /&gt;&lt;br /&gt;Growing up, he wanted to be a professional soccer player but was too small (later, he discovered that he was a year younger than everyone thought), so he turned to cooking, eventually becoming a successful chef in New York. Due to his sister's detective work, as an adult he discovered that their father, whom he had thought was dead, was alive, and that he had something like a hundred relatives he'd never known about. His visits to Ethiopia inspired him to start cooking Ethiopian food. He won &lt;i&gt;Top Chef Masters&lt;/i&gt; with an Ethiopian meal. &lt;br /&gt;&lt;br /&gt;Great story. Samuelsson is an excellent writer, and his story is atmospheric, thoughtful, and honest. He's definitely of the "warts and all" school of memoir writing, which I appreciate. He's particularly good on his cross-cultural experiences, the complexity of his unusual racial and cultural status, and the connections between food, family, and culture. &lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.amazon.com/gp/product/0385342608/ref=as_li_tf_tl?ie=UTF8&amp;amp;camp=1789&amp;amp;creative=9325&amp;amp;creativeASIN=0385342608&amp;amp;linkCode=as2&amp;amp;tag=racmanbro-20"&gt;Yes, Chef: A Memoir&lt;/a&gt;&lt;img src="http://www.assoc-amazon.com/e/ir?t=racmanbro-20&amp;amp;l=as2&amp;amp;o=1&amp;amp;a=0385342608" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="http://www.dreamwidth.org/tools/commentcount?user=rachelmanija&amp;ditemid=1099483" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
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  <entry>
    <id>tag:dreamwidth.org,2009-04-16:76086:1066075</id>
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    <title>Dreaming in Hindi, by Katherine Russell Rich</title>
    <published>2012-08-25T20:31:23Z</published>
    <updated>2012-08-25T20:31:23Z</updated>
    <category term="genre: memoir"/>
    <category term="author: rich katherine russell"/>
    <category term="genre: nonfiction"/>
    <dw:security>public</dw:security>
    <dw:reply-count>0</dw:reply-count>
    <content type="html">[Catch-up review from Goodreads]&lt;br /&gt;&lt;br /&gt;Rich spent a year in Udaipur (Rajasthan) studying Hindi; the book combines anecdotes from her stay with tons of information on the science of learning a second language.&lt;br /&gt;&lt;br /&gt;It starts out strong, but the parts become increasingly less integrated and the memoir sections become increasingly disorganized as the book continues. There were a number of points where she referenced something as if she'd already told that story, only to explain it 50 pages later. The information was good and her prose, as in individual sentences, was good, but it probably would have worked better as nonfiction about second language acquisition with a few relevant anecdotes than as the awkward chimera it was. &lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.amazon.com/gp/product/B004KAB4KQ/ref=as_li_tf_tl?ie=UTF8&amp;amp;camp=1789&amp;amp;creative=9325&amp;amp;creativeASIN=B004KAB4KQ&amp;amp;linkCode=as2&amp;amp;tag=racmanbro-20"&gt;Dreaming in Hindi: Coming Awake in Another Language&lt;/a&gt;&lt;img src="http://www.assoc-amazon.com/e/ir?t=racmanbro-20&amp;amp;l=as2&amp;amp;o=1&amp;amp;a=B004KAB4KQ" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="http://www.dreamwidth.org/tools/commentcount?user=rachelmanija&amp;ditemid=1066075" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
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  <entry>
    <id>tag:dreamwidth.org,2009-04-16:76086:1049078</id>
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    <title>Waking: A Memoir of Trauma and Transcendence, by Matthew Sanford</title>
    <published>2012-06-28T18:58:33Z</published>
    <updated>2012-06-28T18:58:50Z</updated>
    <category term="author: sanford matthew"/>
    <category term="genre: memoir"/>
    <category term="genre: mind/body"/>
    <category term="genre: physical disability"/>
    <category term="genre: psychology"/>
    <dw:security>public</dw:security>
    <dw:reply-count>7</dw:reply-count>
    <content type="html">Recced by &lt;span style='white-space: nowrap;'&gt;&lt;a href='http://rydra-wong.dreamwidth.org/profile'&gt;&lt;img src='http://www.dreamwidth.org/img/silk/identity/user.png' alt='[personal profile] ' width='17' height='17' style='vertical-align: text-bottom; border: 0; padding-right: 1px;' /&gt;&lt;/a&gt;&lt;a href='http://rydra-wong.dreamwidth.org/'&gt;&lt;b&gt;rydra_wong&lt;/b&gt;&lt;/a&gt;&lt;/span&gt;. Great rec, thanks!&lt;br /&gt;&lt;br /&gt;Excellent, clearly written, honest memoir about the mind-body connection. My description is going to sound straightforward, but you really have to read the book to get what I got out of it. I've read a fair amount of memoirs and nonfiction about physical disability, mind-body issues, and even the type of paralysis Sanford has, and thought I understood much of what he discusses, at least on an intellectual level. After reading this book, I feel like I have a far, far better and more visceral understanding. &lt;br /&gt;&lt;br /&gt;At age thirteen, Sanford was in a car accident which killed his father and sister, and paralyzed him from the chest down. He goes through puberty while still recovering from his injuries, which was fairly traumatic all by itself, and grows up seemingly doing fine, but inwardly suffering from being disconnected from his body. Well-meaning doctors told him that the sensations he had in the paralyzed parts were meaningless "phantom pains," and Sanford learned to dissociate himself from his body as a survival mechanism, to be able to endure otherwise unbearable pain. &lt;br /&gt;&lt;br /&gt;Later in life, he begins studying yoga and learns that his entire body is still a part of him, and he does still have a perception of it and feelings from it. I already knew that people with spinal injuries do still have sensations below the point where the nerves are severed, but they're, essentially, transferred by indirect means and may be felt in other parts of the body or in different ways. Sanford explains not only what this actually feels like, but how important it is not only physically, but emotionally and even spiritually. &lt;br /&gt;&lt;br /&gt;He is now a yoga teacher.&lt;br /&gt;&lt;br /&gt;Fantastic book. Read it if you have any interest whatsoever in the subject matter, and by that I mean mind-body issues, not just physical disability or yoga. &lt;br /&gt;&lt;br /&gt;Note that while Sanford doesn't get into tons of graphic details, there are fairly harrowing descriptions of injuries, medical procedures, and pain. The one that got to me the most was when he broke his neck a second time after the car crash, by tipping out of his wheelchair, and someone insisted on moving him despite his protests. &lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.amazon.com/gp/product/159486845X/ref=as_li_tf_tl?ie=UTF8&amp;amp;camp=1789&amp;amp;creative=9325&amp;amp;creativeASIN=159486845X&amp;amp;linkCode=as2&amp;amp;tag=racmanbro-20"&gt;Waking: A Memoir of Trauma and Transcendence&lt;/a&gt;&lt;img src="http://www.assoc-amazon.com/e/ir?t=racmanbro-20&amp;amp;l=as2&amp;amp;o=1&amp;amp;a=159486845X" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="http://www.dreamwidth.org/tools/commentcount?user=rachelmanija&amp;ditemid=1049078" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2009-04-16:76086:1030542</id>
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    <title>Just Like Someone Without Mental Illness Only More So, by Mark Vonnegut</title>
    <published>2012-04-10T19:23:58Z</published>
    <updated>2012-04-10T19:23:58Z</updated>
    <category term="author: vonnegut mark"/>
    <category term="genre: memoir"/>
    <category term="mental illness: psychotic disorders"/>
    <category term="genre: psychology"/>
    <category term="genre: nonfiction"/>
    <dw:security>public</dw:security>
    <dw:reply-count>14</dw:reply-count>
    <content type="html">&lt;i&gt;Craziness also runs in the family. I can trace manic depression back several generations. We have episodes of hearing voices, delusions, hyper-religiosity, and periods of not being able to eat or sleep. These episodes are remarkably similar across generations and between individuals. It's like an apocalyptic disintegration sequence that might be useful if the world really is ending, but if the world is not ending, you just end up in a nuthouse. If we're lucky enough to get better, we have to deal with people who seem unaware of our heroism and who treat us as if we are just mentally ill.&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;This is Mark Vonnegut's second memoir. (Kurt Vonnegut's son.) The first one explains how he had a psychotic break while a young man living on a commune. Due to the circumstances, everyone at the commune just thought he'd become spiritually advanced. Eventually, his parents stepped in to rescue him. It concluded with the note that he was diagnosed with schizophrenia but apparently "recovered," which is unusual, especially given that it all went down in the 1960s. I had wondered if he'd been misdiagnosed. &lt;br /&gt;&lt;br /&gt;His second memoir picks up many years later. He became a successful doctor... who periodically had psychotic breaks, to go with his drinking problem and falling-apart family life. But it's not primarily a story about pain and problems, but about one man's particular life. Every life has problems. Usually they don't involve being put in a straightjacket every ten years or so. But that's Mark Vonnegut's particular issue, or one of them, anyway, and he treats it very much in the manner of "everyone's got problems."&lt;br /&gt;&lt;br /&gt;The memoir is at least as much about being a doctor as it is about having a mental illness of a somewhat mysterious nature. (He gets diagnosed with bipolar disorder later, but that might not be it either. Whatever he has, it's atypical.) It's also about life, and art, and being a misfit in a screwed-up society, and also about being his father's son (Chapter title: "There is Nothing Quite So Final As A Dead Father"). And accidentally poisoning himself with his shiny new hobby of mushroom hunting.&lt;br /&gt;&lt;br /&gt;It's all over the place and hard to describe, but enormously funny, enjoyable, quotable, and wise. Its humane, humorous, epigrammatic tone reminded me a bit of James Herriot, and I love James Herriot. Unless you're really squicked by medical stuff or triggered by mental illness, this is the sort of book I'd recommend to just about anyone. &lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.amazon.com/gp/product/B003EY7IBI/ref=as_li_tf_tl?ie=UTF8&amp;amp;tag=racmanbro-20&amp;amp;linkCode=as2&amp;amp;camp=1789&amp;amp;creative=9325&amp;amp;creativeASIN=B003EY7IBI"&gt;Just Like Someone Without Mental Illness Only More So: A Memoir&lt;/a&gt;&lt;img src="http://www.assoc-amazon.com/e/ir?t=racmanbro-20&amp;amp;l=as2&amp;amp;o=1&amp;amp;a=B003EY7IBI" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="http://www.dreamwidth.org/tools/commentcount?user=rachelmanija&amp;ditemid=1030542" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
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  <entry>
    <id>tag:dreamwidth.org,2009-04-16:76086:1012433</id>
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    <title>Semi-recently read round-up</title>
    <published>2012-02-09T21:37:31Z</published>
    <updated>2012-02-09T21:37:31Z</updated>
    <category term="genre: memoir"/>
    <category term="author: de becker gavin"/>
    <category term="author: hom ken"/>
    <category term="author: ann patchett"/>
    <category term="author: gladwell malcolm"/>
    <category term="genre: psychology"/>
    <category term="genre: nonfiction"/>
    <category term="author: knapp caroline"/>
    <dw:security>public</dw:security>
    <dw:reply-count>3</dw:reply-count>
    <content type="html">Brief notes on books I read a while back but never got around to writing up. &lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.amazon.com/gp/product/B003V1WEYU/ref=as_li_tf_tl?ie=UTF8&amp;amp;tag=racmanbro-20&amp;amp;linkCode=as2&amp;amp;camp=1789&amp;amp;creative=9325&amp;amp;creativeASIN=B003V1WEYU"&gt;A Taste of China: The Definitive Guide to Regional Cooking (Pavilion Classic Cookery)&lt;/a&gt;&lt;img src="http://www.assoc-amazon.com/e/ir?t=racmanbro-20&amp;amp;l=as2&amp;amp;o=1&amp;amp;a=B003V1WEYU" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /&gt;, by Ken Hom. An evocative, hunger-inducing travelogue/memoir/cookbook/food history by a Chinese-American author. A bit of a period piece now, but much of it is historical anyway, and it's well worth reading if you have an interest in the topic.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.amazon.com/gp/product/B0036Z9U2A/ref=as_li_tf_tl?ie=UTF8&amp;amp;tag=racmanbro-20&amp;amp;linkCode=as2&amp;amp;camp=1789&amp;amp;creative=9325&amp;amp;creativeASIN=B0036Z9U2A"&gt;The Gift of Fear&lt;/a&gt;&lt;img src="http://www.assoc-amazon.com/e/ir?t=racmanbro-20&amp;amp;l=as2&amp;amp;o=1&amp;amp;a=B0036Z9U2A" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /&gt;, by Gavin de Becker. The classic nonfiction book on the value of intuition: specifically, that fear - especially women's fear of men - is often based on having subconsciously picked up subtle signals of very real danger. I've re-read this book a couple times before, and it continues to be valuable: honest, easy to read, thoughtful, and very usable. One thing I'd forgotten was that de Becker himself was a survivor of childhood abuse and trauma, and is writing not only from his experience as a security expert but from his experience as a scared little kid. &lt;br /&gt;&lt;br /&gt;This would make an excellent paired reading with Malcolm Gladwell's &lt;a href="http://www.amazon.com/gp/product/B000PAAH3K/ref=as_li_tf_tl?ie=UTF8&amp;amp;tag=racmanbro-20&amp;amp;linkCode=as2&amp;amp;camp=1789&amp;amp;creative=9325&amp;amp;creativeASIN=B000PAAH3K"&gt;Blink: The Power of Thinking Without Thinking&lt;/a&gt;&lt;img src="http://www.assoc-amazon.com/e/ir?t=racmanbro-20&amp;amp;l=as2&amp;amp;o=1&amp;amp;a=B000PAAH3K" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /&gt;, which is also about how intuition works, but approached from completely different angles. Both books discuss false intuition based on prejudice or pre-conceived ideas versus true intuition based on the situation at hand, and how to tell the difference. Gladwell's book is more sociological, and de Becker's is more of a how-to. &lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.amazon.com/gp/product/0812979117/ref=as_li_tf_tl?ie=UTF8&amp;amp;tag=racmanbro-20&amp;amp;linkCode=as2&amp;amp;camp=1789&amp;amp;creative=9325&amp;amp;creativeASIN=0812979117"&gt;Let's Take the Long Way Home: A Memoir of Friendship&lt;/a&gt;&lt;img src="http://www.assoc-amazon.com/e/ir?t=racmanbro-20&amp;amp;l=as2&amp;amp;o=1&amp;amp;a=0812979117" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /&gt;. &lt;i&gt;It's an old story: I had a friend and we shared everything, and then she died and we shared that, too.&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;Probably the best memoir I've read all year. I read it when it first came out, and then re-read it several months later. Though Knapp's death frames the memoir, it's not primarily about that, but about the intimate, twin-like friendship between two women. Writers Gail Caldwell and Caroline Knapp bonded over their careers, their alcoholism and sobriety, and most of all, their beloved dogs. The structure is complex but seamless. Caldwell traces her own life story and how it paralleled and diverged from Knapp's, weaves it back into the story of their friendship, and then continues her story without Knapp, but always with her memory. It's extremely well-written, intense, and engaging, and reminded me quite a bit of another favorite memoir of mine... Caroline Knapp's &lt;a href="http://www.amazon.com/gp/product/0385315546/ref=as_li_tf_tl?ie=UTF8&amp;amp;tag=racmanbro-20&amp;amp;linkCode=as2&amp;amp;camp=1789&amp;amp;creative=9325&amp;amp;creativeASIN=0385315546"&gt;Drinking: A Love Story&lt;/a&gt;&lt;img src="http://www.assoc-amazon.com/e/ir?t=racmanbro-20&amp;amp;l=as2&amp;amp;o=1&amp;amp;a=0385315546" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /&gt;. &lt;br /&gt;&lt;br /&gt;It also reminded me of Ann Patchett's &lt;a href="http://www.amazon.com/gp/product/0060572159/ref=as_li_tf_tl?ie=UTF8&amp;amp;tag=racmanbro-20&amp;amp;linkCode=as2&amp;amp;camp=1789&amp;amp;creative=9325&amp;amp;creativeASIN=0060572159"&gt;Truth &amp; Beauty: A Friendship&lt;/a&gt;&lt;img src="http://www.assoc-amazon.com/e/ir?t=racmanbro-20&amp;amp;l=as2&amp;amp;o=1&amp;amp;a=0060572159" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /&gt;, another intense and well-written memoir about female friendship, in this case with troubled author and cancer survivor Lucy Grealy. Though &lt;i&gt;Let's Take the Long Way Home&lt;/i&gt;, despite Knapp's early death, is a lot less tragic, since Caroline Knapp sounds like she had a lot more happiness and satisfaction in her life than poor Lucy Grealy ever did. It's also got way more dogs. In fact, it has enough dog content that I would especially recommend it to anyone who loves dogs. it contains dog death by old age, but is much more about what it's like to live with and love and train dogs.&lt;br /&gt;&lt;br /&gt;You can click on the author tags to get reviews of the books I mentioned in comparison.&lt;br /&gt;&lt;br /&gt;&lt;img src="http://www.dreamwidth.org/tools/commentcount?user=rachelmanija&amp;ditemid=1012433" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
  </entry>
  <entry>
    <id>tag:dreamwidth.org,2009-04-16:76086:975457</id>
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    <title>Crazy for the Storm, by Norman Ollested</title>
    <published>2011-11-29T19:13:38Z</published>
    <updated>2011-11-30T07:48:46Z</updated>
    <category term="author: ollested norman"/>
    <category term="genre: memoir"/>
    <dw:security>public</dw:security>
    <dw:reply-count>15</dw:reply-count>
    <content type="html">Yet another memoir in which a short but compelling story of survival is padded out with flashback chapters about the memoirist's life before his plane crashed/he got kidnapped by terrorists/etc, to make sure the story is book-length. &lt;br /&gt;&lt;br /&gt;In this case, the story everyone wants to read is about how 11-year-old Ollested, one of two survivors of a plane crash in the snowy California mountains that killed the pilot and his father, hiked down a mountain while trying to help the other survivor, his father's girlfriend. She's badly injured, and since the jacket copy gives it away, I will confirm that she doesn't make it. The flashbacks, which take up way more of the story, detail how Ollested lived with his mother and her abusive boyfriend, while his father periodically swooped in to demand that Ollested ski and surf with him. The young Ollested idolized his father, but was afraid of skiing and surfing - unsurprisingly, given that his father regularly demanded that he do what sounded like pretty dangerous stunts at a very young age. &lt;br /&gt;&lt;br /&gt;You will be unsurprised to hear that I was interested in the survival story (about one-fourth of the total length, if that) and not so much in the endless series of surfing and skiing trips, described in impenetrable lingo and excruciating detail. &lt;br /&gt;&lt;br /&gt;Incidentally, while individual moments can indeed be recalled with brilliant clarity twenty years later, especially if they were traumatic or otherwise memorable I don't believe that every single incident worth recounting includes vivid recollections of everyone's facial muscles. Having written a memoir myself, I frequently boggled at how Ollested would recount some trivial childhood incident jazzed up with detailed descriptions of the exact clothes everyone was wearing and the gestures they made as they uttered each word. No way. I also question the ethics of his depiction of Sondra, the girlfriend who dies on the mountain. She comes across as a horrific, shallow bitch. I'm sure that's indeed how Ollested remembered her, but given that she was a real person who died under pretty awful circumstances, to which he was the only witness, and there must be many people still living who loved her, a better balance of honesty with compassion might have been to give his recollections, but also talk to some people who knew her and so give a more rounded portrait.&lt;br /&gt;&lt;br /&gt;Ollested ends up deciding that his father's maniacal effort to force him to learn great skiing techniques was probably what enabled him to survive. Twenty years later, he recounts how he nevertheless decided not to push his son as hard as his still-idolized father pushed him... and so he doesn't teach his son to ski until he's four. &lt;br /&gt;&lt;br /&gt;I listened to this on audio while driving to Mariposa. The author's decision to read the entire book with extremely portentous intensity - appropriate for a desperate struggle for survival, not so much for dialogue like "Let's catch some killer swell, and maybe we can get back into that radical tube," - lent parts of the book a humor which it otherwise completely lacked.&lt;br /&gt;&lt;br /&gt;Too much Daddy worship and totally tubular surfing jargon, not enough insight and wilderness survival.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.amazon.com/gp/product/006176678X/ref=as_li_tf_tl?ie=UTF8&amp;amp;tag=racmanbro-20&amp;amp;linkCode=as2&amp;amp;camp=217145&amp;amp;creative=399369&amp;amp;creativeASIN=006176678X"&gt;Crazy for the Storm: A Memoir of Survival (P.S.)&lt;/a&gt;&lt;img src="http://www.assoc-amazon.com/e/ir?t=racmanbro-20&amp;amp;l=as2&amp;amp;o=1&amp;amp;a=006176678X&amp;amp;camp=217145&amp;amp;creative=399369" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="http://www.dreamwidth.org/tools/commentcount?user=rachelmanija&amp;ditemid=975457" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
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  <entry>
    <id>tag:dreamwidth.org,2009-04-16:76086:937816</id>
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    <title>Walking Where We Lived: Memoirs of a Mono Indian Family, by Gaylen D. Lee</title>
    <published>2011-07-07T16:25:51Z</published>
    <updated>2011-07-07T16:25:51Z</updated>
    <category term="genre: western research"/>
    <category term="genre: memoir"/>
    <category term="author of color/non-white author"/>
    <category term="author: lee gaylen d"/>
    <dw:security>public</dw:security>
    <dw:reply-count>2</dw:reply-count>
    <content type="html">I found this in my father’s library while visiting his house in Mariposa, near Yosemite. It’s an evocative and enlightening book which tells, in alternate chapters, the history of the Nim*, who are California Indians from the area I was staying in, and the personal history and experiences of the author, who grew up practicing many of their traditional ways. The non-historical chapters are arranged by seasons, beginning with spring and ending when winter begins to warm into another spring.&lt;br /&gt;&lt;br /&gt;Lee’s style is alternately scholarly, poetic, personal, and frank. He wrote this, the first personal account of the Nim by a Nim, partly because the existing written material on them, compiled by white anthropologists, was misleading or outright wrong. Some information is left out because it’s “none of anybody’s business;” other material, mostly involving the medicinal or food use of local plants, is deliberately vague to prevent foolish and inexperienced people from accidentally killing themselves.&lt;br /&gt;&lt;br /&gt;The history is the usual tale of stolen land and broken treaties, attempted cultural genocide and fighting back. (One of the lighter bits quotes John Muir’s horror at the incredible filthiness of some Indians he encounters while hiking in the woods; Lee points out that they were in a mosquito-infested area, and the Indians had sensibly covered themselves with a natural repellent – mud!)  The personal narrative is written in a more intimate voice, sometimes earthy, sometimes funny, often moving. Lee’s love for his family shines through every page. &lt;br /&gt;&lt;br /&gt;I liked this a lot, and I think anyone who likes memoirs or nature writing would enjoy it. My father, who doesn’t read much narrative non-fiction, was fascinated by it, and we had several long conversations about it as we hiked in Yosemite. If you have a particular interest in California history or California Indian culture, it ought to be essential reading.&lt;br /&gt;&lt;br /&gt;*The I in Nim has a diacritical I can’t reproduce, but is pronounced like the u in put. Also, Lee explains that while the Nim and the Mono speak the same language and so have been lumped together by anthropologists, they do not consider themselves to be the same people. So the subtitle is a bit odd. Possibly it was added by the publisher. &lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.powells.com/partner/36000/biblio/9780806131689?p_ti" title="More info about this book at powells.com" rel="powells-9780806131689"&gt;Walking Where We Lived: Memoirs of a Mono Indian Family&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="http://www.dreamwidth.org/tools/commentcount?user=rachelmanija&amp;ditemid=937816" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
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  <entry>
    <id>tag:dreamwidth.org,2009-04-16:76086:914976</id>
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    <title>Death Valley in '49, by William Lewis Manly</title>
    <published>2011-04-23T20:54:18Z</published>
    <updated>2011-04-23T20:56:02Z</updated>
    <category term="genre: western research"/>
    <category term="genre: memoir"/>
    <dw:security>public</dw:security>
    <dw:reply-count>23</dw:reply-count>
    <content type="html">I haven't finished reading this yet - I've been reading it off and on, on my Kindle - but I'm doing a mini-write-up before I utterly forget all that came before.&lt;br /&gt;&lt;br /&gt;It's the autobiography of an American pioneer, full of lively and sometimes horripilating details. He starts out in the East, where life sounds fairly decent but the earth is hard to cultivate, and then his family moves to Wisconsin, where life sounds great. This part is full of excellent details on life, food, work, social mores, etc. Then they all hear that life is &lt;i&gt;even better&lt;/i&gt; in California. Plus, there's gold! Uh-oh.&lt;br /&gt;&lt;br /&gt;He and some buddies go ahead of the general party to scout. They run into some Indians, and despite the buddy's reluctance, Manly hauls them all to go have a chat. Neither party speaks the other's language, but they communicate pretty well with gestures and drawings. They trade food and horses, then Manly explains their intended route west. The conversation proceeds, more or less, as follows:&lt;br /&gt;&lt;br /&gt;Indian: "WTF!!! Are you serious?! THAT way???"&lt;br /&gt;&lt;br /&gt;Manly: "Um, yes. Is there a problem with that?"&lt;br /&gt;&lt;br /&gt;Indian: "Oh hell yes. There's no water for BILLIONS OF MILES."&lt;br /&gt;&lt;br /&gt;Manly (to buddy): "Let's try a different route."&lt;br /&gt;&lt;br /&gt;Buddy: "You can't trust Indians! Ignore him. He's probably trying to lead us into a trap."&lt;br /&gt;&lt;br /&gt;Manly: "I dunno. He's been friendly so far. Plus, he lives here and we don't. It's possible he knows the land better than we do."&lt;br /&gt;&lt;br /&gt;Buddy: "Never trust an Indian!"&lt;br /&gt;&lt;br /&gt;Indian: "BILLIONS OF MILES. NO WATER."&lt;br /&gt;&lt;br /&gt;Manly: "Thanks for the horses!"&lt;br /&gt;&lt;br /&gt;Buddy: "Onward to Death Valley!"&lt;br /&gt;&lt;br /&gt;I realize that the conversation as depicted in the book may have been informed by hindsight, but it remains one of the best bits of ironic foreshadowing I've come across, whether or not it actually happened. (And no, it was not actually named Death Valley until after most of their party died there.)&lt;br /&gt;&lt;br /&gt;I've just gotten to the part where Manly and a different buddy have left most of the party behind in Death Valley, and pressed on by themselves in the hope of bringing back help. The descriptions of the desert and its privations are marvelous: great cubes of rock salt like blocks of ice, wine-red alkaline lakes, dirt soft as flour. They brought dried beef from the oxen they had to slaughter, but despite their hunger, their mouths are so dry that they can't swallow, and they finally spit out their mouthfuls of jerky and lie down for the night, wondering if they'll wake up.&lt;br /&gt;&lt;br /&gt;Free on Kindle: &lt;a href="http://www.amazon.com/gp/product/B002RKR9FU/ref=as_li_tf_tl?ie=UTF8&amp;amp;tag=racmanbro-20&amp;amp;linkCode=as2&amp;amp;camp=217145&amp;amp;creative=399349&amp;amp;creativeASIN=B002RKR9FU"&gt;Death Valley in '49&lt;/a&gt;&lt;img src="http://www.assoc-amazon.com/e/ir?t=racmanbro-20&amp;amp;l=as2&amp;amp;o=1&amp;amp;a=B002RKR9FU&amp;amp;camp=217145&amp;amp;creative=399349" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /&gt;&lt;br /&gt;&lt;br /&gt;Hard copy: &lt;a href="http://www.amazon.com/gp/product/1589760263/ref=as_li_tf_tl?ie=UTF8&amp;amp;tag=racmanbro-20&amp;amp;linkCode=as2&amp;amp;camp=217145&amp;amp;creative=399349&amp;amp;creativeASIN=1589760263"&gt;Death Valley in '49: The Autobiography of a Pioneer&lt;/a&gt;&lt;img src="http://www.assoc-amazon.com/e/ir?t=racmanbro-20&amp;amp;l=as2&amp;amp;o=1&amp;amp;a=1589760263&amp;amp;camp=217145&amp;amp;creative=399349" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" /&gt;&lt;br /&gt;&lt;br /&gt;&lt;img src="http://www.dreamwidth.org/tools/commentcount?user=rachelmanija&amp;ditemid=914976" width="30" height="12" alt="comment count unavailable" style="vertical-align: middle;"/&gt; comments</content>
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