Once again, it has been made abundantly clear that female sf writers get less respect, less reviews, and less sales than male sf writers. In response, I’d like to take the meme going around (in honor of Joanna Russ) and give it a bit more content.

The original meme is a basic list, available here, which simply shows which writers you're familiar with.

My version: Drop the authors you’ve never read to the bottom. For the remainder, discuss or rec at least one of their books with at least one sentence of explanation about why you do or don’t like it. Ask your readers to tell you about the authors you’ve never read.

Eleanor Arnason. Ring of Swords. A first-contact story involving a race of furry aliens, hwarhath, with a strictly gender-segregated society. The alien culture is wonderfully detailed, unusual but not gratuitously bizarre, and it captivated me. The plot is fairly standard, but the characterization and prose style is good, and oh, those aliens!

Octavia Butler. Wild Seed is an exceptionally well-characterized and thoughtful novel set largely in Africa, about the multi-generational relationship and battle between two people whose mutant abilities make them effectively immortal. Most easily available in the compilation Seed to Harvest, but note that while it stands on its own and ends hopefully, the loosely related sequels are really depressing. Click her tag for more reviews.

Joy Chant. Only read one of hers, and was not enormously impressed. Click her tag to read the review.

Suzy McKee Charnas. I’m a fan of hers. All else aside, she made me read a horse bestiality book – and like it! Her books are all extremely different from each other, and several of the ones long out of print are back, either in paperback or Kindle, such as the unsentimental The Vampire Tapestry, the moving southwestern fantasy Dorothea Dreams (Heirloom Books), and the genuinely epic post-apocalyptic feminist quartet beginning with The Slave and The Free: Books 1 and 2 of 'The Holdfast Chronicles': 'Walk to the End of the World' and 'Motherlines'. For the latter, warning for upsetting content and amazingly non-gratuitous bestiality. If you can get through the first one, they get steadily less depressing and more hopeful as they go along. Click her tag for more reviews.

C. J. Cherryh. I love Cherryh, bizarre prose style and all. No one captures paranoia, sleep deprivation, and alien thought processes quite like she does, which makes reading her books a disconcerting yet immersive experience. I often have to plow through the beginning before I get sucked in, but I am immensely rewarded when I do. My favorites are Cyteen (you can skip the stultifying prologue to get to the juicy emotional and psychological dynamics between the clone slaves and their co-dependent owners), and the weird and wonderful duology Rider at the Gate (Nighthorse, Book 1) and Cloud's Rider, which is both revisionist of and glories in the tropes of the companion animal story, set on a planet where all the animal life is telepathic, and humans must huddle in enclaves protected by the bonded riders of native “horses,” lest they be driven insane. Click her tag for more reviews.

Diane Duane. I’m a huge fan of her, from her marvelous Star Trek novels suffused with a sense of wonder, to her great original fantasy. She can be uneven, but her better work is fantastic. So You Want to Be a Wizard and Deep Wizardry (The Young Wizards Series, Book 2) are still wonderful (the sequels are uneven), and I will never stop pushing her adult fantasy “Tale of the Five” books, which are charming and lovely and have dragons and polyamory and battles and shapeshifting and very cool magic, and make me feel all warm and fuzzy inside. (Note: warm fuzzies notwithstanding, the second book contains a non-gratuitous, plot-essential scene of child sexual abuse.) Also, you have to click this just to see the most hilariously inappropriate cover in the history of anything: The Door Into Fire (The Tale of the Five #1). Click her tag for more reviews.

ETA: I have been tipped off that "Tale of the Five," several of the Young Wizards books, some uncollected short stories and an original fantasy novel I never heard of before are all available now in e-book form, DRM-free and for anyone in any country to read, here.

Mary Gentle. I either love or hate her books, which vary widely in tone and subject matter. Her completely engrossing A Secret History: The Book Of Ash, #1 (one book split into four due to length), is an alternate history/science fiction/steampunk/war story, about a medieval woman mercenary on a very, very strange journey, featuring stone golems, incursions from the future into the past (and vice versa), a Carthage that never fell and where the sun never shines, and a whole lot of pigs. Dark and violent but not depressing, and laced with black comedy. It might well have been hailed as one of the essential classics of the field had it been written by a man and had a male protagonist: in terms of ambition, scope, and cutting-edge ideas, it’s up there with Gene Wolfe’s The Book of the New Sun.

Authors I’ve never read, A-G: Lynn Abbey, Moyra Caldecott, Jaygee Carr, Jo Clayton, Candas Jane Dorsey, Phyllis Eisenstein, Sally Gearhart, Dian Girard, Eileen Gunn. If you’ve ever read anything by any of them, please discuss in comments.
Thanks for the loan, [livejournal.com profile] sartorias! It's actually not at all like the thing I'm working on, except for the much-used premise of "modern young people get sucked into fantasy-land and fight in a war."

This is a fantasy classic which I somehow missed reading when I was younger. I think I would have liked it a lot more if I'd read it when I was twelve. I was surprised to see that the copyright date was 1970, because it reads a lot more dated than that; by textual evidence alone, I would have guessed 1950.

English brothers and sister Oliver, Penelope, and Nicholas are swept into a fantasy world where they get involved in a war, magic, and Gods.

Oliver is separated, loses his memories (by authorial fiat, not because he was knocked on the head), becomes completely absorbed into the culture of a tribe, grows into a young man, and becomes a unicorn-riding warrior.

Penelope and Nicholas meet a beautiful magical Princess, witness a battle between good and evil eagles (a gorgeously written scene), and unfortunately otherwise don't do all that much of anything. Nicholas delivers an important message, but all Penelope does is bring down a curse on a villain because he was cursed that bad things would happen to him if he saw blue eyes, and she has blue eyes... That sounds so much stupider when I write it out than it did when I read it. When I read it, I was just annoyed that Chant chose to make one of the two main female characters a helpless little girl who never does anything of import other than open her eyes.

The diction is very elevated, except when Nicholas and Penelope talk to each other, and I could have done with more culture clashes exploring that. I also could have done with more grittiness and human feeling. There was something about the way the book was written that made it feel very emotionally distant. To me, the most interesting thing in the whole book was that time passes much faster for Oliver than it does for his brother and sister, and there's some angst when they finally meet and he doesn't even recognize them. But it's soon abandoned for the sake of his battle with Satan (no, really), which I found much less interesting.

Apparently this was very revolutionary at the time it was written because the modern characters don't get their memories wiped at the end. But overall, my favorite thing about the book, apart from quite a few very lovely sentences, was the elves with the telepathic eyebrows.
Thanks for the loan, [livejournal.com profile] sartorias! It's actually not at all like the thing I'm working on, except for the much-used premise of "modern young people get sucked into fantasy-land and fight in a war."

This is a fantasy classic which I somehow missed reading when I was younger. I think I would have liked it a lot more if I'd read it when I was twelve. I was surprised to see that the copyright date was 1970, because it reads a lot more dated than that; by textual evidence alone, I would have guessed 1950.

English brothers and sister Oliver, Penelope, and Nicholas are swept into a fantasy world where they get involved in a war, magic, and Gods.

Oliver is separated, loses his memories (by authorial fiat, not because he was knocked on the head), becomes completely absorbed into the culture of a tribe, grows into a young man, and becomes a unicorn-riding warrior.

Penelope and Nicholas meet a beautiful magical Princess, witness a battle between good and evil eagles (a gorgeously written scene), and unfortunately otherwise don't do all that much of anything. Nicholas delivers an important message, but all Penelope does is bring down a curse on a villain because he was cursed that bad things would happen to him if he saw blue eyes, and she has blue eyes... That sounds so much stupider when I write it out than it did when I read it. When I read it, I was just annoyed that Chant chose to make one of the two main female characters a helpless little girl who never does anything of import other than open her eyes.

The diction is very elevated, except when Nicholas and Penelope talk to each other, and I could have done with more culture clashes exploring that. I also could have done with more grittiness and human feeling. There was something about the way the book was written that made it feel very emotionally distant. To me, the most interesting thing in the whole book was that time passes much faster for Oliver than it does for his brother and sister, and there's some angst when they finally meet and he doesn't even recognize them. But it's soon abandoned for the sake of his battle with Satan (no, really), which I found much less interesting.

Apparently this was very revolutionary at the time it was written because the modern characters don't get their memories wiped at the end. But overall, my favorite thing about the book, apart from quite a few very lovely sentences, was the elves with the telepathic eyebrows.
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