A Quokka Dreeds its Weird

This sequel to Annihilation takes an unusual approach. Rather than returning to Area X, almost the entire book takes place outside of it, focusing on the scientific/government agency, the Southern Reach, which has been sending expeditions into it.

Most of the book is bureaucratic shenanigans with creeping horror undertones. The main character, unsubtly nicknamed Control, is slowly losing his mind trying to figure out what the hell happened to his predecessor and why she kept a live plant feeding off a dead mouse in her desk drawer, what is up with the bizarre incantatory literal writings on the wall, and what's up with the biologist, who has seemingly returned from Area X but says she's not the biologist and asks to be called Ghost Bird. There's parts that are interesting but also a lot of office satire which is not really what I was looking for in this series.

About 80% in, the book took a turn that got me suddenly very interested.

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I kind of want to know what happens next but I'm not sure Vandermeer is interested in giving readers what they want.

In a future Morocco, a young woman named Hariba with no prospects has herself jessed, a process which renders her loyal to whoever buys her, and sells herself as an indentured servant to a wealthy household. There she meets Akhmim, a harni - a genetically engineered human designed to be a perfect lover or companion. Hariba falls in love with him and runs away with him, but because she's jessed, she becomes extremely sick due to defying her loyalty implant.

Up until this point, the book had a compelling atmosphere a bit reminiscent of The Handmaid's Tale in that it explored the daily life of people living with very little agency in the home of someone who owns them. But once Hariba gets sick, she becomes completely sidelined from the story and basically lies in bed suffering for the entire middle part of the book, while the POV switches from Hariba and Akhmim to first her mother, then her friend - neither of whom are very interesting.

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This is a well-written book with interesting issues that sags a lot in the middle portion when Hariba basically drops out of the story, and ends in a note of depression and gloom.

Though I didn't love this book, I'm sorry that McHugh doesn't seem to be writing novels anymore as I did quite like China Mountain Zhang and Mission Child.

As you may have guessed, I completely failed to live up to my goal of reviewing everything I read, even in brief. Rather than attempting to catch up to my backlog, I am re-starting from where I am.

Yesterday I did a quick book cull by pulling books off my shelves that have been sitting there for ages, reading the first couple chapters, and deciding if I was likely to continue. I focused on books I'd started before and not gotten very far into. Here are the books that landed in the "move to Paper & Clay's used section" bag.

Trouble and Her Friends, by Melissa Scott



See the new cover? If you've been wanting to read this, it's now available as an ebook!

This is a classic lesbian cyberpunk novel that I have tried to read at least three times, and never managed to get very far into. I kept putting it back on the shelf because it's a classic and probably objectively good, but I'm just not that into cyberpunk. If a lot of the action is taking place online, I tend to lose interest. Also, some books just don't grab me, due to a mismatch between me and the book, rather than being objectively or even subjectively bad. This is clearly one of them. Someone else can be thrilled to find it at Paper & Clay, take it home, and enjoy it.

The Splinter in the Sky, by Kemi Ashling-Garcia



A tea specialist becomes a spy in a far-future colonized world! Unfortunately, this starts with a prologue which reads much like the infamous "trade war" crawl at the top of The Phantom Menace. Yes, I know that turned out to be prescient, but the problem was that it was written in a stultifying manner. The next couple chapters were much more lively, but also had a tendency to clunky exposition - some of which was pretty cool, to be fair. This was the second time I attempted this book, and had essentially the same reaction I did to Trouble and Her Friends - not bad, but not for me.

Furies of Calderon, by Jim Butcher



This has been described to me as "Pokemon in alternate ancient Rome," which sounds amazing. For at least the third time, it failed to grab me. I got about four chapters in and there's still no Pokemon. Someone else will like it more than me.

The Hum and the Shiver, by Alex Bledsoe



A race of people called the Tufa have lived amongst normal humans in Appalachia since the beginning of time. They can see ghosts, have music-based magic, etc. This opens with a Tufa woman very very clearly based on Jessica Lynch, who was a real-life American soldier who was wounded and captured in the US/Iraq war, returning from Iraq. I found this in poor taste. The general style also got on my nerves.

While doing this, I got sufficiently grabbed by the openings to keep reading and finish Maureen McHugh's Nekropolis, which hopefully I will actually review. I also returned Amitav Ghosh's Sea of Poppies and Tanya Huff's Sing the Four Quarters to the shelf.

18-year-old Evelyn is on a plane, transporting her father's ashes, when there's an announcement of turbulence. A passenger gets up from her seat, then collapses in the aisle. The plane begins to nosedive, and everything goes white. Then Evelyn is back on the plane, which is no longer nosediving. There's an announcement of turbulence. A passenger gets up from her seat, then collapses in the aisle. The plane begins to nosedive...

Evelyn quickly realizes that she's in a 29-minute time loop. She tries to figure out why the plane is crashing and how to stop it, but gets absolutely nowhere. She talks to other passengers. She steals their food and eats it. She watches every movie on the plane. She learns everything about everyone, except the handsome sleeping teenage boy who never wakes up during the loop. She goes through 400 loops and almost loses her mind. And then, on one loop, the boy wakes up. And on the next loop, he also realizes that he's in a loop...

Like the last novel I read by Reiss (Out of Air, the one with the teenage scuba divers), this book has a great premise. I enjoyed how Evelyn makes herself free with everything on the plane while trapped, and I also enjoyed how she and Rion, the sleeping boy, work together once he wakes up to figure out what's going on. However, it had an issue that more-or-less ruined the book for me. Rion suggests something that somehow Evelyn failed to try in 400 loops, which is to follow one person on the plane at a time, and observe everything they do. It never occurred to Evelyn to watch the flight attendants, and watching one of them reveals exactly what's causing the crash. They try to prevent it in several ways that don't work. Then Rion figures out a clever plan that saves the plane and fixes the loop.

The author clearly wanted to have Evelyn be alone in the loop for a long time. I can see why she wanted that - we get a vivid sense of her frustration and despair - but it makes Evelyn seem useless when she spends ages watching movies and so forth, and then Rion figures everything out almost immediately. This is exacerbated when Rion also comes up with the plan to fix things. This wouldn't have been a problem if they'd been in the loop together much earlier - then they could have bonded while investigating, taken breaks and done the fun stuff that she did alone, and mutually figured stuff out. It would have been more fun to read and felt less sexist, which I'm sure was unintentional but is inevitable when the girl fails at everything for ages, then a boy shows up and both solves the mystery and fixes the problem.

I'll be interested to see if Reiss's third book also has a three word title that rhymes with "care."

Camille is a tradwife influencer, living in near-total isolation from all humans but her awful and mostly absent husband Graham and her nosy neighbor Renee. She directs her own life like it's a perfect Instagram post, constantly obsessing over the perfect shade of beige and how her followers will react if she disagrees with a more successful tradwife influencer's insistence on a folic acid-free diet. The best way to get followers is to get pregnant, and she and Graham haven't managed that yet. But there's something lurking in the dark, deep well near the dark, deep woods that might be able to solve that problem for her.

The first quarter or so of this book is so repetitive and anvillicious that I might have DNF'd it if I hadn't been reading it for the horror book club. However, it picks up once Camille has sex with the creature in the well. (Camille tells herself it's an angel but can't stop calling it "the creature;" its actual nature is pleasingly ambiguous.) Her extremely weird pregnancy and increasingly desperate efforts to conceal its weirdnesses from Graham, Renee, and her online followers had me glued to the pages, and once her baby is born, I went from being entertained to actively loving the story. I don't want to give away too much about the baby, but I think it's the first time I have ever gotten deeply attached to a fictional baby. Of course, it helps that the baby isn't quite human...

The story is predictable but in a good way once you're past the interminable first quarter; you can't wait for certain things to happen. It gets increasingly batshit and darkly, gleefully funny as it goes along. It's a good female rage book, and has some quality monsterfucking scenes. Despite the rough start I really enjoyed this.

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Content notes: Very gory.

Incidentally, there are at least three novels called Trad Wife or Tradwife released this year. One by Sarah Langan is coming out in September.

An epistolatory novel about the friendship between an American Jew, Max, and a German, Martin. As Hitler rises to power, their relationship sours, in some expected ways and some less expected, as their characters are revealed.

Very short, very powerful, very technically skilled, a quick easy read with an unexpected and unforgettable outcome. Seriously, don't click on spoilers if there's any chance you'll read the book. That being said, I read it because Naomi Kritzer told me the whole story and it was still great. Thanks for the rec!

The book was published in 1939 under a male-sounding pseudonym, but the style feels almost modern and the themes feel incredibly modern. There's an afterword about what inspired the book, which which is worth reading. Taylor had some German friends who seemed like kind, wonderful people, who became fervent Nazis and abandoned their Jewish friends. In a question so many of us are asking now, she wondered, What changed their hearts so? What steps brought them to such cruelty?

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A French children's book in translation from 1961, in which five children are trapped in a cottage by a landslide.

14-year-old Laurent's family is concerned that he spends all his time reading and doing chemistry experiments, and isn't engaging with other people. So they dispatch him to stay with his younger brother and sister in a cottage only occupied by a 14-year-old girl and her younger brother, who are alone because her mother is having surgery. The idea is that Laurent will have to take care of the other kids, and this will make him come out of his shell more. His parents do leave him the out of being able to pack up his siblings and return to Paris if he really hates it.

I am honestly not sure if it was even vaguely normal in 60s France for five kids ages 14-5 to stay alone in a remote mountain cottage for ten days, or if this was just a literary convention. Anyway, Laurent unsurprisingly hates it and packs up his siblings to leave. But while they're on the train platform with the other kids, he has a change of heart and they all head back to the cottage. But they stop in the cottage of a family friend, who is out at the time.

It gets buried in a landslide! They're all trapped in pitch darkness! In an only vaguely familiar house! They can't use the stove because it already nearly suffocated them with carbon monoxide! Their only air is from a narrow shaft leading to a giant canyon! There's very little food! No one knows they're in trouble because one of the kids wrote ten postcards dated for every day of the vacation, then arranged with the post office to send one per day!

The kids having to do everything in total darkness for most of the book is a really cool twist on this sort of "trapped in a space" book. (One of my favorite moments is when enough dirt slides away that some light gets in, and they see that they've been half-starved in pitch darkness with two huge hams and a lantern hanging from the ceiling.) It has some cozy elements - they're trapped with goats, which they can milk but which also get into everything and poop everywhere, and one goat gives birth to twin kids - but gets desperate quickly when Laurent gets an infected cut and the main milking goat drowns in a flooded cellar. But it all ends up okay when they first signal with Morse code in a mirror (in a nice touch of realism, it takes a long time for anyone to figure out the message as the kids get some of the letters wrong, including signaling OSO instead of SOS) and then make and set off gunpowder!

Not an enduring classic, but an entertaining read.

Excellent dark fantasy about three women trapped in a medieval castle under siege. It reminded me a bit of Tanith Lee - it's very lush and decadent in parts - and a bit of The Everlasting. Fantastic female characters with really interesting relationships. The language is not strictly medieval-accurate but a lot of the characters' mindsets are, which is fun.

All I knew going in was that it was medieval, female-centric, and involved cannibalism. This gave me a completely wrong impression, which was that it was a sort of female-centric medieval Lord of the Flies in which everyone turns on each other under pressure and starts killing and eating each other. This is very nearly the opposite of what it's actually about, though there is some survival-oriented eating of the already-dead.

The three main characters are Phosyne, an ex-nun and mad alchemist with some very unusual pets that even she has no idea what they are; Ser Voyne, a female knight whose rigid loyalty gets tested to hell and back; and Treila, a noblewoman fallen on hard times and desperate to escape. The three of them have deliciously complicated relationships with each other, fully of shifting boundaries, loyalties, trust, sexuality, and love.

At the start, everyone is absolutely desperate. They've been trapped in the castle under siege for six months, the last food will run out in two weeks, and help does not seem to be on the way. Treila is catching rats and plotting her escape via a secret tunnel, but some mysterious connection to Ser Voyne is keeping her from making a break for it. Phosyne has previously enacted a "miracle" to purify the water, and the king is pressuring her to miraculously produce food; unfortunately, she has no idea how she did the first miracle, let alone how to conjure food out of nothing. Ser Voyne, who wants to charge out and fight, has been assigned to stand over Phosyne and make her do a miracle.

And then everything changes.

The setting is a somewhat alternate medieval Europe; it's hard to tell exactly how alternate because we're very tightly in the POV of the three main characters, and we only know what they're directly observing or thinking about. The religion we see focuses on the Constant Lady and her saints. She might be some version of the Virgin Mary, but though the language around her is Christian-derived, there doesn't seem to be a Jesus analogue. The nuns (no priests are ever mentioned) keep bees and give a kind of Communion with honey. Some of them are alchemists and engineers. There is a female knight who is treated differently than the male knights by the king and there's only one of her, but it's not clear whether this is specific to their relationship or whether women are usually not allowed to be knights or whether they are allowed but it's unusual.

This level of uncertainty about the background doesn't feel like the author didn't bother to think it out, but rather adds to the overall themes of the book, which heavily focus on how different people experience/perceive things differently. It also adds to the claustrophobic feeling: everyone is trapped in a very small space and additionally limited by what they can perceive. The magic in the book does have some level of rules, but is generally not well understood or beyond human comprehension. There's a pervasive sense of living in a world that isn't or cannot be understood, but which can only be survived by achieving some level of comprehension.

And that's all you should know before you start. The actual premise doesn't happen until about a fourth of the way into the book, and while it's spoiled in all descriptions I didn't know it and really enjoyed finding out.

Spoilers for the premise. ( Read more... )

Spoilers for later in the book: ( Read more... )

Probably the last third could have been trimmed a bit, but overall this book is fantastic. I was impressed enough that I bought all of Starling's other books for my shop. I previously only had The Luminous Dead, which I'm reading now.

Content notes: Cannibalism. Physical injury/mutilation. Mind control. A dubcon kiss. Extremely vivid descriptions of the physical sensations of hunger and starvation. Phosyne's pets do NOT die!

Feel free to put spoilers for the whole book in comments.

The sequel to The Darkness Outside of Us. I enjoyed it! It's both interestingly different from the first book and is satisfying on the level of "I want more of this," which is exactly what one wants from a sequel.

Literally everything about this book is massively spoilery for the first one, including its premise. I'll do two sets of spoiler cuts, one for the premise and one for the whole book.

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Stop reading here if you don't want to be spoiled for the entire book.


( Entire book spoilers )

One rainy day Kanade, a high school student, finds a mouse-sized cat in his room. It's a fairy cat or "palm-sized cat!" They are elusive magical creatures which sometimes adopt humans, but mostly behave like ordinary cats. Only extra-tiny!

That's about it for the plot. What this manga is actually about is showing an incredibly adorable tiny cat being an incredibly adorable tiny cat. It's an incredibly adorable manga. Proof: