Re-read. This has one of Francis’s best premises, and the execution lives up to it. Neil Griffon, an antique dealer, has temporarily taken over his trainer father’s stable after his father was seriously injured in a car crash. Neil is kidnapped by a dangerous madman who demands, on pain of destroying the stable, that Neil hire his son Alessandro as a jockey… and let him ride their prize stallion in the Kentucky Derby.

The theme here is fathers and sons. Neil’s father was emotionally abusive and distant, but competent in his own sphere; Neil, forced to step into his shoes, must gain the trust of all the employees who prefer his father. Alessandro’s father is a sociopathic megalomaniac, but gave him everything he ever wanted. The heart of the book is the relationship between Alessandro and Neil, an oddly paternal one though Neil is only 15 years older, and Alessandro’s growth into becoming his own person.

Excellent suspense, plus Francis’s usual good characterization of the supporting cast. My favorite here was Etty, confident in her place as a female “head lad” in a male-dominated profession. Though Francis doesn’t use the word “asexual,” Neil describes her as having no interest in sex. The phrasing isn’t sensitive in current terms, but the sentiment is nonjudgmental.

One of my favorite things about this book was the way that Alessandro seemed to have stepped out of an entirely different novel, one where the arrogant and damaged young man is the romantic lead, and was forced to interact with Francis’s down-to-earth characters, who either didn’t notice how hot he was or noticed but didn’t let it cloud their judgment. His interactions with the no-time-for-this-shit Etty were comedy gold.

Warning for horse harm.
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