I finished Princess Tutu and Spooks/MI-5 season three on successive nights. I may post in a substantive manner when I finish collecting the scattered and melted pieces of my heart and mind, but in the meantime, you guys feel free.
Spoilery comments for Princess Tutu go here.
Plot machine! Writer Fakir! Heroic dancing duckling Ahiru! Fakir/Ahiru 4-EVAR!!!
And... she is a duck! I can't believe they left her a duck!
Spoilery comments for Princess Tutu go here.
Plot machine! Writer Fakir! Heroic dancing duckling Ahiru! Fakir/Ahiru 4-EVAR!!!
And... she is a duck! I can't believe they left her a duck!
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Also, how *did* authorboy fend off the creepy librarians with axes?
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Fakir/Ahiru writer/muse transcendent OTP of dancing DOOM. I want some Orihime Bridge of Birds-style human-bridge crossing, dammit!!
P.S. WTF DROSSELMEYER REPRODUCED WHAT HOW WITH WHO* OMG AUTOR LOVE.
*so totally Scheherazade why else is Fakir's name Arabic
I will post comment now before I start babbling more
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Because if they hadn't, the ending wouldn't have gut-punched you as hard. :D That, and dwelling on the FMA ending, was what made me write that post (http://telophase.livejournal.com/677423.html) about the elements of pwoerful endings. :) Which also had a bit of a genesis in the comments on this post (http://telophase.livejournal.com/649143.html), which you didn't read because I told you not to.
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I love that even more than Kraehe's slutty ballerina outfit.
I sometimes amuse myself with imagining the last handful of episodes written in the style of an Icelandic saga. As Seigfried (yes, that's his real name, just as in Swan Lake!) and his bride ride off in their swan carriage, the narration comments, "And now they are
out ofentirely inside the story."---L.
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have you watched the DVD extras yet? I love Ahiru's American voice actor's reaction to the last scene.
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And then instead they followed through and built on this, and let Fakir/Ahiru happen. Which made me unbelievably happy.