The little English village of Dunstonholme has been the site of many strange tragedies, starting when a group of religious fanatics called the Children of Paul were involved in a massacre in 1300. It's now 1966, and the weird shit continues.

After a ship vanishes mysteriously, strange things start happening, and happening, and happening. Sheep go mad. Bulls go mad. People go mad. Something weird seems to be going on underground, and the bishop (who is either a mass murdering criminal smuggled into the role or a naive hippie, Blackburn seems to have forgotten to pick one) should probably not arrange a celebratory meeting for whatever lurks beneath the sod...

This book, while definitely a fun read, was a bit too similar to For Fear of Little Men to be a good one to read right after it, especially as the latter has more interesting/likable characters and a higher batshit quotient. I am not sure whether to add or subtract points for the reveal of the horror, which unlike many such reveals is not anticlimatic but worse than what I was imagining, but is also extremely gross and a particular brand of gross which I particularly dislike. I mean, effective, but YUCK.

However, the second chapter of Children of the Night is a deranged treat for horror fans and the high point of the book, so I recommend going to Amazon and reading it in the "read a sample." It's like a lost scene from a British version of Needful Things.

Spoilers! Read more... )


Down the airy mountain
Up the rushy glen
We daren't go a-hunting
For fear of little men.


The plot of this book is hard to describe, period, and even harder when trying to avoid spoilers. But basically, Sir Marcus Levin (Jewish; concentration camp survivor; Nobel prize winner in medicine) and his wife Lady Tania Levin (Russian; former bodyguard, yes really) move to a little cabin in Wales formerly occupied by a mysteriously tortured to death judge with an obsession about local folklore, while Marcus is investigating shellfish poisoning and Tania is recovering from a miscarriage caused by a mysterious car accident; while they're there, they additionally get involved in a mysterious case involving airplanes and strange noises. Also there are Nazis. This sounds like I've given away everything, but trust me, I haven't even come close.

I am pleased to report that this book by John Blackburn is exactly as batshit as A Scent of New-Mown Hay, if less spooky and somewhat less startling given that I already read one book by him and so was somewhat prepared for the otherwise unexpected Nazis. (As villains, I hasten to add.)

Blackburn reminds me a bit of Tim Powers, not in style or tone but in the construction of novels by assembling wildly disparate elements and then fitting them together like puzzle pieces to create a unified plot. A Scent of New-Mown Hay felt like horror and this feels like a thriller, but both are clearly coming from the same sensibility. Marcus and Tania, with their impressive and unlikely backgrounds, feel like recurring characters. I was unsurprised to see that they turn up in at least one other book.

Regarding Marcus's Jewishness, there's some of-the-period language and mild stereotyping, but he's the protagonist and quite likable, which is not how you expect to find a Jewish character in a book of this period by a non-Jewish author. Tania, likewise, is active and heroic. There is a character who's developmentally disabled or something and is not the greatest portrayal, but overall this book would be about five thousand times more offensive if written by say Agatha Christie.

I quite enjoyed this and look forward to reading more by Blackburn. Like many of his books, it has been reprinted and is available in ebook and paper form.


I obtained this book at a library book sale with the cover above, after getting a deliberately vague rec from [personal profile] sovay. It is currently in print, in both paper and ebook form, but very frustratingly, both the cover and blurb of the new edition give away the premise, which in the book you don't learn until about a quarter of the way - and it's much more fun to find out for yourself.

Written in 1958, the novel at first appears to be a post-war spy thriller with a noir tone. Something mysterious but probably bad is going down in Russia; British spies are looking into it; a man is called away from his wife and peaceful life due to his expertise in chemical warfare. But when a British boat is wrecked by a Russian naval vessel and its crew are washed ashore, the book takes a sudden, chilling turn into horror. What sort of horror? We don't know. It has a Charles Fort feel, with inexplicable terrors and mysteries hovering just out of sight.

I can't say more without spoilers, and I am deeply annoyed at how difficult it is to read the book unspoiled as it's very pleasingly cross-genre and odd. The horror elements do come into clear focus, but never quite clear enough to lose their essential fear of the unknown and the unknowable.

I quite enjoyed this weird little book, with its dour and cynical tone, atmosphere of existential dread, and unexpected amount of agency on the part of its female characters, and was pleased to see that Blackburn has written many other books. I'm going to attempt to dive into them knowing nothing.

Read more... )
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