rachelmanija (
rachelmanija) wrote2016-02-06 11:44 am
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Hamilton: No, Seriously, It Really Is That Good
Due to being sick, by the time I even heard of Hamilton, the Broadway hiphop musical about Alexander Hamilton, it was the hottest thing ever and its fans were pushing it with so much zeal that I was actually put off. I figured it could not possibly live up to the hype.
Also, except for Sondheim, I'm not a huge musical theatre fan, and though I am a history nerd, I'm not much into American history in general, except for the Vietnam war and to a lesser extent the 1930s and 1940s. I find Hamilton's period particularly uninteresting. Hamilton would have to be a staggering work of heartbreaking genius to get me to like it at all. Previously, Gore Vidal's novel Burr, which is indeed pretty great, was the only work set in that period which I liked or even did not find excruciatingly boring.
So I am a little hesitant to put up a post which is inevitably going to make non-converts feel the exact same way I did, and make them even more reluctant to try it. However…
I consider Sondheim to be the genius of American musical theatre. In my opinion, no one has ever even come close to matching him, so far as my personal taste is concerned. Sweeney Todd is my favorite of his plays, and I also think it's objectively his best, insofar as that can be objective. I say this not to say that Hamilton is like Sondheim (though it does have noticeable Sondheim influences) but to explain my own personal standards when I say that Hamilton is the only musical I have ever heard that I think is as good as, and I already love as much as, Sweeney Todd.
I now see why Hamilton is so popular in fandom circles, and why its fans are so enthusiastic. For one thing, no one is going to listen to the whole thing if they don't like it early on, and it seems to be something that either people love or are totally indifferent to. So you only hear from the fanatical fans - everyone else didn't even finish it.
That aside, Lin-Manuel Miranda pretty clearly identifies with his own character of Alexander Hamilton. (When I mention Hamilton, I mean LMM's character, not the actual historical guy.) He wrote him as an immigrant and a writer, a man who came from nothing and fought his way up, a man who ran off at the mouth and was told off for thinking he was the smartest in the room (because he often was). He wrote Hamilton as writer, and as a misfit whose intelligence annoyed others even as it made him notable. No wonder so many fans identify!
I have never identified with a fictional character as much as I identified with Hamilton in certain songs and lines. One song in particular is not only a beautiful song, but is about the defining act of my life - the one moment, if I had to pick just one, that sums up the core of my self. It's a song about what makes me who I am.
I've written about that too, but Miranda wrote it in music, which I could never do. He wrote lines that I could never write, not because he's a better artist than me (though he probably is, and I say probably because, like his Hamilton, I do generally think I'm the smartest in the room so I'm not sure) but because only he could write them, just as only I could write what I write. Lin-Manuel Miranda's surely never even heard of me, but he wrote my soul into a song and put it on Broadway.
I assume that's because it's his soul too. I think it's the soul of a lot of writers and artists. Though the particulars are directly applicable to me in a way that's really unusual, and I would not be surprised if some of you have been biting your tongues not to say, "Rachel, you HAVE TO listen to Hamilon because you will identify SO MUCH, let me link you to this one song that is SO YOU."
I heard that song and I was glad that I lived long enough to hear it. I felt as if, had I died the day before, what I would regret most was that I never got to hear that song. I felt that way when I saw Sondheim's Assassins and Sweeney Todd, when I saw The Kentucky Cycle on Broadway, when I saw the first X-Men and Lord of the Rings movies, when I went to Japan for the first time and saw monks practicing kyudo in Kita-Kamakura and autumn leaves falling at Eikan-do temple.
Again, this isn't about my taste and whether it matches yours - it's about that shock of joy at something you experience for the first time, and fall in love with at first sight. It's as if you exist solely so you could experience that moment.
I'm not going to name the song because I managed to be unspoiled for the show, and so it came as the most amazing, poignant surprise. Maybe it will be for you, too.
(I'll talk about it later, in a spoilery post, along with other spoilery things. Obviously the historical events are known; I'm talking about artistic moments, and there are many delicious surprises there which I don't want to ruin.)
If you are unfamiliar with Hamilton, I think watching these two videos will tell you if you'll like it or not. I think if you don't like these, you probably won't like the rest either. I suggest that you watch the videos in this order. They both should actually be watched, as one is a performance and one includes lyrics.
Lin-Manuel Miranda performs an early version of the opening number at the White House
My Shot
The entire thing is streaming for free at Spotify.
Also, except for Sondheim, I'm not a huge musical theatre fan, and though I am a history nerd, I'm not much into American history in general, except for the Vietnam war and to a lesser extent the 1930s and 1940s. I find Hamilton's period particularly uninteresting. Hamilton would have to be a staggering work of heartbreaking genius to get me to like it at all. Previously, Gore Vidal's novel Burr, which is indeed pretty great, was the only work set in that period which I liked or even did not find excruciatingly boring.
So I am a little hesitant to put up a post which is inevitably going to make non-converts feel the exact same way I did, and make them even more reluctant to try it. However…
I consider Sondheim to be the genius of American musical theatre. In my opinion, no one has ever even come close to matching him, so far as my personal taste is concerned. Sweeney Todd is my favorite of his plays, and I also think it's objectively his best, insofar as that can be objective. I say this not to say that Hamilton is like Sondheim (though it does have noticeable Sondheim influences) but to explain my own personal standards when I say that Hamilton is the only musical I have ever heard that I think is as good as, and I already love as much as, Sweeney Todd.
I now see why Hamilton is so popular in fandom circles, and why its fans are so enthusiastic. For one thing, no one is going to listen to the whole thing if they don't like it early on, and it seems to be something that either people love or are totally indifferent to. So you only hear from the fanatical fans - everyone else didn't even finish it.
That aside, Lin-Manuel Miranda pretty clearly identifies with his own character of Alexander Hamilton. (When I mention Hamilton, I mean LMM's character, not the actual historical guy.) He wrote him as an immigrant and a writer, a man who came from nothing and fought his way up, a man who ran off at the mouth and was told off for thinking he was the smartest in the room (because he often was). He wrote Hamilton as writer, and as a misfit whose intelligence annoyed others even as it made him notable. No wonder so many fans identify!
I have never identified with a fictional character as much as I identified with Hamilton in certain songs and lines. One song in particular is not only a beautiful song, but is about the defining act of my life - the one moment, if I had to pick just one, that sums up the core of my self. It's a song about what makes me who I am.
I've written about that too, but Miranda wrote it in music, which I could never do. He wrote lines that I could never write, not because he's a better artist than me (though he probably is, and I say probably because, like his Hamilton, I do generally think I'm the smartest in the room so I'm not sure) but because only he could write them, just as only I could write what I write. Lin-Manuel Miranda's surely never even heard of me, but he wrote my soul into a song and put it on Broadway.
I assume that's because it's his soul too. I think it's the soul of a lot of writers and artists. Though the particulars are directly applicable to me in a way that's really unusual, and I would not be surprised if some of you have been biting your tongues not to say, "Rachel, you HAVE TO listen to Hamilon because you will identify SO MUCH, let me link you to this one song that is SO YOU."
I heard that song and I was glad that I lived long enough to hear it. I felt as if, had I died the day before, what I would regret most was that I never got to hear that song. I felt that way when I saw Sondheim's Assassins and Sweeney Todd, when I saw The Kentucky Cycle on Broadway, when I saw the first X-Men and Lord of the Rings movies, when I went to Japan for the first time and saw monks practicing kyudo in Kita-Kamakura and autumn leaves falling at Eikan-do temple.
Again, this isn't about my taste and whether it matches yours - it's about that shock of joy at something you experience for the first time, and fall in love with at first sight. It's as if you exist solely so you could experience that moment.
I'm not going to name the song because I managed to be unspoiled for the show, and so it came as the most amazing, poignant surprise. Maybe it will be for you, too.
(I'll talk about it later, in a spoilery post, along with other spoilery things. Obviously the historical events are known; I'm talking about artistic moments, and there are many delicious surprises there which I don't want to ruin.)
If you are unfamiliar with Hamilton, I think watching these two videos will tell you if you'll like it or not. I think if you don't like these, you probably won't like the rest either. I suggest that you watch the videos in this order. They both should actually be watched, as one is a performance and one includes lyrics.
Lin-Manuel Miranda performs an early version of the opening number at the White House
My Shot
The entire thing is streaming for free at Spotify.
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AND THEN I LISTENED TO THE BEGINNING OF THE FIRST SONG AND I HAVE NEVER BEEN THE SAME
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With you on Sondheim and Sweeney, absolutely. When I recommended Hamilton to you, it didn't occur to me that you'd find so much to identify with, and now I'm kinda kicking myself because OF COURSE you would.
Can't wait to see what else you have to say.
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Part of the problem, too, is the rap music. I can't listen to any music from any genre with a pounding, rhythmic beat for very long. (Any rhythmic beat causes me pain, unfortunately. Fireworks. Thunderstorms.) Even with the sound turned down, the beat reverberates in my ears and bones, and that HURTS. Because of this, I have yet to get through the entire musical; things seem to get a lot louder and more echoing in the second half.
So between my dislike for Historic!Hamilton and the fact that much of the music literally causes my bones to throb with pain, I don't think that I'm ever going to be a fan of anything but the stills on Tumblr.
I have found one song that I really like, however--"Wait For It." "I am the one thing in life I can control..." That I can identify with.
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I may be the rare person in the middle on this show. I can easily see its brilliance and I would go see it in person in a heartbeat if I could, but I don't feel like it was made for me. (If there's anyone in the show I identify with, it's Burr, which is not a great feeling. But at least he gets one totally awesome song!)
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Now I need a Hamilton icon...
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Given everything else happening in your life, I am so so glad that you experienced that, and that there are things that can bring you that shock of joy despite everything.
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Well, I rather like it, but hip-hop/rap/whatever is so hard to listen to that I am going through it at a rate of a couple of songs in one sitting.
Then again, compared to everyone else maybe I count as indifferent.
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I mean, I'd probably agree with you that "Sweeney Todd" is a better show, but "Sunday," perhaps because it's also about an artist, has that same sense of being both tragic and inspiring, and specifically makes *you* the listener want to go out and stop wasting time and do great things, make great art, etc.
The other thing they have in common is the dramatic shift in tone between the two acts, whereas Sweeney Todd is more of a piece all the way through. I noticed this more when I saw the show then when I listened to it, as nothing breaks the spell like waiting on line for the restroom in a Broadway theatre, but it's clearly conscious. We haven't gone very far ahead in time, not like "Sunday", but from the moment Jefferson comes prancing in, it's clear that whereas the last act was the story of a struggling writer/artist, this act is about the challenges of success. I mean, I'm oversimplifying obviously, and of course "Hamilton" is much more tragic.
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(It's especially great because I made a friend listen to it, and she was skeptical at first and now can't stop. Hee hee.)
I'm still not looking for fanfic -- though I love all the art! -- and think I probably won't change in that regard, but man I've listened to Act 1 so many times I've entirely lost count. (Assuming I don't listen to 'Wait For It' 5 times in a row, Act 1 through to the Cabinet Battle in 2 is about the length of my morning & evening walks to campus, heh.)
I have an interesting relationship with Hamilton & Burr, as both are equal parts "wow that is really me" and "WELL NOT THAT PART, TF IS WRONG WITH YOU". ^_^;
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However, maybe I need to listen to the music without waiting for this less-than-likely event of a show within driving distance.
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I finally got tickets to see it, and I'm so excited! Not until June, and I could only get a Sunday matinee, which means it will be the understudy playing Hamilton instead of LMM himself, but I can't wait!
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Unfortunately, I also now have all these intense Hamilton feelings that I don't know what to do with! Usually I either read fic, which in this fandom is kind of a problem because there's just not enough and almost all the really good stuff is WIPs, or I write stuff. But I can't write Hamilton for much the same reasons I can't write Tony Stark. Dude is so much wittier than me. I can't write the kind of snappy, clever dialogue that fic would need. So mostly I just listen to the soundtrack a lot and have feelings. And refresh LMM's twitter.
(Part of why Hamilton has been so good for me is also that it's caused me to watch LMM's interviews, and it is such a comfort to me to know that an artist I admire that much is just as much of a self-admitted procrastinator as I am. I tend to get into a vicious cycle pf procrastinating, and then hating myself so much for procrastinating that I can do the thing even less. It's been hugely helpful to be able to tell myself "Miranda would have procrastinated on that JUST AS MUCH. You're okay! And then he would've got it done anyway, so GET IT DONE.)
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