Let's Do The Twist!

[rachelmanija]

I know it all depends on execution, but in general...

Poll #26831 Do the Twist

Open to: Registered Users, detailed results viewable to: All, participants: 114

View Respondents

What is your favorite twist?

View Answers

Two or more characters are actually the same person.
20 (18.7%)

One or more characters are actually imaginary or hallucinations.
9 (8.4%)

One or more characters were dead all along.
12 (11.2%)

Someone is secretly God.
5 (4.7%)

It's all taking place in virtual reality.
2 (1.9%)

It's all a dream.
1 (0.9%)

What you think is the future is actually the past or vice versa.
38 (35.5%)

The narrator misunderstands something.
48 (44.9%)

The narrator is lying about or deliberately omitting something.
42 (39.3%)

Someone is secretly related to someone else.
22 (20.6%)

A character is a woman.
21 (19.6%)

A character is queer.
19 (17.8%)

A character is trans.
14 (13.1%)

A character is [some other surprise marginalized identity].
12 (11.2%)

A character is a cis man. (Has anyone ever seen this one? I can't think of an example.)
3 (2.8%)

Someone the protagonist trusts has been secretly manipulating them all along.
27 (25.2%)

The entire story was all deliberately planned by a character.
40 (37.4%)

Someone is a mole.
22 (20.6%)

The narrator is in a mental hospital or otherwise delusional all along.
3 (2.8%)

The apparent victim is actually the perpetrator
22 (20.6%)

Everyone in the story is actually pigeons/aliens/dolls/etc.
14 (13.1%)

Something else I've forgotten to mention, so please explain in a comment..
6 (5.6%)

What twist do you HATE?

View Answers

Two or more characters are actually the same person.
8 (7.5%)

One or more characters are actually imaginary or hallucinations.
25 (23.6%)

One or more characters were dead all along.
23 (21.7%)

Someone is secretly God.
26 (24.5%)

It's all taking place in virtual reality.
48 (45.3%)

It's all a dream.
73 (68.9%)

What you think is the future is actually the past or vice versa.
4 (3.8%)

The narrator misunderstands something.
4 (3.8%)

The narrator is lying about or deliberately omitting something.
17 (16.0%)

Someone is secretly related to someone else.
4 (3.8%)

A character is a woman.
6 (5.7%)

A character is queer.
9 (8.5%)

A character is trans.
13 (12.3%)

A character is [some other surprise marginalized identity].
10 (9.4%)

A character is a cis man. (Has anyone ever seen this one? I can't think of an example.)
0 (0.0%)

Someone the protagonist trusts has been secretly manipulating them all along.
20 (18.9%)

The entire story was all deliberately planned by a character.
10 (9.4%)

Someone is a mole.
4 (3.8%)

The narrator is in a mental hospital or otherwise delusional all along.
66 (62.3%)

The apparent victim is actually the perpetrator
11 (10.4%)

Everyone in the story is actually pigeons/aliens/dolls/etc.
14 (13.2%)

Something else I've forgotten to mention, so please explain in a comment..
2 (1.9%)

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Comments

[frith_in_thorns]

I feel that I voted very much against the majority here! My big, big hate in stories is a knowledge mismatch between the narrator and the reader, I find it actually upsetting a lot of the time. (That may be a weird word for it, but it's the closest I can find.) I generally seriously dislike POV narrators who are purposely eliding something important* (my wife has never persuaded me to read more of the series after The Thief, for instance), and also I think I may be the only person who finds the Steerswoman books incredibly frustrating for the opposite reason. I think I don't really like having the conflicting understandings in my brain? I also don't enjoy POV characters where I think you're supposed to realise gradually that they're actually awful people, because I usually don't realise it until very late on and have been getting more confused and frustrated as their interactions with others and the results make less and less sense to me narratively. (This is like Peak Autism here. But I do struggle with inferring characters thoughts and feelings from text when they're not clearly presented, and in these situations I do end up feeling purposefully tricked and resentful.)

*My exception to this trope is The Raven Tower, which I love. I think mostly the difference is that the structure with part of the story told in the past meant that I knew that of course I was still learning lots of things about the character as I went along, so the denoument was a final delightful reveal rather than a "surprise, I the writer forced you to misread this all along".

[asakiyume]

Yes!! Yes, The Raven Tower's twist/reveal was wonderful.