Nightfall, by Joan Aiken. I would never have guessed she'd written this if her name wasn't on the cover. Short, readable, yet intensely stupid thriller about a woman trying to regain lost memories of a childhood trauma and so getting involved in an old unsolved mystery. The plot depends on everyone in it being an idiot-- not realizing, for instance, that twins commonly look alike.
Reforming Lord Ragsdale, by Carla Kelly. A sweet, touching Regency romance about an English aristocrat who's been depressed and drinking heavily since losing an eye in the war in Ireland, and Emma, the strong-willed Irish indentured servant who drives a bargain with him (when he's dead drunk) that he'll free her if she can reform him and get him married off. You can see where that's going.
The appeal of this is that the characters are the opposite of the ones in Aiken's book: they behave intelligently and out of reasonable motives. Perhaps Lord Ragsdale's slow growth of a social conscience is totally historically implausible, but it was portrayed believably, and I liked that Kelly tackled the social issues of the time rather than pretending they didn't exist. The power imbalance between the romantic couple is handled thoughtfully and well, and I liked that they genuinely cared for each other and that Kelly didn't resort to random nastiness or contrived misunderstandings to keep them apart. And the scene when he tells Emma he's taking her to Mass really got to me.
Reforming Lord Ragsdale, by Carla Kelly. A sweet, touching Regency romance about an English aristocrat who's been depressed and drinking heavily since losing an eye in the war in Ireland, and Emma, the strong-willed Irish indentured servant who drives a bargain with him (when he's dead drunk) that he'll free her if she can reform him and get him married off. You can see where that's going.
The appeal of this is that the characters are the opposite of the ones in Aiken's book: they behave intelligently and out of reasonable motives. Perhaps Lord Ragsdale's slow growth of a social conscience is totally historically implausible, but it was portrayed believably, and I liked that Kelly tackled the social issues of the time rather than pretending they didn't exist. The power imbalance between the romantic couple is handled thoughtfully and well, and I liked that they genuinely cared for each other and that Kelly didn't resort to random nastiness or contrived misunderstandings to keep them apart. And the scene when he tells Emma he's taking her to Mass really got to me.