(
rachelmanija Jan. 27th, 2019 01:26 pm)
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In Beauty by Brian D'Amato, a creepy, pretentious, narcissistic artist/unlicensed plastic surgeon tries to create the perfectly beautiful woman. I don't think it's spoilery to say that he gets what's coming to him. A satire of American beauty culture, the 80s art scene in New York, misogyny, and the lifestyles of the idle rich, recounted by a seriously unreliable narrator.
What would Marilyn or Madonna or Cindy Crawford be without their moles? Nothing, I thought. Or a lot less. It’s interesting that moles are called “beauty marks.” What was it about them that made them so alluring? Are they like a sign that you can approach the goddess?
I spent a long time composing its position, but I finally decided the black spot would go nearly a centimeter above the left corner of her lip. A hair off to the left. The abstract element would round out her effect. It would make her unique and human and sexy and somehow pathetic. Because a mole is an intimation of death.
I am not big on social satire and much of it is now dated, but the prose style is to die for. The author is a professional artist and the technical detail is fascinating in the way of Dick Francis, though both narrator and tone are basically anti-Francis.
I do like this book but it is not my favorite book called Beauty, nor my favorite take on "Beauty and the Beast." My favorite book actually called Beauty is Beauty: A Retelling of Beauty and the Beast
, by Robin McKinley, and yes, I like it better than her Rose Daughter
, which also retells "Beauty and the Beast." (One might argue that many and possibly all of McKinley's books are versions of "Beauty and the Beast."
My least favorite book called Beauty is Beauty: A Novel
by Sheri S. Tepper, a horror novel which makes an apparently sincere case that horror fiction is evil. Tepper's books argue a lot of strange positions but that one takes the cake for the strangest.
What is your favorite/least favorite work called Beauty? What is your favorite/least favorite take on "Beauty and the Beast?"
Beauty


What would Marilyn or Madonna or Cindy Crawford be without their moles? Nothing, I thought. Or a lot less. It’s interesting that moles are called “beauty marks.” What was it about them that made them so alluring? Are they like a sign that you can approach the goddess?
I spent a long time composing its position, but I finally decided the black spot would go nearly a centimeter above the left corner of her lip. A hair off to the left. The abstract element would round out her effect. It would make her unique and human and sexy and somehow pathetic. Because a mole is an intimation of death.
I am not big on social satire and much of it is now dated, but the prose style is to die for. The author is a professional artist and the technical detail is fascinating in the way of Dick Francis, though both narrator and tone are basically anti-Francis.
I do like this book but it is not my favorite book called Beauty, nor my favorite take on "Beauty and the Beast." My favorite book actually called Beauty is Beauty: A Retelling of Beauty and the Beast
My least favorite book called Beauty is Beauty: A Novel
What is your favorite/least favorite work called Beauty? What is your favorite/least favorite take on "Beauty and the Beast?"
Beauty
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Also for favorite, probably McKinley's version of BatB that has vampires in it. :D
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I have no industrial baking experience but the baking seemed ok to me? Huh.
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WHAT.
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I think you can see elements of "Beauty" even in books which aren't full retellings. In The Blue Sword, the heroine is taken away from her familiar home by a strange, initially frightening man whom she grows to love. There's even the sequence near the end where she returns briefly to her old home, then runs back to her new one. In The Hero and the Crown, there's no frightening but non-villainous man, but she does take a trip to the magical home of a strange man, where she is changed.
Sunshine is interesting because it's the only one where the Beast figure really is alien and eerie, as opposed to just being a man whose strangeness only requires getting used to.
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I had to track down a source for this quotation before citing it; it appeared originally on McKinley's blog in 2008, but the relevant archives no longer appear to exist.
"The story I tell over and over and over and over is Beauty and the Beast. It all comes from there. There are variations on the theme—and it's inside out or upside down sometimes—but the communication gap between one living being and another is pretty much the ground line. And usually the gap-bridger is love."
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That is not helpful to posterity!
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https://robinmckinley.livejournal.com/
But this is all you see of the old site
http://robinmckinley.com/
although some of it's on wayback https://web.archive.org/web/20060510155248/http://www.robinmckinley.com/SiteMap.html
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I think the only McKinley I don't get along with as well is Spindle's End although it's been a while since I read it. And I haven't read Chalice and there may be other new stuff I haven't gotten to.
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The Tepper book sounds ... special. (And bizarrely extreme even for her.)
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I don't think I read Tepper's Beauty. I read a bunch of her books at some point and decided they were Not My Thing, although I still recommend Gate to Women's Country on occasion. (All her books annoyed me, but GTWC annoyed me in a more interesting way.)
Not quite the same title, but I LOVE Scott Westerfield's book "Pretties." (The whole series is great. I haven't read the new one yet, but it's on my list.)
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I disagree with literally everything in The Gate to Women's Country, but I've reread it multiple times and still like it a lot as a book. The way it's told and the emotions of the characters are very compelling to me. A lot of Tepper's storytelling appeals to me even though her biological determinist politics are not only appalling, they bother me more because we do agree on things like "rape is bad." It's just that her solution to "rape is bad" tends to be "so we should develop a test for rapists and then euthanize them as babies."
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Then I heard Tepper speak (she was GoH at WisCon in the late 1990s) and HOLY SHIT SHE DID THINK SHE WAS WRITING A UTOPIA.
Anyway. I need to buy a copy because I think my 15-year-old would really enjoy it; she's learned about Sparta at school and talked about how interesting it is that the women, in some ways, had vastly more freedom and respect than the women anywhere else (even if they were also stuck with a lower standard of living overall than their totally oppressed Athenian sisters) and that's clearly part of the starting place for the whole premise.
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I want to hear more about Tepper's speech! What was it like? What was she like?
Oh, yes, your daughter should give it a shot. I really do think it's an interesting and worthwhile (albeit fucking horrifying) book, and she's got the perfect background for finding it interesting. It even has the Iphigenia play!
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When Sherri S. Tepper was GoH (and I'll note again this was in the late 1990s so it was a very different WisCon and Live-Tweeting was not a thing) she gave an impassioned pro-eugenics speech. Prior to this speech I'd wondered about some of the stuff in her books -- like, sometimes people read SF and think "this author is calling for TERRIBLE THINGS" and in fact it's just that the author thinks that these are interesting ideas to poke at. No, all the eugenics stuff in Gate and some of her other books? SHE 100% THOUGHT THEY WERE A GOOD IDEA. And said so in her WisCon speech.
It's been long enough I don't remember a ton of details, other than she also seemed to think teen pregnancy was a good idea because teens had more energy. (But only if they're the right sort of teens to be having babies? I don't remember all the details. I think the teens were supposed to live in communes with older women because the big problem with teen pregnancy is lack of resources and that's a solvable problem, I don't know.)
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(I read a lot of Tepper after that, and my mother is/was a big fan; quite a lot of it gave me nightmares, while also being incredibly gripping / full of amazing ideas - for example Grass and Raising the Stones are books I got a lot out of reading and re-reading in my twenties but probably now will never reread.)
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I definitely was old enough on first reading all of them to pick up on the sex stuff, which was definitely part of the nightmare fuel.
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I've read a lot of retellings of Beauty and the Beast in my life, as an inveterate fan of fairy tales, and my favourite is absolutely Briarley by Aster Glenn Gray, with Bryony and Roses by T. Kingfisher in second place. But I have a great deal of fondness remaining for McKinley's Beauty: A Retelling of Beauty and the Beast.
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Most of the other takes on Beauty and the Beast that I've read haven't really stuck with me, even if I enjoyed them at the time. I know I've read both Beauty and Rose Daughter, for example, but I couldn't begin to tell you what either of them do with the story, whereas a lot of other early McKinley was deeply formative for me. (I like T. Kingfisher's fairy tale retellings a whole lot, in general, but Bryony and Roses is one I haven't yet read.)
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And now I am thinking about in what ways Dragonhaven and Pegasus ring changes on that same story.
P.
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"I did not get very far; but I thought I knew what Persephone must have felt after she ate those pomegranate seeds; and was then surprised by a sudden rush of sympathy for the dour King of Hell."
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I highly recommend "Jackalope Wives" and "The Tomato Thief," which are both free to read online. I just reread them because someone did a lovely sequel to the latter one for Yuletide.
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McKinley's Beauty is definitely my favorite work called Beauty: I'm not sure I've read another. It also makes a fair bid to be my favorite retelling of "Beauty and the Beast," even though or because I encountered it so early. I do like Angela Carter's "The Tiger's Bride." McKinley's Chalice was actually one of the more disappointing variants I've run into.
My least favorite book called Beauty is Beauty: A Novel by Sheri S. Tepper, a horror novel which makes an apparently sincere case that horror fiction is evil. Tepper's books argue a lot of strange positions but that one takes the cake for the strangest.
Okay, unpack this a little, because what?
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I don't understand this either.
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Perhaps Tepper thought it was different when she, a woman, wrote about the rape and murder of women than when her fictional male horror writer did it.
Either that or just WHAT.
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A million years ago I read a story where the "Beast" was a girl with hirsutism and the "Beauty" was a bishonen (not that the author used that term) and the point was that ugly girls are lovable too. Pretty trite, but good for a fat fifteen year old girl's soul.
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At least Spindle's End is definitely not a Beauty and the Beast story, since it's explicitly a Sleeping Beauty story. I love that one too.
Beauty is the only Tepper book I've ever read, so. Yeah.
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The ending is kind of abrupt, but I love so many things about it that it's still my favorite.
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I think I spent some of my very limited cash on a copy, based partly on the pretty cover, and thus felt very hard done by.
Tanith Lee has a Beauty and the Beast retelling I also didn't like: in the end the beast is beautiful and all humans are objectively disgusting by comparison, which was an interesting twist but I prefer the original "don't judge people for being ugly" message.
I moderately enjoyed Briony and Roses by T Kingfisher.
I have heard Briarly is a cute m/m retelling but haven't read it yet.
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I don't know if I have a favourite work called Beauty, Robin McKineley's Sunshine is a favourite retelling. My least favourite is the Anne Rice/A.N. Roquelaure's Sleeping Beauty series.
*Yes, I've read Angela Carter and I like her short stories and later novels, but it's amazing how people will so often rec something very well known and also old as if it's something no one else knows about.
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I did not realise she died in 2016 - how did I miss that?
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Hunh her official website isn't very clear on the pen names: http://sheri-s-tepper.com/about/other-pen-names/
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I hadn't remembered that she had two different pseudonyms (AJ Orde and BJ Oliphant) for writing mystery series.
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As it happens, it's my current kitchen book, and I'm almost to the end.
I always have a kitchen book; I read it in short intervals while I'm waiting for the microwave to finish heating up the soup or the chicken breast to finish sautéing on one side. Kitchen books tend to alternate between rereads of favorite books and "I've been meaning to read that" new-to-me books. But they have to grab my attention well enough that I pick up the kitchen book to read instead of pulling the iPhone out of my pocket and reading that book. (Yes, of course I always have an iPhone book in process. Also a bathroom book, an iPad book, and a bedside book. That last one usually has to compete with the iPad book, because ebooks are easier on my eyes, but I have a huge TBR pile of physical books.)
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I have kitchen books too. In my case they're food books, as those are shelved in/by the kitchen. I can easily dip in and out of those.
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My current favourite is this graphic novel, which, for some reason, I initially thought you were writing about! Maybe I need more caffeine.
I hated the Tepper version and didn't finish it.
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I am not certain what my most favourite is; I do like Rose Daughter very much but I felt like the seams showed more than I would hope for. I think I may be under-read in B&tB retellings, unlike versions of Tam Lin where I have read all the ones I can find. Are there any you would particularly recommend? (But do ignore that question if you have already mentioned a bunch in comments, I am reading those next.)