Hooks in literature

Date: 2010-12-03 10:38 pm (UTC)
movingfinger: (Default)
From: [personal profile] movingfinger
In some cases, Grand's theatre had to have two copies of the film on hand, because his alterations were so flagrant that he did not deem it wise to project the altered copy twice in succession. This was the case with a popular film called The Best Years of Our Lives. This film was mainly concerned, in its attempt at an odd kind of realism, with a young veteran of war, who was an amputee and had metal hooks instead of hands. It was a story told quite seriously and one which depended for much of its drama upon a straight-faced identification with the amputee's situation and attitude. Grand's insert occurred in the middle of the film's big scene. This original scene was a seven-second pan of the two principal characters, the amputee and his pretty home-town fiancée while they were sitting on the family porch swing one summer evening. The hero was courting her, in his quiet way---and this consisted of a brave smile, more or less in apology, it would seem, for having the metal hooks instead of hands---while the young girl's eyes shone with tolerance and understanding...a scene which was interrupted by Grand's insert: a cut to below the girl's waist where the hooks were seen to hover for an instant and then disappear, grappling urgently beneath her skirt. The duration of this was less than one-half second, but was unmistakably seen by anyone not on the brink of sleep.

Terry Southern, The Magic Christian (1959)
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