Fifteen Percent Concentrated Power Of Will

Not the Ben Affleck Armageddon, the Andy Lau Armageddon.

A disjointed, over-stuffed, intermittently coherent movie (or possibly several movies jammed together) made watchable and, if in company, extremely amusing, by the presence of the gorgeous Andy Lau and by its high WTF quotient.

I began watching this by myself. In the first two minutes, a priest spontaneously combusts. Then it cuts to sad computer scientist Andy Lau, moping adorably on his yacht. One of the very best features of this film was Andy Lau curled up sadly in chairs, sofas, etc. Oyce and I kept wanting to hug and cuddle him.

And then something happened that made me fall off my sofa laughing hysterically. I stopped the film, deciding that I needed to watch it with Oyce to watch her reaction to this.

( Dehydrated humans can be reconstituted -- just add water! )

Armageddon

Most Gratuitously Depressing Novel (involving an apocalypse)

( I Who Have Never Known Men, by Jacqueline Harpman )

Most Gratuitously Depressing Novel (not involving an apocalypse)

( Out of the Dust, by Karen Hesse )

Most Gratuitously Depressing Short Fiction (involving an apocalypse)

Most Gratuitously Depressing Short Fiction (not involving an apocalypse)

( A Touch of Lavender, by Megan Lindholm, and The Necklace, by Guy de Maupassant )

Most Gratuitously Depressing Dramatic Work (involving an apocalypse)

( Wolf's Rain )

Most Gratuitously Depressing Dramatic Work (not involving an apocalypse)

( In the Company of Men )

I started printing my memoir last night. I continued at 8:00 am today. I'm still printing the thing. With my advance check I will buy a new printer that isn't slow, evil, and insane. You don't want to know.

Since I'm stuck here apparently indefinitely, I will amuse myself by reprinting my thoughts on this o/v/e/r/r/a/t/e/d controversial anime series.

First report, from about half-way through the show:

As most of you probably know already, the Earth is under attack by giant things called angels, which look like robots, but later developments suggest that they're living, presumably bioengineered things. The first two attacks killed half the population; fourteen years later, everyone's hunkered down in fortified cities.

The only defense against the angels is the Evas-- giant robots (three so far) which can only be piloted by certain kids born nine months after the first attack. The kids are Shinji, a passive boy who's understandably depressed because his asshole father, who runs the program, doesn't love him; Rei, a girl who I suspect is either a clone or an android, because she has no past, no emotions, and no personality; and Asuka, another girl who's an annoying brat.

Despite the almost complete lack of likable characters, the story is gripping enough to keep me watching. Actually, the story per se is only so-so, but the hints of a larger plot occurring out of sight are quite intriguing: What are the angels and what do they want? Is someone sending them? Are the Evas based on angel technology? Are the Evas alive? What's so special about the kid pilots? Who or what is Rei? Is Shinji's horrible father plotting the end of the world, and why? Etc.

It's not uncommon in sf for the background to be more interesting than the foreground, but this show is a particularly notable case.

That being said, and admitting that I'll watch to the end to see how it comes out, I have to ask: what is it that's so special about this show, again?

It's supposed to be a dark, intense classic, but so far it hasn't been all that dark and intense-- angsty, yes, but not as much as a bunch of the other shows I've checked out-- and nowhere near as intense as its obvious comparison, that other story of kids fighting a war against aliens because their abusive-parents-by-proxy don't want to get their hands dirty, Ender's Game.

The animation is OK, nothing more, though some of the character, angel, and Eva designs are pretty good.

The weirdness quotient, so far, is pretty low. Actually, it's nil except for the strange use of Christian imagery and the presence of a penguin (the obligatory cute animal, here totally out of place).

Second report, of the complete show:

At about the halfway mark, the series switched from a somewhat generic sf show about angsty kids piloting giant robots called evangelions for an organization called NERV to save their post-apocalyptic world from invaders to a really interesting and weird sf show in which all the elements noted above are called into doubt, and Christian imagery begins to run amok.

Huge spoilers, including details of the worst ending of anything ever.

( Read more... )