Note to helpful commenters: Please at least attempt to explain what is incomprehensible, even in brief (I realize this is inherently difficult.) For example, "I understood it until Dave turned into a giant space fetus, unless that was supposed to be metaphorical."

If the series/movie/whatever is still running or is very recent (like Tsubasa) please black out or rot13 spoilers! (Go to rot13.com to encrypt and decrypt, it's easy.)

I did not find Angel Sanctuary that hard to follow once I got past the first few volumes. On the other hand I am still not sure what what happened to God, Lucifer, or the flying cannibal angel embryo armada, so I think it qualifies. It was probably just comprehensible in comparison to, say, Fairy Cube.

I still have no idea what happened at the end of Akira, except that I think it involved destroying Tokyo.

My further nominees: The Quiet Earth: A mysterious event leaves Earth depopulated except for three people. I am not sure what happened at the end or why, but it's possible that one of the men was mysteriously whisked to a moon of Jupiter.

Was Altered States the movie in which William Hurt watches a trippy light show for twenty minutes, then turns into a chimpanzee?
In the near future, a huge earthquake destroys Tokyo, as all manga catastrophes are wont to do. Well, parts of Tokyo anyway. Rescue worker Rei, who rides a motorcycle and is possibly the most ass-kicking shoujo heroine ever, and her hot partner Uozumi go to the rescue, but are shot at and then bombed. Uozumi is trapped and surrounded by flames. Rei rescues him by shooting the debris trapping him with a bazooka; his life is saved but he loses a leg.

They are presumed dead, so they go to work as mercenaries for a bar with really good potstickers which is a front for a mercenary rental joint. As one does. And then they rescue hostages and contemplate their love lives. Rei loves Uozumi, but he loves his girlfriend Mika. I think Mika is doomed.

This seems to be an older manga, based on the retro art style (Rei's eyes are humungous, even for shoujo) and the fact that my edition, from Animerica, is flipped. There's only two volumes, and I look forward to the next. I don't love the art but it's not actively offputting, Rei is awesome, it has sexual tension between partners, and the writing style has a nice indie-noir edge.

I believe that Tamura's famous work is an epic fantasy, Basara. How's that?
Wow, the story sure picked up after the awful piffle arc. I am not certain exactly what's going on, but oh, the angst! Oh, the massive spoilers! )
Wow, the story sure picked up after the awful piffle arc. I am not certain exactly what's going on, but oh, the angst! Oh, the massive spoilers! )
No real spoilers, but this probably won't make much sense unless you know who the characters are.

I am beginning to experience the frustration felt by so many others before me: I love this series, but it's apparently been abandoned, and I can't find any publication schedule for the English editions of the rest of the series. The last one I have is number fourteen, but the series goes to... what... nineteen or twenty? Waaah! I want to read the rest!

I don't really have that much to say about its qualities, as opposed to the plot, that I haven't said before: the art is incredibly beautiful, the character designs are easy on the eyes and easily distinguishable from each other (an important quality in a story with such a huge cast) and the characters are also well-drawn in the metaphoric sense. The artists are exceptionally good at creating moments of visual tenderness between characters: a touch of hands, a meeting of shy glances, an over-eager set of the shoulders when that special person walks into the room.

Especially between Kamui and Subaru. Subaru has a much bigger role in the manga than in the anime, and now I see why people like him so much. (Poor guy.) And I love the scene between Sorata and Arashi in volume 14 where he touches a lock of her hair. Awwww....

The manga is, of course, more detailed than the anime, but I have to say that the anime generally did an excellent job of integrating the short back stories that appear at the end of each volume, focusing on individual characters, into the series. In the anime, I especially liked how they included Seiichiro Aoki and Daisuke Saiki's; in the manga, Yuto Kigai's romance with the fountain is lovely. I have no idea why the anime did not put in that Kusanagi's power is that he can hear the voices of plants and animals. It would have taken them thirty seconds to establish, and it makes all sorts of things about his role and character make sense.

On the down side, the manga is a bit repetitive, and the whole CLAMP school plot seems unnecessary and self-indulgent. There's cross-over characters who I don't care about because you obviously have to have read aomething else to know who they are, and I generally want to see less of them and the goofy blonde schoolboy who's in love with Kamui, and more of the Dragons.

The manga is more violent, which in this case is not an advantage. For instance, in the anime a character is crucified and then stabbed in the heart. In the anime, she's crucified, stabbed in the heart, then dismembered and decapitated. Apart from the death-by-giving-birth-to-shinken scenes, which have to be gruesome, I don't think this is necessary and leads to a problem. If you're going to kill a character and then have someone pick them up to mourn over them, it's better if their body is more-or-less intact. Visual image of person holding dead body of the one they love: moving. Visual image of person holding the decapitated head of the one they love: faintly ludicrous.

So at approximately what point does the manga leave off? Have any of the main characters died yet? Does Subaru face off with Seishiro? Does Sorata get a chance to save Arashi? Does that really cool scene of the final showdown between Karen Kasumi, Seiichiro Aoki, Yuto Kigai, Satsuki, and the Beast happen, or was that made up for the anime? (If it was, hats off to the anime scripters.) And is it ever revealed who Kamui's father is, or is that not important?

I assume the wonderful scene between Fuma and Yuzuriha must happen in volume fifteen, as I was expecting it in fourteen.
No real spoilers, but this probably won't make much sense unless you know who the characters are.

I am beginning to experience the frustration felt by so many others before me: I love this series, but it's apparently been abandoned, and I can't find any publication schedule for the English editions of the rest of the series. The last one I have is number fourteen, but the series goes to... what... nineteen or twenty? Waaah! I want to read the rest!

I don't really have that much to say about its qualities, as opposed to the plot, that I haven't said before: the art is incredibly beautiful, the character designs are easy on the eyes and easily distinguishable from each other (an important quality in a story with such a huge cast) and the characters are also well-drawn in the metaphoric sense. The artists are exceptionally good at creating moments of visual tenderness between characters: a touch of hands, a meeting of shy glances, an over-eager set of the shoulders when that special person walks into the room.

Especially between Kamui and Subaru. Subaru has a much bigger role in the manga than in the anime, and now I see why people like him so much. (Poor guy.) And I love the scene between Sorata and Arashi in volume 14 where he touches a lock of her hair. Awwww....

The manga is, of course, more detailed than the anime, but I have to say that the anime generally did an excellent job of integrating the short back stories that appear at the end of each volume, focusing on individual characters, into the series. In the anime, I especially liked how they included Seiichiro Aoki and Daisuke Saiki's; in the manga, Yuto Kigai's romance with the fountain is lovely. I have no idea why the anime did not put in that Kusanagi's power is that he can hear the voices of plants and animals. It would have taken them thirty seconds to establish, and it makes all sorts of things about his role and character make sense.

On the down side, the manga is a bit repetitive, and the whole CLAMP school plot seems unnecessary and self-indulgent. There's cross-over characters who I don't care about because you obviously have to have read aomething else to know who they are, and I generally want to see less of them and the goofy blonde schoolboy who's in love with Kamui, and more of the Dragons.

The manga is more violent, which in this case is not an advantage. For instance, in the anime a character is crucified and then stabbed in the heart. In the anime, she's crucified, stabbed in the heart, then dismembered and decapitated. Apart from the death-by-giving-birth-to-shinken scenes, which have to be gruesome, I don't think this is necessary and leads to a problem. If you're going to kill a character and then have someone pick them up to mourn over them, it's better if their body is more-or-less intact. Visual image of person holding dead body of the one they love: moving. Visual image of person holding the decapitated head of the one they love: faintly ludicrous.

So at approximately what point does the manga leave off? Have any of the main characters died yet? Does Subaru face off with Seishiro? Does Sorata get a chance to save Arashi? Does that really cool scene of the final showdown between Karen Kasumi, Seiichiro Aoki, Yuto Kigai, Satsuki, and the Beast happen, or was that made up for the anime? (If it was, hats off to the anime scripters.) And is it ever revealed who Kamui's father is, or is that not important?

I assume the wonderful scene between Fuma and Yuzuriha must happen in volume fifteen, as I was expecting it in fourteen.
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