(
rachelmanija Mar. 5th, 2019 09:51 am)
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I got some boxes in the mail today. Here’s what I bought at Bookman’s:
The Girl Who Drank the Moon (Winner of the 2017 Newbery Medal)
, by Kelly Barnhill. A fantasy that looks surprisingly non-depressing despite having won a Newbery medal.
The Private Worlds of Julia Redfern
, by Eleanor Cameron. Sequel to A Room Made of Windows, which is itself in a four-book series – huh, I had no idea! It’s about a girl writer.
Big Red
, Outlaw Red
, and Haunt Fox
, by Jim Kjelgaard, who cornered the rather specific niche of exciting kids’ fiction about Irish setters.
Forest
, by Janet Taylor Lisle. The back cover promised a pastoral fantasy about a girl and a forest, but I just now realized that it’s by the author of Afternoon of the Elves
, possibly my all-time least-favorite Newbery book. I thought it would be about elves. There are no elves. Elves are a delusion. The heroine’s friend who says there’s elves turns out to be living with a mentally ill, abusive mother. When the heroine tells her own mother in the hope of getting her help, her friend is taken away and she never sees her again or learns what happens to her.
Message: Elves aren’t real. If you ever tell anyone a friend is being abused, they will disappear and you will never know if you did the right thing or made it worse. Also, everything is terrible.
Message of almost every Newbery book before about 1990: Your pets will die. Your grandparents will die. Your parents will die. Your best friend will die. Mentally ill or abused or disabled people die, are institutionalized, or disappear. (You may learn later that they died.) Social workers lock up your mentally ill friends, take away your abused friends, and step on your kitten. Magic isn’t real. All attempts to do the right thing lead inevitably to misery. Everything is terrible.
Meanwhile, Layla bought a book at Bookman's that she thought would be a heartwarming story of kids making friends while rescuing stranded narwhals. No One Expects Surprise! WWI.
The Girl Who Drank the Moon (Winner of the 2017 Newbery Medal)
The Private Worlds of Julia Redfern
Big Red
Forest
Message: Elves aren’t real. If you ever tell anyone a friend is being abused, they will disappear and you will never know if you did the right thing or made it worse. Also, everything is terrible.
Message of almost every Newbery book before about 1990: Your pets will die. Your grandparents will die. Your parents will die. Your best friend will die. Mentally ill or abused or disabled people die, are institutionalized, or disappear. (You may learn later that they died.) Social workers lock up your mentally ill friends, take away your abused friends, and step on your kitten. Magic isn’t real. All attempts to do the right thing lead inevitably to misery. Everything is terrible.
Meanwhile, Layla bought a book at Bookman's that she thought would be a heartwarming story of kids making friends while rescuing stranded narwhals. No One Expects Surprise! WWI.
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Bellicose Barker leads most of his fellow mink-tailed squirrels into a war by showing that people are too dangerous to be ignored. Amber's father, an impossibly stupid man, does everything he can to show that Barker is right. People line up to shoot squirrels and squirrels rise in giant numbers to attack them. Only Amber, her younger brother, and a dreamy, curious squirrel named Woodbine, plus his sister and best friend, are clearheaded enough to seek a new understanding.
HFS
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Now I want to read more of his books. I only ever found a few.
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LOLLLL. Well, I sure didn't. Possibly if it had the Newbery Award medal on the cover instead of the cute little Apple Scholastic trade dress, I would have!
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P.
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I too was most disappointed with Afternoon of the Elves. How can you have elves in the title and not a single elf in the entire book at all???
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I do not remember the Julia Redfern novels as well as I remember the Mushroom Planet novels, but I do remember liking them.
(I also remember very little about Jim Kjelgaard, but I read all three of those novels. I read anything in a library that wasn't nailed down. I read some things that were.)
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I WAS SO MAD AT THAT BOOK. I'M STILL MAD AT THAT BOOK. (Afternoon). SOMEWHERE IN ME IS ACTUALLY PROBABLY A VERY MAGICAL REALIST BOOK THAT IS LITERALLY JUST A WAY OF SAYING "FUCK YOU" TO AFTERNOON OF THE ELVES WHERE THE NEIGHBOUR GIRL ENDS UP LIVING WITH HER FRIEND'S FAMILY BECAUSE THEY ARE GOOD FOSTER FAMILY MATERIAL AND ALSO PROBABLY THE MOTHER GETS PROPER TREATMENT AND AMONG OTHER THINGS IS ALSO A LOVE-NOTE TO THOSE PARTS OF THE SYSTEM THAT WORK REALLY HARD NOT TO BE LIKE THAT BECAUSE IT'S VERY HARD.
Because fuck that book.
(Also I will refuse in all author interviews forever to tell anyone whether or not the elves are real.)
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http://www.ala.org/alsc/awardsgrants/bookmedia/newberymedal/newberyhonors/newberymedal
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the rather specific niche of exciting kids’ fiction about Irish setters
. . . sounds more like the kind of book I would like as an adult.
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May I share on
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I wasn't a huge fan of realistic contemporary fiction anyway and would refuse to pick up anything that telegraphed a lot of death (especially pet death) was coming (I got suckered into reading "The Yearling" and "Old Yeller" and something else with a tragically dead pet and said NOPE NOPE DONE WITH ALL THIS NEVER AGAIN. "Sounder," "Where the Red Fern Grows" and "Rascal" all looked like books where the pet was going to die, and FYI I should've read "Rascal" because apparently the adorable troublemaking raccoon does NOT die and I'd have loved it, probably.)
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That was in 1998! It didn't end in 1990!
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Do you want to know why? Because Lucy Maud Montgomery WARPED MY MIND or at least, y'know, shaped my childhood. Same deal, right?
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Our teacher must not have remembered the ending, because she was just like, "Oh well, at least it wasn't that sad."
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"A Room Made of Windows" is wonderful! I read it a zillion times as a kid. Didn't like the others in the series as much, but I've been meaning to go back and reread them, in case I enjoy them more as an adult.
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And then after everything is straightened and friend is shipped off to some other relatives, away from her mother (who is either physically or mentally ill, or both, and also shipped away) the whole world piles upon the protagonist to explain that her friend was really just using her the whole time.
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I *didn't* find the book that I thought was by Eleanor Cameron but turns out (probably) not to have been: a book told in diary form with drawn pictures of some artifacts. The major thing I remember is that she had a baby brother who died either very young or as a stillbirth, and during the course of the book, her mother has a baby and uses the same name, which upsets her somewhat.
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I associate the Red books with Jack London's Call of the Wild and White Fang, as well as some long-forgotten book by a long-forgotten author about a beloved (real life?) Newfoundland dog named Belle.
I also associate them with horse books like Green Grass of Wyoming and Thunderhead.
I am pretty sure (though not absolutely confident, as my memory of these books is pretty fuzzy at this point) that in none of them did the animals die, a la The Yearling or Old Yeller.
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Agreed! I don't think I would have loved his books as much as I did if the animals tended to die, especially considering how clearly I remember the endings of books like Where the Red Fern Grows.
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Silly genre-blind me: I was hoping the kids were going to grow up to turn this concept into a real band. Here's how things actually went down, according to Kirkus Reviews:
--and (T.Rantula) first gets inside Futch's head when the kid has to cope with his parents' dopey and scary doings. (His weepy Mom has split for a ""creative"" commune to find herself.) But the one who really needs T. Rantula is Tig, who bears a horrible secret: his father is a homosexual who harasses students. So Tig evades his friends and spends all his time pounding around the school's running track, while Futch--and T. Rantula--lay traps to expose Tig's dad, that ""flashy cardboard bastard."" T. Rantula can't work miracles, however, and Tig dies with complications of anorexia; and Futch, grieving, at last brings his parents back to him in a fragile reunion.
Thanks for the sour persimmon, cousin.