A Carnegie medal-winning YA. In one strand, two SOE operatives code-named Tamar and Dart (both male) are parachuted into Nazi-occupied Holland; in the other, 15-year-old Tamar (female), who was named by her grandfather, learns about his past after his death.
The parts of the book that are about the war, the resistance, and life under Nazism are excellent. Unfortunately, there is not one but TWO other plots. One is Tamar's story, which is fine but not outstanding until it goes off the rails on a truly ill-conceived romance. The other is a love triangle taking place between dude!Tamar, Dart, and Marijke, a young Dutch woman. I HATED that story and unfortunately it takes over the second half of the book.
So Tamar (dude) had a prior relationship with Marijke as this is his second mission in the same area. He decides not to tell Dart about this for literally no reason, so he and Marijke are sneaking around pretending not to be involved. Meanwhile, Dart falls for her, and then is RAAAAGEY when he discovers that she's fucking Tamar. Fueled partly by the benzedrine tablets he was given as stay-awakes, he concocts an elaborate plot to frame Tamar for snitching on the resistance, causing a resistance fighter to murder him. Dart then flees back to England with Marijke, who he later marries as she believes he rescued her.
Meanwhile, Tamar (15-year-old girl) enlists the aid of her Dutch cousin Yoyo (male) who is 20 and aggressively flirts with her to help her unravel her grandfather's past. It's supposed to be sweet and life-affirming but to me it came across as inappropriate and creepy, especially as Tamar seems immature even for 15. The end is Tamar (girl) pregnant by and married to Yoyo, planning to name their baby Marijke. Happy ending!
BARF.
I feel like fighting Nazis was sufficiently dramatic. The loooooooove story didn't come across as the deep statement on passion, love, and the darkness in men's souls that it clearly meant to be, but as eyerolly melodrama. IMO, anyway.
Tamar: A Novel of Espionage, Passion, and Betrayal


The parts of the book that are about the war, the resistance, and life under Nazism are excellent. Unfortunately, there is not one but TWO other plots. One is Tamar's story, which is fine but not outstanding until it goes off the rails on a truly ill-conceived romance. The other is a love triangle taking place between dude!Tamar, Dart, and Marijke, a young Dutch woman. I HATED that story and unfortunately it takes over the second half of the book.
So Tamar (dude) had a prior relationship with Marijke as this is his second mission in the same area. He decides not to tell Dart about this for literally no reason, so he and Marijke are sneaking around pretending not to be involved. Meanwhile, Dart falls for her, and then is RAAAAGEY when he discovers that she's fucking Tamar. Fueled partly by the benzedrine tablets he was given as stay-awakes, he concocts an elaborate plot to frame Tamar for snitching on the resistance, causing a resistance fighter to murder him. Dart then flees back to England with Marijke, who he later marries as she believes he rescued her.
Meanwhile, Tamar (15-year-old girl) enlists the aid of her Dutch cousin Yoyo (male) who is 20 and aggressively flirts with her to help her unravel her grandfather's past. It's supposed to be sweet and life-affirming but to me it came across as inappropriate and creepy, especially as Tamar seems immature even for 15. The end is Tamar (girl) pregnant by and married to Yoyo, planning to name their baby Marijke. Happy ending!
BARF.
I feel like fighting Nazis was sufficiently dramatic. The loooooooove story didn't come across as the deep statement on passion, love, and the darkness in men's souls that it clearly meant to be, but as eyerolly melodrama. IMO, anyway.
Tamar: A Novel of Espionage, Passion, and Betrayal
From:
no subject
From:
no subject
From:
no subject
From:
no subject
From:
no subject
I had forgotten about girl!Tamar and Yoyo's marriage, possibly because I was too appalled by everything else. I still don't understand why this book won awards.
From:
no subject
And then the book kind of pushes in the direction of Dart's son and granddaughter ought to forgive him because ~war is terrible~ but what Dart did had literally nothing to do with the war other than the method of murder. In terms of motive, it was a totally straightforward murder of an innocent man to get access to the woman who loved him. UGH UGH UGH UGH UGH.
From:
no subject
From:
no subject
From:
no subject
From:
no subject
From:
no subject
From:
no subject
That's awful.
From:
no subject
From:
no subject
From:
no subject
From:
no subject
And it starts off so promisingly, too, I’m a sucker for people unraveling their family history, and that is still a plot that works if that family history turns out to be terrible, but it doesn’t work if we’re supposed to go “this dude wasn’t a terrible person even after murdering his friend to get the girl and then not telling her about it ever”. Argh!
From:
no subject
Who thinks these kinds of things are a good idea?? *facepalm*