I have read and would like to rant about this terrible book
Something by Piers "bad puns and underage underwear" Anthony
14 (35.9%)
Something by Terry "evil chicken and Libertarianism" Goodkind
5 (12.8%)
Something by Robin "hero too stupid to live" Hobb
5 (12.8%)
Something by Beatrice "Go Ask Alice" Sparks
2 (5.1%)
Something by Robert "late book incest" Heinlein
17 (43.6%)
Something by Spider "enlightenment ex machina" Robinson
10 (25.6%)
A classic novel they made me read in high school and I preferred not to
11 (28.2%)
Something where the dog dies at the end
5 (12.8%)
A very improving children's book
9 (23.1%)
HOOKS FOR HANDS
4 (10.3%)
Something by Dan "loooooooove literally holds the world together" Simmons
5 (12.8%)
Something by Dean "golden retrievers are angels and Satan eats atheists" Koontz
3 (7.7%)
Something New Age that misunderstands quantum physics
8 (20.5%)
Something where women breast boobily
8 (20.5%)
Something with hilarious Satanists
4 (10.3%)
Something by Sheri "yay infanticide!" Tepper
7 (17.9%)
Something else, which I will describe in comments
4 (10.3%)
From:
no subject
From:
no subject
(no subject)
From:From:
no subject
From:
no subject
(no subject)
From:(no subject)
From:From:
no subject
Also, I loved Beauty as a high schooler but wow was there a lot of stuff in that book that flew over my head when I was fifteen. I think initially my reaction was "wow, what a cool way to retell a bunch of fairytales by throwing them into a blender!" Then I reread it ten years later and wow was there a lot of sex stuff and probably other things that I've blocked out of my memory.
From:
no subject
I never liked Beauty. I liked some dark stuff but it was dark in the wrong way for me.
(no subject)
From:(no subject)
From:From:
no subject
_Friday_ by Heinlein remains the only book I threw against the wall and then picked up and finished. _Maia_ by Richard Adams would have been the second but after the second time I threw THAT against the wall I left it there. I think an ordinary woman would chafe having as much sex as these two put their heroines through.
And then there was _The Return of the Native_ which they made me read in school and which pissed me off so much. Everyone in that fucking book was a fucking idiot except the reddleman who just sort of watched it all happen. WTF. Hardy should've stuck to poetry.
Bonus: I know it was very historically important but _Uncle Tom's Cabin_ is way treacly to modern tastes and the Black people in it were definitely characterized as innately primitive and closer to nature or some shit.
From:
no subject
(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:From:
no subject
Flash forward to my first year teaching at an alternative school and the English teacher decides, okay, she's going to do two novels in her class: Go Ask Alice and A Million Little Pieces. I was like, "that's fuckin' rad, you're doing a unit on literary fraud!"
Readers, she did not know that either book was literary fraud.
I honestly don't have as much to rant about with Dean R. Koontz beyond that he's very weird about sex and dogs and virginity and is basically a shit Stephen King. I read The Watchers, which was a very fun movie as I like a movie with a dog where the dog doesn't die. And then I read the book, where instead of a teenage boy as the protagonist, it's a middle-aged man, and his romance is with a middle-aged woman who is a virgin at 40 because of course she is, and when they finally do the sex it's the most cringeworthy thing ever. "His fingers, his tongue, and his manhood" is a phrase that has lived rent-free in my head since I was 12 years old. So fuck you, Dean R. Koontz. Bonus fuck you for writing The Strangers, where a diverse group of alien abductees comes together in a hotel and they're all white. The diverse one is Jewish. Double fuck you.
How about a bonus for Where the Red Fern Grows, which is a boring-ass book to begin with and then the dogs die. My fifth grade teacher read it out loud to us, including the really graphic bit where one of the dogs gets disembowelled and they try to wash off the intestines and stuff them back in, but the dog dies anyway and then the other dog dies from grief. Why would you read that to children. Fuck you, Wilson Rawls, and fuck you Mrs. Tucker who said I wasn't living up to my potential.
Wow I feel much better. I note that all of these are books I read as a child. I'm not nearly so mad about books I read as an adult, mainly because I have far more of a choice in the matter.
From:
no subject
WAIT WAIT WAIT I ALSO LOATHED THE OUTSIDERS WITH THE BURNING FIERY PASSION OF ONE THOUSAND SUNS.
Has anyone uncovered S.E. Hinton's fandom pseud? Because last I heard she has a fandom pseud.
(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:From:
no subject
I think the thing I loathed most about reading books for class was the part where literally no one did the reading the night before and instead of figuring out how to fix that, we ended up painstakingly reading the text aloud in class. Where I'd be scolded for plugging my ears and reading ahead, then not knowing where "we were" when called on.
The texts I most did not like most were surprisingly usually short stories, with Araby by James Joyce and Hills Like White Elephants being the stand-out awful ones.
For books: A Separate Peace mashed my "everything about this disaster of a novel is stupid" buttons but I also think you've reviewed it before.
From:
no subject
I hated most, if not all, short stories they made us read in school and at the creative writing camp I took in the summer. My big one I hated, aside from Hills, was A Good Man Is Hard To Find. Had to read that something like 5 times.
(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:From:
no subject
This is one sick fantasy of patriarchy (which is why I keep using the epithet for Farnham), in which the patriarch is always right and wise and in control, while everyone else, including the resentful and overindulged son, is dangerously unreliable. Farnham says he takes partial responsibility for his wife’s decline – she used to be a plucky, hardworking sort, but prosperity allowed her to grow torpid and selfish, you see – but we’re clearly supposed to understand that everyone is responsible for themselves and only for themselves, so his guilt is just a sign of good character. The racial politics, when the Farnhams are discovered by an advanced civilization ruled by blacks, are possibly even skeevier, since the blacks keep white slaves and breed them according to a eugenics program. I think Heinlein was trying to be progressive with this role reversal, sort of like the juror in A Time to Kill who asks her fellow jurors to imagine whether they’d let off a white man who killed black men for raping the white man’s daughter. But it comes off as just as patronizing as every other part of the book, since Farnham always knows best and, even when he’s severely outwitted by his new master (and I must congratulate Heinlein for allowing that to happen – Farnham’s prejudices have led him to underestimate his adversary, even though the master is otherwise a monster), he ends up all right in the end. Now I remember why I love Octavia Butler so much.
From:
no subject
Like, I feel like you get one chance to use "wife disappears and comes back at the most inconvenient time", and that usage is in Mayor of Casterbridge where he literally sells his wife.
From:
no subject
So basically Nameless is a series of novellas about a nameless assassin with total amnesia who is sent on missions and given instructions and materials (ID, weapons, etc) by an unknown agency who never deal with him directly and just send him his instructions for each new job. His jobs are obviously a greatest hits of everyone Koontz doesn't like, evil atheists and whatnot. (The first one is actually pretty good - he's in a small town ruled by a cartoonishly evil sheriff - but it's all downhill from there.)
He keeps getting little flashes of memory and eventually, in the last installment, turns all his formidable fighting skills on the mysterious, dubiously evil shadow agency who have been jerking him around, sending him all over the country, and giving him his marching orders, finds and breaks into their headquarters, and runs smack into the incredibly stupid ending reveal:
The person giving him his orders is ... HIM!! He is a billionaire genius scientist who made kajillions from inventing a memory wipe device. His wife and daughter were killed by (if I remember correctly) an incredibly powerful drug gang who the authorities couldn't touch. His entirely reasonable and not at all unhinged response to this is to use his mind wipe device on himself and leave instructions with his employees (who LOVE HIM LIKE FAMILY because of course they do) to use the rest of his billions to send him out on missions to, one by one, kill people who are too powerful for the normal authorities to deal with. Which, being completely devoted to him and also apparently as unhinged as he is, they do!
Then at his request, they wipe his memory again and send him on his next mission. THE END!
From:
no subject
Why bother wiping his own memory? If he wants to murder people, why not just murder them?
(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:From:
no subject
From:
no subject
From:
no subject
From:
no subject
Yes, I know that other one was published by a small press because mainstream publishing Sensibly Would Not. I read it because I was sitting in a really good library, like, a library whose purchasing strategies I had been admiring for years, and it was just right there on the shelf, and I was like, did they buy this by mistake? They can't have? Maybe it's just not as bad as I've heard it is? It would have been actively difficult to order this because it is tiny press, so surely they had a reason?
Anyway, the worst book I've ever read is the eighth of Piers Anthony's Incarnations of Immortality series, a series a lot of people already thought had hit its nadir in the (big publisher) seventh, the one in which the female protagonist is transformed into a man for twenty minutes and upon being transformed back delivers a heartfelt speech about how it is so incredibly difficult for men not to rape women just all the time and all women should be grateful to men every moment of every day because men ever do literally anything else. After she has sexually assaulted her best friend.
So this was the sequel to that.
I've forgotten the title because it's not as though I am ever going to mistake this book for anything else anyway.
For the entire (mostly terrible) previous series, there was one (1) Incarnation of Immortality, Nox, who was the Incarnation of Night and had never been human and had a distinct air of dropping in every so often as a dea ex machina to save the rest of them from their stupid human bullshit. In the seventh book they are literally holding elections for the position of a new God and the book undercuts itself dramatically by it being perfectly clear to the reader, even though it is not to any characters or, apparently, to the writer, that Nox has the capability to either settle the election any way she wants to or just ignore the results completely and continue doing whatever the fuck she wants. (Which latter is what she winds up doing.) The concept of an omnipotent God, which everyone is saying this one will be, is therefore Not Relevant To This Cosmology. I always kind of assumed she made the whole place and just didn't want to run it, or thought this was funny or something like that. It was pretty clear that Anthony hadn't noticed the implications of his own character, and I did enjoy watching his text subvert itself off a logical cliff.
In the eighth one, he decides that she was human all along, and not from deep-time prehistory, but rather from the Middle Ages, having transcended time and space yadda yadda the point is that he wanted to put her in the rapiest time period he could think of and did so. So she's a poor little orphan who has the Terrible Misfortune of being Too Beautiful, meaning that from a single-digit age she gets raped, on page, by everyone with a Y chromosome within fifty miles of her. And then she goes through apotheosis at the age of fourteen because she finds a magic dildo.
No, really. Magic dildo. The source of all her powers is a magic dildo.
Which only works if it is inside her. She stopped aging and became an immortal goddess as soon as she put it in, and she can look like she's any age she wants, but she will lose all her powers and become human again if she ever takes it out. So, underneath all the power and mystique, she is a fourteen-year-old girl who has no real choice but to continuously have The Dildo Of Omnipotence shoved up herself, and it is explicitly uncomfortable and she hates it.
Until eventually it somehow brainwashes her or something I guess and she starts thinking of this as the Perfect State of Humanity and then she can take it out because she has become One With The Dildo or something IDK I don't think it made sense??? And then her only goal in life is to get other women to use The Dildo Of Omnipotence, even though they will all hate it until it eats their brains, but wait, by women I mean girls, because people fourteen and under only power of innocence yadda yadda.
I can't guarantee this is all one hundred percent accurate as it was not very coherent and by this time I was reading through a haze of horror and confusion.
The end of the book is the scene at the end of book seven in which she kidnaps the protagonist's best friend's baby, only this time, from her perspective, it's because he's going to grow up to be the person whom the Dildo Of Omnipotence was, um, modeled from somehow outside time and space, so she's explicitly stealing him so she can raise him to fuck her a lot because she feels that after all this running things for everybody she deserves it and also their union secret heart of the cosmos union of light and darkness yin and yang blah blah blah Jesus fucking Christ. (That last expletive is both a concept in the book and my exclamation about this entire 'plot point'.)
That was an hour and a half of my life I'm never going to get back, and it retroactively makes his entire series so, so, so much worse, not that it was amazing anyway.
In conclusion, dear Awesome Library Purchasing Agent, completism is not always the best policy, and apparently I have been secretly wanting to rant about this experience since 2011. (I read this during my 365 Books year! I was too tired to write it up! I just went and read something else that day and tried to forget this ever happened! Which, apparently, I cannot do.)
From:
no subject
I WONDER WHY he couldn't get a publisher to pick it up. Jesus Christ on a magic dildo.
(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:From:
no subject
From:
no subject
Instead I would like to rant about possibly my least fave author ever which is Thoreau. God, I hate his work and I hate him too. The hatred breaks down into so many different parts, but the biggest is that he's such a hypocrite, he's so nasty and so privileged he can't even understand what another person's perspective is, and the general public only knows various snippets of Walden and doesn't know what an utter asshole he was and venerates him. It's the smugness that he knows better - he's done it, he's lived off the land - but he's not content to be smug; instead he's angry and contemptuous of the poor who can't do this. Shocking, that the poor don't have money to purchase a plot of land to practice subsistence farming? He's so sure his way of life is the Right one, that no one else can do it - that supporting one man (family? forget that) for a year through some farming is some universal good way to live. And the hypocrisy burns so badly here because he's not being self-sustaining, his friends, his sister, his mother drop by to give him food. He goes round to his mother's to eat dinner often. He's not isolated in the least; the train tracks run nearby. There are so many people who have lived the life he is playacting - indeed, a substantial chunk of humanity has tried to make a living on this kind of agriculture!!!!!!! with far more isolation than he pretends!!!!!! - and you know what? It's a grinding, harsh and often death-by-starvation path to tread, when you can't just go by your mom's for dinner when you feel like it. He pretends in Walden that he lives all by himself for years, his friends drop in regularly. I hate him and I hate Walden so much, yes I read Walden all the way through.
As for the positives of Walden, the usually cited "good" part of it is the nature writing. I would recommend...so many other nature writers, that are better and more pleasant to read.
I truly wish Thoreau's reputation would tarnish and sink into obscurity, only to be brought up with an "ugh that asshole".
(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:From:
no subject
From:
no subject
From:
no subject
From:
no subject
(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:From:
no subject
From:
no subject
From:
oops
From:
no subject
It was: 8 - The Red Pony
9 - Of Mice and Men
10 - The Pearl
11 - Travels With Charley
12 - The Grapes of Wrath
And whenever I complain about this to people who went to my same school, they say, "Oh yeah, yeah, God that was bad...Travels With Charley was okay but the rest of them...."
Guess which grade I skipped.
From:
no subject
(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:From:
no subject
1. The sex cult, the women who exist as sexy sexy props, the sex cult, the waste of a decent concept (human/alien nature vs. nurture could be interesting ... just, all of it.
2. Male friends who, knowing I was named for the character, would read the book and then earnestly ask me if I wanted to "share water". A lot of my male friends got punched.
WHY DAD, WHY? WHY DID YOU TALK MOM INTO THAT?
From:
no subject
I will grudgingly acknowledge that it's well written and a good character portrait, but the book lives and dies with Holden Caulfield and I have rarely wanted to punch a character in the dick quite that much. Ugh.
My dad had a couple other Salinger books in our basement -- I think Franny and Zooey and Raise High the Roofbeam, Carpenters -- and I peeked at them to see if they were less nails-on-the-chalkboard-of-my-soul annoying. They were not.
Also I hate the fucking ~*~mystique~*~ around Salinger after he became a recluse. Just leave the man alone and MOVE ON, literary America!
From:
no subject
(no subject)
From:From:
no subject
From:
no subject
(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From: