Marianne is a young woman whose parents were from the tiny country Alphenlicht, but was raised in America. After her parents died when she was a teenager, she found that her traditional father had left his substantial estate to her... in a trust controlled by her horrible half-brother Harvey, who attempted to rape her when she was thirteen. He withholds the money from her, forcing her to squeeze every penny. However, she sells her mother's jewels to buy an old house, which she lovingly restores by herself, in between studying for a graduate degree and working in the campus library.
Marianne meets Makr Avehl, the Prime Minister and Magus of Alphenlicht, when he comes to campus for a lecture series. (Alphenlicht is so tiny that "Prime Minister" doesn't have quite the usual meaning or importance.) He looks exactly like Harvey but is much nicer. Realizing that they must be distantly related, they immediately bond and flirt.
He discovers that Harvey has been attempting to work evil magic on her by sending her unpleasant gifts, such as a painting of a girl being menaced alone at night and a Japanese wood carving of a creepy ghost, and replaces them with similar but positive ones, like a painting by the same artist of happy girls lighting up the night and a Japanese wood carving of two mice gnawing a nut, to break the spell in a way that won't alert Harvey that it's been brokem.
Marianne begins learning more about Alphenlicht and its magic and her heritage, while she and Makr Avehl try to figure out who's been teaching Harvey magic...
The first half of this book, which is the part I described above, is a favorite comfort read of mine, and I've re-read it many times. Despite the dark elements, it has a powerful atmosphere of coziness and healing.
Sometimes a book strikes a chord with me that doesn't have much to do with its objective merits. Writing out the story of the first part of this book, it has a weird quasi-incestuous theme with her love interest looking just like her abusive half-brother, and being related to her albeit distantly. No idea what's up with that. But Marianne is charming, I could read forever about her restoring the house she loves, I adore her getting taken out for dinner and lavished with affection and good food, and the Alphenlicht lore and magic is fascinating.
Halfway through the book, Marianne is whisked into a series of bizarre, surreal, dreamlike otherworlds. Until now, I never managed to get very far into the second half of the book, despite re-reading the first half multiple times, even though the entire book is under 200 pages long. This time I determinedly plowed through to see if it ever gets back to the charm of the first half. The answer is no. It ends very abruptly with a transfer to a different timeline, which I assume is picked up in one of the sequels which I've never read.
So this is an extremely odd book, only half of which I even find readable let alone good. And yet I can't tell you how many times I've taken it off the shelf to re-read Marianne's date with Makr Avehl, or the box of evil gifts and its replacement box of similar good ones, or her happiness at waking up in a house she's made beautiful.
Do you have any books that you love only in part, but you love the parts a LOT?


Marianne meets Makr Avehl, the Prime Minister and Magus of Alphenlicht, when he comes to campus for a lecture series. (Alphenlicht is so tiny that "Prime Minister" doesn't have quite the usual meaning or importance.) He looks exactly like Harvey but is much nicer. Realizing that they must be distantly related, they immediately bond and flirt.
He discovers that Harvey has been attempting to work evil magic on her by sending her unpleasant gifts, such as a painting of a girl being menaced alone at night and a Japanese wood carving of a creepy ghost, and replaces them with similar but positive ones, like a painting by the same artist of happy girls lighting up the night and a Japanese wood carving of two mice gnawing a nut, to break the spell in a way that won't alert Harvey that it's been brokem.
Marianne begins learning more about Alphenlicht and its magic and her heritage, while she and Makr Avehl try to figure out who's been teaching Harvey magic...
The first half of this book, which is the part I described above, is a favorite comfort read of mine, and I've re-read it many times. Despite the dark elements, it has a powerful atmosphere of coziness and healing.
Sometimes a book strikes a chord with me that doesn't have much to do with its objective merits. Writing out the story of the first part of this book, it has a weird quasi-incestuous theme with her love interest looking just like her abusive half-brother, and being related to her albeit distantly. No idea what's up with that. But Marianne is charming, I could read forever about her restoring the house she loves, I adore her getting taken out for dinner and lavished with affection and good food, and the Alphenlicht lore and magic is fascinating.
Halfway through the book, Marianne is whisked into a series of bizarre, surreal, dreamlike otherworlds. Until now, I never managed to get very far into the second half of the book, despite re-reading the first half multiple times, even though the entire book is under 200 pages long. This time I determinedly plowed through to see if it ever gets back to the charm of the first half. The answer is no. It ends very abruptly with a transfer to a different timeline, which I assume is picked up in one of the sequels which I've never read.
So this is an extremely odd book, only half of which I even find readable let alone good. And yet I can't tell you how many times I've taken it off the shelf to re-read Marianne's date with Makr Avehl, or the box of evil gifts and its replacement box of similar good ones, or her happiness at waking up in a house she's made beautiful.
Do you have any books that you love only in part, but you love the parts a LOT?
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That's kind of the pattern I'd follow in fiction, if the main arc matched. I do remember that I reread the first half or maybe 3/5ths of Gone with the Wind>/I> several times, always ending when the war was over, and Scarlett had defended her kids and Melly and her boy and the rest of the household. But the carpetbagger sections, the rise of the KKK, and the whole Rhet Butler marriage was a once-read and never again. And when I began to see how problematical the whole was, it lost its comfort read magic; at most that book has become a curiosity, in how much of it was informed by Thackeray's Vanity Fair. Especially Becky Sharp/Scarlett O'Hara. Only Mitchel managed to be tone deaf to the very sharp satire as she mourns the "glam" life of the south, forever gone.
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I've only finished The Once and Future King a couple of times. The first parts of The Sword in the Stone, the country manor life, I love.
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When I was a kid I had to buy_The Once and Future King_ 2.5 times -- I read The Sword in the Stone in my omnibus edition so many times it broke off the paperback, so I bought a copy of it alone to reread and another omnibus edition to keep.
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There are several movies I recommend that people stop watching at a certain point--Die Hard 3 after Jeremy Irons appears to get away, Mission: Impossible 3 before they head to Shanghai. Indiana Jones and the Temple of Doom after they leave Shanghai.
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Also Carl West & Katherine MacLean's Dark Wing, which is a YA I think you'd love if it weren't out of print and super hard/expensive to find. I thought in HS that its depiction of a future US where "if you get sick it's because you didn't think positively and it's all your fault, healthy people are healthy because they're WINNERS" is septic EVERYWHERE was completely implausible *hollow laughter* but it's ABOUT the protagonist stumbling about an older paramedic kit/expert system (in the older sense of computer tech extant at the time it was written), then ILLEGALLY becoming a self-trained doctor. I could have read the doctoring bits forever. (It ends very very depressingly - not for the protagonist but his friend.)
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I am confident the answer to this question is yes, and almost certainly something from my childhood, but since I am trying to think about it, whatever it is has deserted my brain.
I'm so sorry the book falls down in the second half! I like the set-up.
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(Possibly, part of the enjoyment might be a defense mechanism because it was a pain to hunt down used copies, so it would have been a bit payoff if they had sucked. That said, I have not enjoyed all the hard-to-find (for me) books I've read.)
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I remember being fond of the entire Marianne trilogy, but each book is weaker than the last. I still love the Kinuko Craft covers, though.
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I used to do that a lot as a child (reread only parts of books) and my inner ten year old feels very vindicated.
I don't do it so much as an adult but then I don't read nearly as many books as I used to sobs
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Edit: oh, and also, CS Lewis's The Last Battle! Parts of it worked SO well for me, but kid me hated everything to do with Shift the Ape, and so I'd skim-read for the parts with Tirian and Jewel and Eustace and Jill.
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