I checked this out because I loved Roberts' The Girl with the Silver Eyes, which was one of her two SFF books. (The other is The Magic Book, which I have not read.) She was mostly a writer of children's thrillers, most famously The View From the Cherry Tree.
Megan and her younger brother Sandy have moved around a lot, as their single mom, a widow from before Megan can remember, often changes jobs. One day she abruptly uproots them in the middle of school and rushes them to her father's cabin by a lake. She refuses to explain anything and leaves them with him, saying she has something she needs to do and he's not to explain anything to them either. There's a cozy interval while Megan and Sandy explore an island in the lake, but Megan is understandably very worried and frustrated. Especially when their grandfather has to go to the hospital, leaving them alone, and strange men appear looking for them...
I had assumed that their father was abusive and their mom was fleeing from him. It's much more baroque than that. Their father embezzled some money and died in jail, while their other grandfather - the father's father - is a wealthy asshole who threatened to get custody of the children by painting their mother as unfit. She panicked, changed their names, and fled, and has been staying one step ahead of the grandfather ever since.
At the end, the grandfather agrees to not try to get custody, saying he had overreacted and now he just wants to meet them. They all agree to this.
It's... fine. Roberts has a nice easy-reading style. But I felt like it could have gone farther in both coziness and thrills, and the ending was pretty anticlimactic.


Megan and her younger brother Sandy have moved around a lot, as their single mom, a widow from before Megan can remember, often changes jobs. One day she abruptly uproots them in the middle of school and rushes them to her father's cabin by a lake. She refuses to explain anything and leaves them with him, saying she has something she needs to do and he's not to explain anything to them either. There's a cozy interval while Megan and Sandy explore an island in the lake, but Megan is understandably very worried and frustrated. Especially when their grandfather has to go to the hospital, leaving them alone, and strange men appear looking for them...
I had assumed that their father was abusive and their mom was fleeing from him. It's much more baroque than that. Their father embezzled some money and died in jail, while their other grandfather - the father's father - is a wealthy asshole who threatened to get custody of the children by painting their mother as unfit. She panicked, changed their names, and fled, and has been staying one step ahead of the grandfather ever since.
At the end, the grandfather agrees to not try to get custody, saying he had overreacted and now he just wants to meet them. They all agree to this.
It's... fine. Roberts has a nice easy-reading style. But I felt like it could have gone farther in both coziness and thrills, and the ending was pretty anticlimactic.
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It sounds like this one wasn't a big loss, at any rate. Curious about The Magic Book, though!
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o
These all got reissued recently, and I feel like Roberts still really works for a specific kind of kid--one who likes mystery but not TOO many scares, and is up for some moody atmosphere rather than constant action.
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