84 Charing Cross Road, by Helene Hanff




A sweet epistolatory memoir consisting of the letters written by a woman in New York City with extremely specific tastes (mostly classic nonfiction) and the English bookseller whose books she buys. Their correspondence continues over 20 years, from the 1940s to the 1960s. It's an enjoyable read but I think it became a ginormous bestseller largely because it hit some kind of cultural zeitgeist when it came out.


I Survived the Great Molasses Flood, by Lauren Tarshis




The graphic novel version! I read this after DNFing the supposedly definitive book on the event, Dark Flood, due to the author making all sorts of unsourced claims while bragging about all the research he did. The point at which I returned the book to Ingram with extreme prejudice was when he claimed that no one had ever written about the flood before him except for children's books where it was depicted as a delightful fairyland where children danced around snacking on candy. WHAT CHILDREN'S BOOKS ARE YOU TALKING ABOUT?

The heroine of I Survived the Great Molasses Flood is an immigrant from Italy whose family was decimated in a flood over there. A water flood. It's got a nice storyline about the immigrant experience. The molasses flood is not depicted as a delightful fairyland because I suspect no one has ever done that. It also provides the intriguing context that the molasses was not used for sweetening food, but was going to be converted into sugar alcohol to be used, among other things, for making bombs!

My favorite horrifying detail was that when the giant molasses vat started expanding, screws popped out so fast that they acted as shrapnel. I also enjoyed the SPLOOSH! SPLAT! GRRRRMMMMM! sound effects.


The 7 1/2 Deaths of Evelyn Hardcastle, by Stuart Turton




A very unusual murder mystery/historical/fantasy/??? about a guy who wakes up with amnesia in someone else's body. He quickly learns that he is being body-switched every time he falls asleep, into the bodies of assorted people present at a party where Evelyn Hardcastle was murdered. He needs to solve the mystery, or else.

This premise gets even more complicated from then on; it's not just a mystery who killed Evelyn Hardcastle, but why he's being bodyswapped, and who other mysterious people are. It's technically adept and entertaining. Everything does have an explanation, and a fairly interesting and weird one - which makes sense, as it's a weird book.
rmc28: Rachel in hockey gear on the frozen fen at Upware, near Cambridge (Default)

From: [personal profile] rmc28


I very much enjoyed the Stuart Turton book (it was just the 7 deaths in the UK edition!), and couldn't put it down.

redbird: closeup of me drinking tea, in a friend's kitchen (Default)

From: [personal profile] redbird


Thanks for the warning about Dark Flood: I got both this book and Dark Flood yesterday in the search results for "Boston history" in the Boston Public Library catalog. If I specifically want nonfiction about local history, I will ask a librarian.

sillylilly_bird: (Default)

From: [personal profile] sillylilly_bird


They made a movie of 84 Charing Cross Road. The two leads were Anne Bancroft and Anthony Hopkins. Judi Dench played Anthony's wife.
gwynnega: (books poisoninjest)

From: [personal profile] gwynnega


I love 84 Charing Cross Road (and the movie is delightful, too).
julian: Picture of the sign for Julian Street. (Default)

From: [personal profile] julian


The successors to 84 Charing Cross Road got progressively less delightful and more same-y, so I think it was yes, The Moment In Time.
sixbeforelunch: colorful old books on a bookshelf (stock - books on a shelf)

From: [personal profile] sixbeforelunch


I love Helene Hanff and I have most of her books. The stuff she wrote after 84 Charing Cross Road all was basically about 84 Charing Cross Road. It's fine in its way but the thing that made me fall in love with her was Underfoot in Show Business, a memoir of moving to NYC and having an unsuccessful career in theatre. Also Apple of My Eye is a book about NYC basically written as a puff piece iirc for the NY tourist board which has way more character than I suspect they were expecting.

And if you really want to go deep she wrote a book about 60s radicals although I imagine only someone who occasionally gets obsessive about an author and turned that obsession to Hanff would actually care about it. I'm not sure how easy it is to track that one down. The Philadelphia Free Library had to pull it out of the stacks for me and I was the first person to ask for it in a long while.

I am intrigued by The 7 1/2 Deaths of Evelyn Hardcastle. That one is going on my to-read list.
lauradi7dw: me wearing a straw hat and gray mask (anniversary)

From: [personal profile] lauradi7dw


Was "Underfoot" the one about "Oklahoma?" The first title was "Away we go." They changed the name to Oklahoma but after they'd printed the programs (?) Someone said it had to have an exclamation point, so they wrote them in by hand.

"84 Charing Cross Road" was included in the Readers Digest Condensed Book series, IIRC, which would have exposed it to a ton of readers who might not have heard of it otherwise.
sixbeforelunch: a striking woman wearing an ornate hat and necklace (Default)

From: [personal profile] sixbeforelunch


Yup! I pulled down my copy and found the passage surprisingly easily so here's the text for anyone who might be curious (OCR from a photo so forgive any errors)

Nobody, it seemed, liked the title Away We Go. The composer had wanted to change it to Yessirree, but Joe was thankful to report he'd been talked out of it. The title finally agreed upon - thanks largely to Armina Marshall, Lawrence's wife, who came from out that way - was Oklahoma.

It sounds fine to you; you're used to it. But do me a favor and imagine you're working in a theatre and somebody tells you your new musical is to be called "New Jersey." Or "Maine." To us,
"Oklahoma" remained the name of a state, even after we'd mimeographed 10,000 new releases and despite the fact that "Okla-homa" appeared three times on each one.

We had folded several hundred of them when the call came from Boston. Joe picked up the phone and we heard him say, "Yes, Terry," and "All right, dear," and then he hung up. And then he looked at us, in the dazed way people who worked at the Guild frequently looked at each other.

"They want," he said in a faraway voice, "an exclamation point after 'Oklahoma."

Which is how it happened that, far into the night, Lois and I, bundled in our winter coats, sat in the outer office putting 30,000 exclamation points on 10,000 press releases, while Joe, in the inner office, bundled in his overcoat, phoned all over town hunting down and waking up various printing firms and sign painters. We were bundled in our coats because the heat had been turned oft by an economy-minded management now happily engaged in spending several thousand dollars to alter houseboards, playbills, ads, three-sheet posters and souvenir booklets, to put an exclamation point after "Oklahoma."
osprey_archer: (Default)

From: [personal profile] osprey_archer


Thank you for putting the excerpt here! The joys of show business.
sovay: (Cho Hakkai: intelligence)

From: [personal profile] sovay


We were bundled in our coats because the heat had been turned oft by an economy-minded management now happily engaged in spending several thousand dollars to alter houseboards, playbills, ads, three-sheet posters and souvenir booklets, to put an exclamation point after "Oklahoma."

That's amazing.
daidoji_gisei: (Default)

From: [personal profile] daidoji_gisei


No children’s book publisher is going to bother with the fairy land version because this is the perfect gruesome story for children. Even I can figure that out.

Industrial molasses is a thing, but I hadn’t known about its uses in bomb making. I no longer remember where, but some communities are experimenting with using it as road de-icer in place of salt. Doesn’t damage concrete or roadside ecology—the runoff act like a mild fertilizer for the local soil microbes.

The screw shrapnel thing is horrifying. Fluid physics has no pity.
adrian_turtle: (Default)

From: [personal profile] adrian_turtle


The molasses flood is not depicted as a delightful fairyland because I suspect no one has ever done that

It's amazing what people find appropriate to play for laughs. I found out about this game proposal last week, in a group of Boston geeks where opinion was divided about whether it was in excessively bad taste. But the kickstarter is fully funded already.

https://www.kickstarter.com/projects/molassacre1919/molassacre-historical-card-game-on-the-1919-molasses-flood
musesfool: Peggy Carter in sunglasses (the only empire i will ever build)

From: [personal profile] musesfool


I enjoyed 84 Charing Cross Road and was delighted to learn that Leo Marks, who wrote Between Silk and Cyanide (highly recommended, if you haven't read it - the story of his time at the SOE), was a member of the Marks family that owned the bookstore.
sovay: (Rotwang)

From: [personal profile] sovay


WHAT CHILDREN'S BOOKS ARE YOU TALKING ABOUT?

When Puleo writes that "a few works of children's fiction allude to the event, but the story lines of these books generally focus on fun and adventure in a fanciful 'world of molasses,'" he is almost certainly thinking of Marjorie Stover's Patrick and the Great Molasses Explosion (1985), which does elide the death toll in favor of the moral of too much of a good thing—the afterword acknowledges that there were deaths, but in the text itself Patrick gets tripped up in the flood while trying to scoop himself a pailful from the edge of it and wanders home licking it off his fingers, the reader is reassured that people from all over Boston worked to unstick the human and animal victims of the flood, and Patrick who started the day dreaming insatiably of molasses as usual ends it by deciding that maybe he's had enough after all. Joan Hiatt Harlow wrote a much more serious and scarier treatment for young readers in Joshua's Song (2001), but thanks to the lag time of traditional publication it's hard for me to know whether Puleo would have seen it by the time he turned in the manuscript for Dark Tide (2003). I don't know any others off the top of my head, but children's literature is such a weird field, I'm not going to bet against their existence. I had very obviously heard of the disaster before reading Puleo, but to my knowledge no one before him had devoted an entire nonfiction book to the subject of the molasses flood and his research is sound, however badly the foreword grated on you. I would still recommend it.
sovay: (Rotwang)

From: [personal profile] sovay


I'll be darned. The lack of citation convinced me that it wasn't a thing.

It's a thing you can buy on eBay! I would not necessarily have been as sarcastic about it as Puleo (unless he had read some other example that was really twee), but he does seem to bear American history something of a grudge for losing track of a tragedy as bizarro and yet illuminating as a molasses flood. His book did a lot to raise its profile. It is much easier to find literature incorporating the molasses flood these days. I ran into some random historical novel earlier this year which was set in Boston in the nineteen-teens and sure enough, molasses flood.
black_bentley: (Default)

From: [personal profile] black_bentley


The ending of Evelyn Hardcastle fell ever so slightly flat for me, but it's one of those books where I enjoy the rest of it so much I don't actually mind. And it really stands up to re-reading, it's a lot of fun watching it all click into place once you know what happens.
skygiants: the aunts from Pushing Daisies reading and sipping wine on a couch (wine and books)

From: [personal profile] skygiants


catching up on backlog, I think I was reading 84 Charing Cross about the same time as you! a friend I was visiting put it into my hands as I was leaving her city with firm instructions to read it on the plane.

DARK TIDE ALSO DROVE ME UP A WALL
skygiants: the princes from Into the Woods, singing (agony)

From: [personal profile] skygiants


It was the novelization-y elements -- you know, 'x woke up and looked out the window' while I'm hollering NO THEY DIDN'T! YOU DON'T KNOW THAT THEY DID! THIS IS NONFICTION! (I did read the whole thing, though.)
.

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