Of all the perky teenage girls in manga and anime, who maintain a near-pathological optimism in the face of anything from romantic rejection to the end of the world, go to absurd lengths to avoid upsetting others, and who are so damn nice that starts seeming like a super power, Tohru Honda may take the cake. After her mother dies, she moves in with her grandfather and some unpleasant auxiliary relatives. But when they need to remodel the house and ask her if she can stay with friends for a while, she decides it would be easier on everyone if she just moved into a tent in the forest and didn't tell anyone. Of course.
However, the usual sort of complications which attend living alone in a tent in the woods intervene, and Tohru ends up moving in with the Sohma family. She knows one of them, Yuki Sohma, from school, but not well: she's just an average girl with two close female friends, and Yuki Sohma is so kind, handsome, and popular that he has his own fan club at school. (I'm told that this actually happens in Japan.) The other members of the Sohma family are Shigure, a friendly but distinctly passive-aggressive novelist, and another boy Yuki's age, Kyo, who studies martial arts with the hope of someday being able to beat up Yuki, who in addition to all his other stellar qualities knows kung fu.
But secrets lurk beneath the happy sweet surface of the Sohma family. They are under a curse in which they turn into their animal from the Chinese zodiac when they're hugged by a member of the opposite sex. Because of this, the entire family, whose other members start to make appearances after the first few episodes, is actually troubled and dysfunctional and sad. But nice. Very nice. Almost as nice as Tohru.
This is a very funny show which uses some similar fourth-wall breaking techniques and imaginative uses of the medium as were seen in KARE KANO, though the tone and pace of FRUITS BASKET is nowhere near as hyperactive. An episode which introduces the first female member of the Sohma family was too farcical for my taste, but otherwise the mix of humor and human feeling was just right.
FRUITS BASKET mixes up-front declarations of love and loneliness with more subtle emotional undercurrents to create an atmosphere which is easier to experience than describe. Nothing awful has happened so far, unless you count the off-screen death of Tohru's mother, and the characters are very kind to each other, and yet there's something about them that seems terribly sad, in that paste-a-bright-smile-over-your-broken-heart way so characteristic of many of my favorite anime characters.
I'm not sure if the Tohru-Yuki-Kyo thing will develop into a real love triangle, or if it will stick with Tohru+Yuki4Ever, but there's more real romantic tension at the moment than in most shojo anime I've seen, where it's perfectly clear who the heroine really loves. I hope it goes with the triangle, as Yuki and Kyo are equally likable and attractive and troubled, but in completely different ways, and Tohru is drawn to both of them, but in completely different ways, albeit in both cases with an element of "I can heal your secret inner pain."
Oh, and I think I'm in love with Kyo. That, or I _am_ Kyo.
However, the usual sort of complications which attend living alone in a tent in the woods intervene, and Tohru ends up moving in with the Sohma family. She knows one of them, Yuki Sohma, from school, but not well: she's just an average girl with two close female friends, and Yuki Sohma is so kind, handsome, and popular that he has his own fan club at school. (I'm told that this actually happens in Japan.) The other members of the Sohma family are Shigure, a friendly but distinctly passive-aggressive novelist, and another boy Yuki's age, Kyo, who studies martial arts with the hope of someday being able to beat up Yuki, who in addition to all his other stellar qualities knows kung fu.
But secrets lurk beneath the happy sweet surface of the Sohma family. They are under a curse in which they turn into their animal from the Chinese zodiac when they're hugged by a member of the opposite sex. Because of this, the entire family, whose other members start to make appearances after the first few episodes, is actually troubled and dysfunctional and sad. But nice. Very nice. Almost as nice as Tohru.
This is a very funny show which uses some similar fourth-wall breaking techniques and imaginative uses of the medium as were seen in KARE KANO, though the tone and pace of FRUITS BASKET is nowhere near as hyperactive. An episode which introduces the first female member of the Sohma family was too farcical for my taste, but otherwise the mix of humor and human feeling was just right.
FRUITS BASKET mixes up-front declarations of love and loneliness with more subtle emotional undercurrents to create an atmosphere which is easier to experience than describe. Nothing awful has happened so far, unless you count the off-screen death of Tohru's mother, and the characters are very kind to each other, and yet there's something about them that seems terribly sad, in that paste-a-bright-smile-over-your-broken-heart way so characteristic of many of my favorite anime characters.
I'm not sure if the Tohru-Yuki-Kyo thing will develop into a real love triangle, or if it will stick with Tohru+Yuki4Ever, but there's more real romantic tension at the moment than in most shojo anime I've seen, where it's perfectly clear who the heroine really loves. I hope it goes with the triangle, as Yuki and Kyo are equally likable and attractive and troubled, but in completely different ways, and Tohru is drawn to both of them, but in completely different ways, albeit in both cases with an element of "I can heal your secret inner pain."
Oh, and I think I'm in love with Kyo. That, or I _am_ Kyo.
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I think you'll like the ways in which the show develops, although if you find Kagura annoying there're a couple of other characters who'll drive you batty. Overall, Fruits Basket is on my 'great classics of anime' list already, despite being a pretty new show; it got very popular very fast.
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-Mari
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Also: re: Wolf's Rain -- loved parts of it; hated the 15-18 clip episodes (which could be skipped entirely) and felt that it fell down at the ending, which was All About Heartbreak.
One of the anime series that I really enjoyed (I watch a lot of these with my son, so that limits things somewhat) was "Scrapped Princess" which has somehow failed to be licensed :/. 26 episodes, and the ending didn't tank.
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We both liked that one. He tends to like the anime that has the manga-humour in it (even if it wasn't based on manga), but also the shonen fights (so we both watched the GetBackers with some glee, and of course, own all of the Kenshins. Which were very expensive in Canada. Complain complain).
For myself, I loved Kodocha. Fruits Basket is comfort food.
Scrapped Princess, to answer someone else's question: Young girl with her older brother and sister is travelling from place to place in an effort not to be detected before she turns 16, because there's a prophecy that concerns her, and her place int he destruction of the world. She's ... a bit of a ditz. And a bit spoiled. And I liked her anyway. Loved the older brother and sister (who aren't, technically, but she grew up with them).
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And where are you getting your anime from?
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Tohru is ever-so-perfect, but it's impossible to hate her. She's just so well-meaning and honest. I'd prefer not to see her end up with either Yuki or Kyo--I think that would upset their dynamic. I like the romantic tension the way it is, nice and subtle. I'm not very far into the manga, but I feel like it won't be resolved with her choosing one or the other.
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I think that there's a riff of that going on in the background of this darkening worldview, but I think that Akito is -just as caught- by the role he was born in, and he's evil because of it.
Okay, honest, no more anime/manga neepery. I'm going to write right now. Everyone believes me, right?