Cat Chant is a quiet, passive boy whose selfish, bossy sister Gwendolyn is a witch. When they’re orphaned in a boating accident, Gwendolyn quickly arranges life to her satisfaction, getting magic lessons from locals and finally getting herself and Cat taken in by the great enchanter, Chrestomanci, an elegant man with an endless selection of exquisite outfits. To Gwendolyn’s fury, no one at Chrestomanci Castle appreciates her wonderfulness, so she sets about turning the place upside down. Cat, whose approach to life is mostly duck-and-cover, ducks and covers until suddenly he can’t any more, and is forced to take action.
That’s about all I can say about the plot without ruining the twists. (You can probably guess that there’s more to Cat than meets the eye. But you probably won’t guess the exact plot turn which forces Cat from his usual place as an onlooker into a mover and shaker.)
Diana Wynne Jones is great at hilariously animated inanimate objects, and the weakly waving gingerbread men and Julia’s cowardly tin soldiers are some of my favorites of those. The shift in Gwendolyn’s pranks from harmless and funny to disturbing and awful is mirrored in the tone of the book – one minute you’re laughing, and the next you don’t want to look over your shoulder. The careful set-up of a number of plot points gets a marvelous pay-off when Cat ends up with something like five awful fates hanging over his head, all set to occur sequentially over the course of a weekend.
But what makes this book special to me isn’t so much the comedy, though it’s very funny, or the plotting, which is very well-done, as the complicated relationship between Cat and Gwendolyn, and the emotional honesty of Cat’s slow growth from a boy who won’t or can’t understand most of what’s going on in his life, to a boy who begins to step up and take responsibility for things he’d rather not even think about, let alone deal with.
Feel free to put spoilers in comments.
The Chronicles of Chrestomanci, Volume 1: Charmed Life / The Lives of Christopher Chant
That’s about all I can say about the plot without ruining the twists. (You can probably guess that there’s more to Cat than meets the eye. But you probably won’t guess the exact plot turn which forces Cat from his usual place as an onlooker into a mover and shaker.)
Diana Wynne Jones is great at hilariously animated inanimate objects, and the weakly waving gingerbread men and Julia’s cowardly tin soldiers are some of my favorites of those. The shift in Gwendolyn’s pranks from harmless and funny to disturbing and awful is mirrored in the tone of the book – one minute you’re laughing, and the next you don’t want to look over your shoulder. The careful set-up of a number of plot points gets a marvelous pay-off when Cat ends up with something like five awful fates hanging over his head, all set to occur sequentially over the course of a weekend.
But what makes this book special to me isn’t so much the comedy, though it’s very funny, or the plotting, which is very well-done, as the complicated relationship between Cat and Gwendolyn, and the emotional honesty of Cat’s slow growth from a boy who won’t or can’t understand most of what’s going on in his life, to a boy who begins to step up and take responsibility for things he’d rather not even think about, let alone deal with.
Feel free to put spoilers in comments.
The Chronicles of Chrestomanci, Volume 1: Charmed Life / The Lives of Christopher Chant
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