This YA fantasy set in an ancient Egypt-ish land has an absolutely crackerjack opening. The heroine Mirany, a very junior attendant to the Oracle, must ceremonially carry a shallow bowl of live deadly scorpions to the current ruler. If any escape and sting her, she dies. Her walk with the scorpions is incredibly vivid and tense, as is the scene in which we find that the ruler has his own test: stick his hand in the bowl and see if they sting him, which he has to do because he’s supposed to bring rain and there hasn’t been any for ages.

Before he takes his test, he unexpectedly slips Mirany a note telling her that the Oracle is untrustworthy. And so she gets enmeshed in a web of politics, treachery, magic, and actual Gods. Mirany and a male character her age, Seth the scribe, are fairly standard YA protagonists, and the villains are your basic villains. Some of the supporting cast, however, are really interesting: a boy who is part ordinary child and part ancient God and part reincarnation of the former ruler, the alcoholic musician who was devoted to the man he was pre-reincarnation, the albino (not evil, for once) who lives underground in a self-made papier-mache palace.

I liked this way more than Fisher’s much more well-known book, Incarceron. The characters were more interesting, and everything involving the Gods and their rituals was inventive, eerie, and magical-feeling. I also appreciated the near-total lack of romance in this book though I can see it brewing between Seth and Mirany in future books. I may read them anyway, for the world and the supporting characters and the Gods.

The Oracle Betrayed: Book One of The Oracle Prophecies

Incarceron is a computerized prison, a closed system which has been self-sustaining for generations. People are born there and die there, and occasionally someone new is imprisoned in it, but always with their memories wiped first. “Outside” is a legend, and only one man (maybe) has ever escaped. It’s a total hellhole where any scrap of human decency is instantly rewarded by death, doom, and despair.

Finn, a memory-wiped prisoner with epilepsy and visions, is exceptional in that he has occasional and vague pangs of conscience, but his (mostly self-interested) attempt to rescue a woman who has a mysterious item he wants ends in her horrible death. But the mysterious key reveals a connection between him and… Outside!

Meanwhile, Outside, Claudia is the daughter of the Warden of Incarceron. For reasons that I’m certain wouldn’t make any more sense if they were explained in more detail, their society is forced to enact a fake version of some vague European historical period, maybe Regency. Progress is banned. Literally. That’s a direct quote: “Progress is banned." Everyone is scheming against everyone. Claudia was supposed to marry nice prince Giles, but he met with a mysterious fate. (The instant this was mentioned, I knew where Giles really was, and what name he was going by now.) Then Claudia steals a mysterious key from her father’s study, letting her communicate with Finn.

There are interesting elements in the premise – Incarceron is a depressed AI – but the overall set-up is very familiar if you read sf.

Still, very little is new under the sun. My bigger problem with the book was the heavy-handed grimness and near-total lack of likable characters. There are three types of characters:

1. Evil.

2. Eeeeeeeeevil.

3. Not evil by choice, but will stab their best friend in the back for a mouthful of stale bread.

No one has hobbies or any characteristics which don’t relate to the plot. This makes even the characters who aren’t utterly horrible, like Claudia, her tutor, and the dog-girl, feel two-dimensional.

The plot progresses by means of betrayals. This gets very predictable, as all you need to know to figure out what will happen next is if anyone is trusting anyone, even briefly and halfheartedly. If so, that person will betray them.

There’s an interesting, if implausible twist regarding the nature of Incarceron toward the end, followed by a big “to be continued!” But by the end of this book, I didn’t want to spend any more time in either of the depressing settings nor with any of the repellent characters.

Incarceron (Incarceron, Book 1)
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