In a post-apocalyptic Brazil ruled by a council of Aunties, a teenage Summer King is elected once a year. For one year, he is famous, feted, and given anything he wants, not to mention having a limited amount of actual power. At the end of the year, he is ceremonially executed.

There is an in-story reason for this which readers may or may not find plausible, but I do find it completely believable that a fair number of teenagers would compete to be king for a year: live fast, die young, and leave a good-looking corpse. In fact, one of the most notable aspects of the novel was how convincingly teenage the teenagers are: idealistic and self-centered, impulsive and passionate, equally and alternately obsessed with sex and death, fashion trends and the meaning of art, hot celebrities and best friends.

June is a teenage graffiti artist whose best friend, Gil, falls for Enki, the glamorous, newly elected Summer King. Reluctantly, because she doesn’t want to screw up her friendship, she also develops a crush on the beautiful and doomed Enki. It turns out that June and Enki have quite a bit in common, and begin collaborating on dangerous, radical, guerilla art projects!

This novel has gotten a lot of positive press, but the rave reviews I read for it actually put me off reading it. The book was so highly praised for its politics that I got the impression that it was nothing but politics: worthy but dull, as if it should be consumed solely for its nutritional value. I didn’t read it until I was on the plane for Sirens, where Alaya was a Guest of Honor. So I was pleasantly surprised by how completely enthralled I was — and by how fun and even id-tastic it was!

Regarding id-tastic, let’s start with Enki, the object of desire. He is beautiful and doomed. He’s self-destructive, hot, a revolutionary, a dancer, and a king. He has connected himself to the city via illegal nanotech, so if something goes wrong with the city, he feels its pain and dramatically faints. If this is the sort of thing you like – and I am not ashamed to say that is the sort of thing I like – you will like this book.

The future!Brazil setting is vivid, the science fiction details are cool, there’s lots of sense of wonder, the love triangle didn’t make me want to tear my hair out, the plot moves fast, the characters are genuinely diverse, the hero has his nervous system wired into the city, and the heroine is a guerilla graffiti artist.

It’s got dark and serious aspects, but overall, it’s fun to read. This is not an “eat your broccoli” book. It’s a fruit tart with real fruit (so you’ll get your vitamin C) but the crust is made with butter, and there’s whipped cream on top.

The Summer Prince
An urban fantasy/paranormal romance set during Prohibition in an America in which supernatural beings called “Others” exist and are known to the public, but lack civil rights. Thankfully, they are not just stand-ins for real-life oppressed groups, as those groups also exist (and are oppressed) in the world of the novel.

New York City teacher and full-time activist Zephyr Hollis, who becomes widely known during the book as “the singing vampire suffragette,” is the daughter of a demon-hunter, but unlike her bigoted father, she has never met a social justice cause she doesn’t like. Zephyr is a little over the top – she gives her rent money to the poor, she belongs to thirty-one separate political organizations, and at one point she forgets to eat because she was too busy feeding the hungry – but she’s definitely a unique heroine, and the sometimes absurd lengths to which she takes her convictions make her plausibly obsessive rather than obnoxiously self-righteous.

The book is fast-paced and fun. Within the first few chapters, Zephyr rescues a boy in the process of turning into a vampire, gives her rent money to a student with a hard-luck story, teaches a class to immigrants and Others, is hired by the handsome and mysterious djinn Amir to investigate a local crime lord, crushes on Amir, and attends a rally. I enjoyed the convincing grass-roots politics and the amusing takes on the various supernatural beings, from the disgusting way that vampires die to how Amir, the romantic lead, has ears that sometimes billow smoke and eyeballs that sometimes burst into flames. I repeat: the romantic lead has flaming eyeballs!

Amir, despite a rather more interesting dark side than is common in the genre, is not the alpha asshole who so often appears in romances, and Zephyr, while naïve in some ways, is completely capable of rescuing herself. Amir and Zephyr’s relationship, however, didn’t quite work for me – she was attracted to him so quickly that the relationship didn’t seem based on anything other than that she’s the heroine and he’s the romantic lead, especially since she had such strong feelings for him long before we’d seen enough of them interacting to justify them. I would have liked it better if the romance had developed more slowly, as they were both fun characters individually and had genuine conflicts based on opposing worldviews, which is always interesting in a romance.

I would be curious to hear from someone who actually knows something about the period how accurate the historic details are – the language and attitudes about sex often seemed anachronistically modern to me, but I might be projecting my own preconceptions on the time.

Overall, I enjoyed this. (My favorite bit, for those who have already read it, was the egg whites.) If you like paranormal romance but are tired of heroines who do nothing but have sex and the asshole men who dominate them, this is definitely the book for you.

Note that this is the same author as YA fantasy writer Alaya Dawn Johnson.

Moonshine: A Novel
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