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Dekteon, a slave in fantasyland, escapes and blunders into a strange world between worlds where horses have bear paws and he gets hired by a man who looks just like him to guard him from the terrors of the night. At least, that's the excuse. But it turns out that his new employer has a much more sinister task in mind.
This odd fantasy has some very beautiful, striking images and scenes, and the first fourth or so has a wonderfully spooky, dreamlike atmosphere. Unfortunately, once Dekteon is sent to the matriarchy of cold, bitchy moon women and the sun men they rule, the magic falls away and is replaced by an annoying plot in which he gets the better of the entire society just by being a manly man and not doing what the women say. I'm not objecting just because it's sexist. I'm also objecting because it's dumb and boring.
Not one of Tanith Lee's best. Though I do love the cover, which is 100% accurately taken from the book. A woman with an ivory bow riding a horned lion is what I read fantasy for; wish she was in a better book.
It was part of the MagicQuest series, a fantastic YA fantasy imprint which reprinted (or originally published some?) books by Patricia McKillip, Jane Yolen, Diana Wynne Jones, Peter Dickinson, Robert Westall, Paul Fisher, and Elizabeth Marie Pope. They had great covers and sometimes also great interior illustrations, and I haunted libraries and bookshops for them - all were reliably worth reading, though I liked some more than others. (I never warmed up to Peter Dickinson, and the Pied Piper book was forgettable.) Except for the Westall book, I read all its books for the first time from that imprint; it introduced me to Diana Wynne Jones and Tanith Lee.
I wish the imprint had lasted longer, but it only put out 18 books. Looking them up now, I see that I never saw or even heard of The Last Days of the Edge of the World by Brian Stableford.
Anyone else read MagicQuest? What were your favorites and least favorites?
This odd fantasy has some very beautiful, striking images and scenes, and the first fourth or so has a wonderfully spooky, dreamlike atmosphere. Unfortunately, once Dekteon is sent to the matriarchy of cold, bitchy moon women and the sun men they rule, the magic falls away and is replaced by an annoying plot in which he gets the better of the entire society just by being a manly man and not doing what the women say. I'm not objecting just because it's sexist. I'm also objecting because it's dumb and boring.
Not one of Tanith Lee's best. Though I do love the cover, which is 100% accurately taken from the book. A woman with an ivory bow riding a horned lion is what I read fantasy for; wish she was in a better book.
It was part of the MagicQuest series, a fantastic YA fantasy imprint which reprinted (or originally published some?) books by Patricia McKillip, Jane Yolen, Diana Wynne Jones, Peter Dickinson, Robert Westall, Paul Fisher, and Elizabeth Marie Pope. They had great covers and sometimes also great interior illustrations, and I haunted libraries and bookshops for them - all were reliably worth reading, though I liked some more than others. (I never warmed up to Peter Dickinson, and the Pied Piper book was forgettable.) Except for the Westall book, I read all its books for the first time from that imprint; it introduced me to Diana Wynne Jones and Tanith Lee.
I wish the imprint had lasted longer, but it only put out 18 books. Looking them up now, I see that I never saw or even heard of The Last Days of the Edge of the World by Brian Stableford.
Anyone else read MagicQuest? What were your favorites and least favorites?
is worth checking out even if you’ve read lots and lots of revisionist fairy-tales; Lee isn’t so much about amazingly original ideas as she is about conveying intense, luscious, decadent atmosphere. 
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. Click her tag for more reviews.
, was published in 1978. It’s still wonderful, a quiet, cozy novel without villains, about family love, romantic love and the beauty of both magic and everyday life. I like the beginning parts, in which Beauty simply lives with her family in their little cottage, just as much as the parts set in the castle, with the Beast. 
is about how San Francisco turns into a post-apocalyptic artist’s colony, and is saved from an invasion by a “war is awesome!” right-wing general by the power of art. Sort of. The climax seems to imply that only violence can defeat violence, which goes so completely against the message of the entire rest of the book that it felt as if someone had snuck into the room when the manuscript was almost done and scribbled, “PACIFISM IS TOTALLY UNREALISTIC” on it. Not bad, but I was unfairly irritated by the too-good-for-this-cruel world artists and started reflexively siding with the general.
