It took me 124 pages to become so annoyed that I decided to live-blog this book. Given that it is written by a hippie named Richard Alpert who changed his name to Ram Dass after becoming the follower of a guru named Maharajji, my annoyance was quite predictable.

Page 124: Ram Dass disapproves of an old woman who says that she will never forgive her dead parents. He condescendingly states that she is only hurting herself, and her refusal to forgive her parents (who, for all he knows, might have not just been unsatisfactory but actively abusive) will keep her "tethered to this resentment forever."

BARRRRF. Forgiveness is an emotion; like any other emotion, it is neutral in itself, subjective, and not something that can be commanded by others. Nor, often, is it something that can be commanded by oneself.

Forgiveness is not necessary to mental health or peace of mind. If it comes naturally, it can be very healing. But the recognition that some wrongs are unforgivable, and that victims don't need to forgive perpetrators, can also be very healing.

Who is he to judge? Did he experience that woman's pain? BAAARF, I say!

The book, which I have to read for a workshop on aging, consists of vomitous platitudes interspersed with some true but obvious statements about aging and acceptance.

Summary: We all get old. American society is prejudiced against aging and old people. We may not automatically like the changes that come with aging. But we should accept them and try to embrace them. If you don't accept and embrace, you are willfully being unhappy. If you do accept and embrace, you will be blissfully enfolded in spiritual peace. The Soul lives forever. God exists. I know this because I am the disciple of Maharajji, my totally awesome guru, who embodies all wonderfulness and Godly qualities. If he told me to drink Koolaid, I would accept and embrace.

Obviously, he's correct that many issues of aging are really issues of ageism. But some things do suck. It's one thing to talk about accepting and embracing wrinkles, and another to talk about accepting and embracing Alzheimer's disease. (I especially disliked his statement, not scientifically supported so far as I'm aware, that people with Alzheimer's who become paranoid, depressed, violent, or afraid are having previous, unresolved psychological issues surface.)

He seems judgmental and blaming toward people who feel anger or fear or depression and don't quickly move on to peaceful acceptance, and toward people who see anything as inherently negative or bad.

It's one thing to counsel people to look for moments of hope and happiness in their lives, even if they're in a generally bad situation. It's a totally different thing to counsel people to see a situation which they think is bad as actually being good. The first is healthy and reasonable. The second is denying people their honest feelings, and telling them they're wrong to feel the way they feel.

It's fine if people eventually, in their own time and way, come to the decision that something they originally thought was bad is actually good, or at least okay. But it's creepy, manipulative, and cultlike to tell them they have to think that.

Cut for discussion of death and dying.

Read more... )

Still Here: Embracing Aging, Changing, and Dying

Annoyingly, I have to read ANOTHER book by Ram Dass in a totally different class this quarter! WHY.

ETA: Went out before finishing book. He is now quoting some woman who channels "a disembodied being named Emmanuel." Not enough BLECCH in the world.
A memoir on butchery and, alas, an extra-marital affair, by the author of Julie and Julia: My Year of Cooking Dangerously. (Loved the original blog. Did not love the book adaptation, which lost all the charm and humor of the blog’s food-writing in a morass of uninteresting memoir.

Met Julie herself at a book event several years ago, and learned via the horse’s mouth that she has double-D breasts (“Damn hard to find a good bra when you have tits like mine.”) She was very drunk. As was I. As were all the writers present. We were at a promotional dinner with very bad food but fairly good wine. Two of the guys escorted her to her hotel room to pour her into bed. One returned with a dollar bill crammed down the front of his pants, and the other one informed us that Julie had felt up his cell phone.)

So, Cleaving! I did not get very far into this book, so I’m only giving my impressions of what I did manage to read before giving up. Julie gets interested in butchery and becomes a butcher’s apprentice. Meanwhile, she’s having an affair, and her husband is also having an affair, and she knows and he knows but this is not an open marriage so they are unhappy, and everything reminds her of sex and sausages are like penises and rib racks are like vaginas and gloves are like condoms and joints split like marriages and blah de blah blah blah. Guys, it is all so TMI! Here is a representative quote (she is getting text messages):

Two messages, two men.

The first:
How’s the meat?

The second:
Mhm.

Does everyone talk like this, in these codes? I decipher both perfectly. One pulls at me with a thousand strands of anxiety and obligation and love and solicitude and guilt; the other with a single knowing yank, the guttural syllable that brings me to heel.

To both my answer is the same:
I’m on my way.

It’s not merely the thought of how turned off I would be by a lover texting me a Neanderthal grunt. (“Ayla! UNH!”) It’s that this isn’t sordid TMI alchemized into art. It’s just sordid TMI.

Too much boyfriend, not enough roller derby butchery.

Cleaving: A Story of Marriage, Meat, and Obsession
Normally I hate it when authors self-promote by discussing how bad someone else’s book is and how much better theirs is. But it’s impossible for me to discuss Elizabeth Gilbert’s obnoxious memoir without at least mentioning my own (much better!) one, All the Fishes Come Home to Roost: An American Misfit In India, as they have some notable similarities and when I describe mine, people keep asking me if I’ve read hers. ("Oh, your book is about how you became a cynical atheist after growing up surrounded by crazy American hippies on an ashram in India? In that case, you will love this other book about how an American woman learns the meaning of life and finds enlightenment, self-worth, and joy on a beautiful peaceful ashram in India!")

Obviously, my own miserable ashram childhood contributed to my detestation of Eat Pray Love. (To be fair, Gilbert’s ashram, which is not mine, sounds well-run and sensible, if you’re into that kind of thing.) So I'm making that disclosure, but honestly, there are many other reasons to detest Eat Pray Love.

But since I cannot type the name of my own memoir without some wistful hope that readers will be inspired to seek it out and purchase ten additional copies to give as gifts to their loved ones, I cannot even disclaim any intention of self-promotion. Given that, all I can do is apologize in advance.

Sorry!

Gilbert is a rich white American writer undergoing a painful divorce when she becomes suicidally depressed, finds God while collapsed in a puddle of tears on her bathroom floor, and obtains a hefty book advance to live abroad for a year and write about it. She decides to explore pleasure in Rome, spirituality in an unnamed Indian ashram (spiritual center), and balance in Bali.

In Rome she eats lots of excellent food and banishes depression with sheer force of will and grace of God. In India she has amazing spiritual experiences via meditation and introspection, including getting zapped by an inner blue light. (The ashram section, unsurprisingly considering that it mostly takes place inside Gilbert’s head as she attempts to empty her mind of thought, is narcissistic and boring.) In Bali she hangs out with two traditional healers, raises money to help one of them buy a house, and finds True Love with a sexy, confident, passionate, loving, sophisticated, and generally perfect Brazilian man who is just like her, only older, male, and did I mention perfect?

I finally forced myself to read this book, which from other people’s recommendations (“She goes to an ashram and has amazing spiritual experiences! You’ll love it!”) I felt sure I’d hate, because I want to get into travel writing and I wanted to see what made this particular travel book a bestseller. The answer, once I finished it (with increasing hatred of the smug, self-absorbed, self-righteous Gilbert), was clear:

1. Wish-fulfillment. Who wouldn’t want to be paid to spend a year abroad, going wherever you want and doing whatever you want? I sure would! Moreover, she gets over her awful divorce, breaks her cycle of bad romantic relationships via True Love, does a substantial good deed, finds spiritual peace and fulfillment, and eats the world’s best pizza. And then comes home and publishes a best-seller.

2. It tells a certain cadre of readers— middle to upper class Americans with vaguely New Agey leanings— exactly what they already believe is true: that enlightenment can be found in India, that personal fulfillment is a profound and meaningful goal, that all things natural and Asian are superior to all things manufactured and Western, that charity is satisfying and worth doing but you have to be kind but firm with your poor Third World recipients or they’ll rip you off, and that if you try hard and navel-gaze and seek spirituality in exotic foreign lands you’ll be rewarded with everything you’ve ever dreamed of, right down to a fairy-tale romance.

3. Gilbert is a pretty good travel writer in the few parts when she’s looking outward rather than inward. Portions of the book are well-written and funny. (Those portions are concentrated in the first third.)

I find it difficult to separate my loathing of the book from my loathing of Gilbert from my memories of people and attitudes I loathed at the ashram where I spent my childhood. Her attitude about antidepressants (“I really needed them, but you peasants who lack my superior contempt of them shouldn’t be allowed to get them as easily as I did”) mirrors an attitude about India that I often got from Westerners at the ashram, and which oozes from every page of Gilbert’s memoir: “I need my Western medicine and appliances and education and opportunities, but you’re actually lucky not to have them because that stuff sucks, really, and anyway you have herbs and yoga which is so much better. Bye-bye! I had a great spiritual experience in your beautiful country which I will treasure forever as I relax in my New York penthouse.”

I’m not saying that herbs and yoga are worthless, or that Westerners should be banned from having spiritual experiences in Asia. It’s the self-centeredness, entitlement, lack of perspective, and lack of empathy for the actual occupants of the country which bothers me.

Gilbert does show kindness and compassion when she raises money to buy a Balinese woman and her family a house. But I wish she’d sat down and had a discussion with the woman about what she wanted, and what she would like Gilbert to do to help—and that, when the deal got rocky, Gilbert had sat down again and discussed both of their concerns instead of bullying the woman for her own good. Openness can go wrong, and high-handed condescension can produce good results. But the latter is not how you deal with people whom you consider your equals.

In short: hated it, hated it, hated it. Hated her. Hated her perfect Brazilian boyfriend. Even hated her guru, and she doesn't even appear in the book except as a perfectly enlightened and compassionate gaze via a photograph. In conclusion: hated it. Buy my book instead!
From that book that I finally got around to reading for research purposes (research question: "Why is this book such a huge bestseller?") and which everyone but me loves to bits, Elizabeth Gilbert's Eat Pray Love. Context: During a harrowing divorce, Gilbert becomes depressed. She tries endless "natural remedies," but seeks the care of a psychiatrist after she attempts suicide.

I do know these drugs made my misery feel less catastrophic. So I'm grateful for that. But I'm still deeply ambivalent about mood-altering medication. I'm awed by their power, but concerned by their prevalence. I think they need to be prescribed and used with much more restraint in this country, and never without the parallel treatment of psychological counseling. Medicating the symptom of any illness without exploring its root cause is just a classically Western hare-brained way to think that anyone could ever truly get better. Those pills might have saved my life, but they did so only in conjunction with about twenty other efforts I was making simultaneously during the same period to rescue myself, and I hope to never take such drugs again.

There are so many selfish, condescending, and hare-brained statements in that one little paragraph that I need to pull it apart to address each one.

But I'm still deeply ambivalent about mood-altering medication. I'm awed by their power, but concerned by their prevalence. I think they need to be prescribed and used with much more restraint in this country

In the year 2020, approximately 1.53 million people will die from suicide based on current trends and according to WHO estimates. Ten to 20 times more people will attempt suicide worldwide (2). This represents on average one death every 20 seconds and one attempt every 1-2 seconds.

It is, of course, possible for a medication to be over-prescribed in some cases and under-prescribed in others. But considering that, according to WHO, "Suicide is among the 10 leading causes of death for all ages in most of the countries for which information is available. In some countries, it is among the top three causes of death for people aged 15-34 years," I'm going to say that under-prescription is the bigger problem-- a problem which attitudes like Gilbert's foster.

I think they need to be prescribed and used with much more restraint in this country

How callous, priveleged, arrogant, selfish, and smug can you get?! So meds are okay for her, because she had a real problem and didn't take them until she was at the point of suicide and has moral qualms about their use, but all those other ignorant peons who gobble them like candy need to have their access restricted?!

That is one of the most despicable statements and sentiments I've come across in quite some time.

and never without the parallel treatment of psychological counseling.

I agree with that, actually.

ETA: Oops, missed the "never;" I think counseling should always be offered, but should not be mandatory. If nothing else, the experience of having a mental illness for a long period of time will usually give you dysfunctional thinking patterns and ways of relating to people that counseling will help address. But if your problem is being completely addressed by meds and you're doing fine, no, you probably don't need counseling if you don't want it.

Medicating the symptom of any illness without exploring its root cause is just a classically Western hare-brained way to think that anyone could ever truly get better.

1. In many cases of mental illness, the "root cause" is either known as a biological and/or genetic problem and so doesn't really need to be "explored" in the sense of discovering its root cause (like schizophrenia or bipolar disorder) or the patient is so ill that she will not benefit from such exploration until medication has kicked her into a higher-functioning mode.

Also, some forms of talk therapy are specifically about the present and not root causes -- and those forms are statistically more effective for some disorders than classic "root cause" therapy. (ie, cognitive-behavioral therapy vs. psychoanalysis for depression.)

2. What a stupid statement!

"Medicating the symptom of a broken leg by setting it without exploring its root cause is just a classically Western hare-brained way to think that anyone could ever truly get better."

"Medicating the symptom of the bubonic plague with antibiotics without exploring its root cause is just a classically Western hare-brained way to think that anyone could ever truly get better."

"Medicating the symptom of a cataract with surgery without exploring its root cause is just a classically Western hare-brained way to think that anyone could ever truly get better."

3. Gilbert's Asia-philia blinds her to the reality of actual Asian medicine, which is not necessarily as holistic as she thinks. She should read Atul Gawande's Better for an excellent portrayal of actual doctors in India doing brilliant work under extremely difficult conditions.

Those pills might have saved my life, but they did so only in conjunction with about twenty other efforts I was making simultaneously during the same period to rescue myself,

I am absolutely not against doing whatever might help. All the same, the plural of anecdote is not data.

and I hope to never take such drugs again.

Well, I hope you DO!

I can't believe I'm wishing such ill on anyone, whatever sort of scumbag they are... but this book was a huge bestseller, people are influenced by what they read, and so Gilbert's screed may be indirectly responsible for someone committing suicide because they were trying to make sure they waited to use them as long as she did -- and she waited till it was down to her, a knife, and a worried friend. What if some reader doesn't have a worried friend?

What a loathesome and damaging thing to write.

Here is a three-part essay on my experience with depression.

Here is a three-part essay on my experience with post-traumatic stress disorder.
Due to getting stuck for several hours in the Dallas-Fort Worth airport, while the plane supposed to take me to Los Angeles was diverted to Oklahoma lest it be sucked up by a tornado, I was forced to hit the airport bookshop for additional reading material, which is how I obtained this. At the time I thought the author's name was familiar because I'd heard of the unusual premise. Several chapters in I realized that Vincent used to be a particularly annoying columnist for the "LA Times." Oops.

Vincent is a non-transgender lesbian who decided to disguise herself as a man for a year to find out how the other half lived. She also mentions her long-held fascination with gender and gender roles, but claimed that despite being a tomboy, she never ever ever, no really not ever not once, ever wanted to be a man, and hated almost every minute of pretending to be one. (Except for the times when she male-bonded and realized how wonderful male camaraderie is and how totally different it is from her "friendships" with shallow, back-stabbing women-- one thing that came up a lot is that Vincent's current social circles resemble the movie Mean Girls.)

I would be surprised it living a persona wasn't uncomfortable and disturbing, but there was a point when I wondered if she was protesting too much. Such a crazy-ambitious feat of role-playing and disguise may not be about her deep secret desire to be male, but it's got to be about some deep desire. That really ought to have been explored more.

Curiously, Vincent fails to explore the one group for which she has a genuine control: men of her own social class, race, and similar social circles. (White New York upper-crust intelligentsia, as far as I could tell.) Instead, she penetrates blue-collar bowling leagues, sleazy door-to-door sales companies, a monastery, cheap strip clubs, and an Iron John group. She also dates women, which comes closest to seeing her own life as if she were a straight man.

The reason I pick on this is that the book turns out to be at least as much about class as it is about gender, but Vincent consistently compares poor blue-collar men to rich professional women, and then makes conclusions about gender.

In perhaps the most ridiculous instance of this, she describes the physical state that blue collar men attain after a lifetime of hard labor, stress, and poverty (weather-beaten complexion, callouses, etc) and says that it proves that men and women are inherently and biologically totally different in a way that cannot at all be accounted for by social conditions. This makes no sense whatsoever, as everything she describes, except for the five o'clock shadow and several pounds of muscle, would also be true of women who work similar jobs.

The failure to account for class differences also undermined the conclusions she arrived at, which is that men are not really powerful and priveleged compared to women, because the desperate door-to-door salesmen (etc) she met had unhappy lives. I still do not understand how she reached that conclusion given that the only people more miserable and exploited than the male salesmen were the female salesmen, but there you have it.

Generally, she seemed to cherry-pick for blue-collar or middle-class white Christians in settings in which a certain set of stereotypical male traits are expected or selected for. If she'd broadened her horizons, she might have found large groups of men in cultures (for the broad meaning of the word) in which emotional expressiveness or conversation on subjects other than sports or friendly relationships with women are common and expected.

Many non-WASP cultures do not expect or require men to repress all shows of emotion, or to be painfully inarticulate. (Many if not most brands of Jewish culture, for instance, encourage men to talk, to each other or to women, on many subjects and at great length eloquently.) Cheap strip clubs are an excellent setting if you're looking for men who feel driven to engage in cheap sex. It is unsurprising to find gynophobia and repressed homosexuality in monasteries.

Some of the reportage was good, and the chapter on the bowling league was touching-- she really bonded with those men. I also enjoyed the chapter on iron John, as I've always been curious about what goes on in those groups. The chapter on dating exerted a horrifying, train-wreck fascination.

But again, her conclusions were both obvious and flawed: of course going on dates under false pretences is even more unlikely to give you a fun time than normal dating. Of course women will be pissed off if, after two dates, you inform them that you're not available for a relationship and never were. And of course men who are attending Iron John meetings will be unhappy with social constructions of masculinity. That's like going to AA meetings in the hope of drawing general conclusions about how Americans relate to alcohol.

I don't know what her lesbian dates were like, but getting rejected is not unique to men, and if I can manage to cope with men who cruelly and capriciously withold sex from me by refusing to date or have sex with me, without gaining a murderous hatred of men, I don't see why men can't do the same.

Though Vincent does not seem to be a feminist, reading her book put me in a radical mood. Especially the chapter where she discovers that men hate women because women hold the power to give or withhold sex, so they're constantly being rejected. And also women are bitchy. No wonder men are so angry! No wonder women get raped! It's all because every woman is not automatically available upon demand!

More general conclusions: It's really hard to be a man, much harder than it is to be a woman, and women fail to appreciate that. Women are back-stabbing, boring, bitchy, and have totally unreasonable expectations of men. The genders are so different, biologically and inherently, that they are basically two different species. There are no social advantages to being a man. Dating and marriage is scary and unpleasant for men, and that plus their uncontrollable sex drives means all men either go to nasty strip clubs or want to. Traditional male roles are stifling. (OK, I agree with the last one.)

Well, that was negative. Generally, I disagreed with her politics, and felt that though some of her reportage was good, she consistently drew overly sweeping, unwarranted, and/or obvious conclusions from it.
In the highly competitive field of smug, shallow, self-absorbed memoirs by smug, shallow, self-absorbed people, Shutterbabe sweeps away all other contenders to win the prize for the memoir most likely to discredit the entire genre.

Kogan's memoir is about her experiences as a young female photojournalist who spends four years of her life photographing war zones and having affairs. Her system is as follows: she accepts an assignment to photograph some dangerous and newsworthy area. She shows up with no clue of what's going on over there or how she's supposed to find the war. She attaches herself to a male journalist or, occasionally, a local man and has him take her around or point her in the right direction. She has an affair with him, frequently of an abusive nature. She encounters sexism from other journalists and local men; sometimes she's physically or sexually assaulted. She informs us that this is the inevitable lot of being a petite woman in a man's world. She reminds us that she was a homecoming queen, that she went to Harvard, and that she's won a lot of awards. She takes her photos, brow-beats herself a bit for being unprepared and not giving a damn about the people she's photographing but only being interested in the voyeuristic thrills and career success she can garner, and goes home. Repeat.

The best parts of the memoir are the details of how photojournalists work: how they lug around and sometimes disguise their equipment, how their presence affects the events they're recording, and how they're wedded to exploitative agencies that tend to keep them poor. The best chapter is the one where Kogan visits Romania and has an affair with a local photographer. It's the only one where, due to her interaction with him, she seems to have any understanding of the people she's photographing. A visit to a nightmarish Romanian orphanage, described in surreal and horrifying detail, is the best piece of writing in the book, and also prompts her to do something far, far better than she has ever done: she gives up her photos of it to a more famous and connected photojournalist in the hope that he will be able to get them published or take his own and publish them, and so get conditions improved there.

But too much of the memoir concerns the increasingly insufferable Kogan's irresistability to every man she meets. She tries to connect her thrillseeking in wars with her thrillseeking in sex, but that just makes her seem priveleged, shallow, and exploitative of the people who are dying for her thrills; and she tried to draw a parallel between her personal experiences with sexual violence and the violence she photographs, but her incomplete understanding of feminism just makes her seem undereducated and clueless. She seems to think that feminism is the understanding that men are sexist and violent and there's a double standard, and that women are helpless and that a woman who has sexual and physical adventures is just trying to be a man, and that's just how it is. As Inigo Montoya might say, "You keep saying that word, but I do not think it means what you think it means."

And then there's the last chapter. The infuriating last chapter.

Kogan meets her True Love, marries him, realizes that what she really wants is to have children because Jews have a moral responsibility to procreate to make up for the Holocaust (I am not making that up), and is shocked, shocked, when she finds that journalism is not supportive of women with children. So she quits to be a mommy and a writer-- with "an angel of a woman from the Phillippines" to actually take care of her children.

Now, that's fine. I know many mothers who are writers. I support Kogan's personal decision. What I do not support is her insistence that having children is the best and most moral and most womanly and wonderful act a person can possibly do, and that if you don't marry and have children your life is empty and meaningless and stunted no matter what else you do.

"I see the middle-aged single women who work in my new profession, the often angry and sad ones who were born late enough to reap the early benefits of feminism but not late enough to give up the whole notion of pretending to be a man in order to succeed. These women have offices crammed with Emmys, but homes with rooms barren of possessions and memories save their own."

That male journalist who helped the Romanian orphans? His life is also worthless compared to that of any random person with a baby, because even though he helped save the lives of other people's children, he didn't father any of his own. And of course bringing more children into the world is ever so much more important than making sure the ones who are already there have a decent life.

And in the end, doesn't it all come down to biology?

"How many times did I regret the enormous trouble my body caused me, the way it bled and attracted assaults"

Note how Kogan, who earlier had refused to wear a burka when traveling in Afghanistan with mujahedeen, is using the same reasoning here as the Taliban.

"and made me an easy target for any man with a gripe and a will to act upon it? How many times did I wish my body weren't curvy? Or small and weak and useless as a weapon of self-defense?"

Kogan seems to forget that she knows men who were beaten or murdered by other men, despite having bodies that were big and strong and useful. And that, when she does decide to physically fight against an assault, she actually succeeds. Or what the real issue is here, which is the society, culture, and individuals who think violence is OK, NOT her body. Again, this is the same reasoning as the Taliban: women's bodies are the problem. No female bodies or presence, no violence. The vagina calls out to the rapist. No vagina, no problem.

"What an ingrate I was. What a unique gift to have a body that can serve as a vessel to a future life. What a stroke of good design to have breasts that will sustain it. What an important responsibility to be cast as the keeper of the flame rather than the igniter of the fires."

I could quote more, but I have to go fulfill my womanly duty and find some Jew to procreate with now.
Johnston is a middle-aged, married journalist who jumps at the chance to go on an adventure tour rafting an unexplored section of the Boh river in the Borneo rain forest, even though her husband is afraid for her safety and her back had just gone out. A horrendous series of mishaps and unexpected unpleasantries follow, starting with the airport losing her luggage (she spends much of the rest of the trip envying and attempting to borrow the other rafters' air mattresses), continuing with the river being far more dangerous than its advertisement suggested, and culminating in her hitting menopause in the middle of the rain forest-- a place which, if her description of it is even slightly accurate, I would pay to not visit.

The rafters spend the entire trip being plagued by sweat bees, stinging bees, leeches, and various forms of jungle rot. Poor Johnston faces some of my very least favorite experiences-- being attacked by bugs, being sick, suffering from ailments she's embarassed to discuss, being the only person there without a boyfriend or companion and having to watch a gorgeous younger woman kissing a handsome tour guide in front of her, being underequipped and unable to pull her weight due to her back injury, and not even seeing any picturesque wildlife until the very end of the trip.

However, despite her understandable misery which may have affected her reactions, I still wanted to give Johnston a primer in feminism. She keeps moaning on and on about how she'll never be attractive again and can never again have physically taxing adventures now that she's hit menopause. WTF? Did the Menopause Fairy hit her over the head with the ugly stick? Does she think that just because she felt physically unfit to go on one of the most physically taxing adventure trips I've ever heard of, she must now spend the rest of her life knitting?

The descriptions of the rain forest are fascinating, but the characters (except for the gorgeous French woman, Sylvie, whom Johnston is completely obsessed with as the foil for her own descent into cronehood) are not developed well, to the point where I kept having to flip back to the beginning to see whether the guy who got dysentery was the conservative Australian, the conservative American, or the gorgeous tour guide. The whole trip-- to call it poorly planned is like saying Mount Everest is tall-- is clearly a recipe for disaster, and they were luckily no one was killed or seriously injured. But not much is made of that in the end: the rafts arrive safely, and Johnston goes home glad she had the experience and glad it's over. This is an interesting account if you want to read about Borneo, but it lacks the writerly or introspective or muckraking pizzazz that would have made it memorable.
An asthma memoir which was inexplicably the only book I had with me in the doctor's office the other day, after I bought it for a quarter at Out of the Closet thrift shop. (All thrift shops are frequently excellent sources for obscure and very cheap new books, but ones which raise money for gay causes tend to have particularly good selections. The Jewish Women's thrift shop, on the other hand, tends to have the best clothes.)

Memoirs are difficult to review without reviewing the author as well. Like the author, (frequently) like the book; dislike the author, (usually) dislike the book, but feel guilty about saying why. Illness memoirs, like childhood abuse memoirs, are particularly difficult to write honest negative reviews of, because no one wants to write "This memoir about death by leprosy suffers from the author being a whiny, self-involved, pretentious git."

Asthma is a very serious illness. People die from it. It can seriously limit people's lives. I understand this and sympathize with it. So I blame DeSalvo's writing style for making her seem like a whiny, self-involved, pretentious git when she describes how her asthma, which she acquired as an adult, transformed her into a shut-in who can't go to a restaurant because someone might be wearing perfume and the food might contain MSG or preservatives, or drive in a car because the fumes might choke her, or go to a beauty salon because someone might be getting a manicure, or read a newspaper because it might emit toxic ink fumes.

I was struggling not to be judgmental, but then I got to the part where DeSalvo takes several pages to conjugate the sentences "I have asthma," "I am an asthmatic," and so forth. I mean this literally-- she draws diagrams pointing out the subject and the predicate and so forth.

"The angled line that indicates the predicate adjective marks too close a connection between me and asthma. It's like a little slingshot, flinging the word 'asthmatic' back at me."

This, I have no qualms about being judgmental about. I judge it to be incredibly pretentious.

And then there's her conclusion:

"What I believe we need to do to stop the alarming increase in the number of asthma cases:

1. Stop abusing the planet. Clean up the air.

2. Stop abusing our children, stop terrorizing them, stop sexually abusing them.

3. Stop trauma. (This includes stopping war.)"

Behold the power of writing: In four sentences, DeSalvo makes three of my most passionately held beliefs about what's wrong with the world and what we should do to fix it look really, really stupid.

Note: Beliefs I hold in general, I mean. I don't think the second two have all that much to do with asthma.

Note: Is it just me, or is my "Ed among the ignorant" icon all-to-frequently appropriate of late?
This is about an Australian woman who visits India once, hates it, but moves to New Delhi years later to live with her boyfriend, who is also a journalist. While she's there she investigates what seems like every single one of India's religions.

Naturally, I had to read this. Boy, did it get up my nose.

I'm reluctant to criticize her book for being inaccurate, because people's experiences do differ a great deal depending on where they are, when they are, and who they are. So, to take just one example, I can't say that her depiction of all Indian men as leering, slobbering, sexist gropers is factually wrong, exactly; there's no denying that India is a very sexist society, and it's true that when I traveled India as an adult I did get a _lot_ of men making passes at me (though not in a disgusting or physical way) until I figured out that jeans come across as provocative in a way that cotton pants don't. But I also met a lot of men who were interesting and courteous and kind.

I'm sure I got a get-out-of-sexism-free pass on account of being a foreigner, but it was still notable to me that when I tell American men I study karate, they often make some obnoxious joke or step back in pretend fear and say, "Whoa! I better not mess with you!" (Unless they're quite old, that last annoys me so much that I say, and not in a kidding voice, "Why, were you thinking of doing something?" Then they look flustered, splutter, and run away. (This is why I'm never going to get married.)) Anyway, when I told Indians that, they never said anything of the kind, but either told me about their own or their cousin-brother's studies, or asked me if I'd looked into (local martial art).

Also, Macdonald has a particular attitude toward poverty that makes me crazy. It's all "Ooh, ick, how hideous and nauseating and sad, gee, I must be sheltered to be shocked by lepers/beggars/homeless people, how lucky I am to be a priveleged white person." I hate to to fault an emotional response, but I wish people could experience that one and then get past it in order to help the situation in some way rather than just gawking at it, or to consider that there are also desperately poor and sick people in their own homeland who could be helped-- there's enough resources to do so-- but aren't, or to look at what Indians are doing to change conditions. Instead, she's stuck in "ooh, ick" for the whole book.

At one point she sees a woman with burn scars and "retches in horror." Gee, that's really going to make the woman feel good. But more than that, it's an example of her patronizing and distanced view of Indians: Macdonald would never have that reaction to a scarred woman in Australia, but because the woman is a beggar and Macdonald assumes (with no evidence) that she's a victim of a dowry burning, it's okay to retch at the very sight of her, that inhuman object of horror.

Her approach to her chief and fascinating topic, that of Indian spirituality, is shallow, smug, and dull. Her writing style is overwrought and clunky, and her persona is unbearable.

Almost every chapter has the same repetitive structure: Macdonald hears about some aspect of Indian religion or culture and decides to investigate it. At first she thinks it's stupid and pointless. But by the end of the chapter she realizes that though it's not for her, it does have something to offer. If she asked for some blessing, she will have received it by the end of that chapter or the beginning of the next. As you can imagine, this structure gets very old very fast.

The author's attitude toward India and Indians combines the worst of both the old and the new West: sneers at a culture she doesn't understand mix uneasily with breast-beating over her own pain at seeing poor people and a greed for exotic eastern spirituality to fill her inner shallowness.

For a well-written, funny, informative, intelligent, and open-minded antidote to this irritating book, read William Dalrymple's CITY OF DJINNS. Like Mcdonald, he too writes about being a foreigner in Delhi, but unlike Mcdonald, his book is good.
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