Writing meta below the cut.
This involves spoilers for a recent episode of Supernatural, "Dark Side of the Moon." I enjoyed the episode as fanfic, which would probably have had this label if it had been posted as such: "Hurt!Dean, Puppyeyes!Sam, Soulmate!Winchesters (but no explicit 'cest), angst, character death (but not really), sorry there's so little Castiel."
But it also reminded me of why I stopped watching the show regularly in S2, and completely in the abominable S3. After that I'd occasionally watch an episode to see if it ever got back to what I liked in S1 - pretty boy brothers who love each other but never say so, hunting monsters and angsting and saving each other. It didn't.
So, spoilery and not very squeeful, but also possibly of interest even if you don't watch the show at all, since it's meta about the problems of a long-running series.
Keep in mind that I am only aware of post-S3 events via fannish osmosis and occasional out of context episodes, so correct me if I'm wrong. Cut for post-S3 and possibly inaccurate spoilers:
( Read more... )
Premise Bait-and-Switch
As you may recall from my Dollhouse post, the concept of "two brothers helping people and hunting (supernatural) things" is the show's premise. So this is an unusual example of a show switching premises in midstream, to, as far as I can tell, "two brothers are caught up in an oncoming apocalypse."
Note that I did not think that Angel switched premises in S5, as the concept of the show continued to be "a vampire with a soul tries to help people and redeem himself." This is, obviously, arguable, and a lot of people did feel that it had switched premises and did stop watching.
That's the danger of switching premises: viewers signed up for one type of show, and may not be interested in or may be actively turned off by the other type of show. Given the enormous weight of the tradition in American TV that premises don't change, the new premise had better either be pretty damn cool, or contain a lot of elements which people who liked the first premise are likely to enjoy.
(Note: TV in other countries often follows different rules. I am aware of this, and am only speaking of US network TV. Nor am I arguing that it's always artistically better to stick to the same premise. I'm just explaining why, on US TV, problems can arise when you don't.)
So, is the new premise pretty damn cool? Well, theoretically it is. I tend to prefer arc-heavy shows to episodic ones, and I love apocalypses. In practice... it doesn't look like it. I liked the execution of the old premise enough to buy DVDs of S1. I haven't liked what I've seen of the execution of the new one. Nor does the new premise have many of the elements which attracted me to the old one. See below...
Cut for spoilers for "Dark of the Moon." Good angst, but...
( Read more... )
This involves spoilers for a recent episode of Supernatural, "Dark Side of the Moon." I enjoyed the episode as fanfic, which would probably have had this label if it had been posted as such: "Hurt!Dean, Puppyeyes!Sam, Soulmate!Winchesters (but no explicit 'cest), angst, character death (but not really), sorry there's so little Castiel."
But it also reminded me of why I stopped watching the show regularly in S2, and completely in the abominable S3. After that I'd occasionally watch an episode to see if it ever got back to what I liked in S1 - pretty boy brothers who love each other but never say so, hunting monsters and angsting and saving each other. It didn't.
So, spoilery and not very squeeful, but also possibly of interest even if you don't watch the show at all, since it's meta about the problems of a long-running series.
Keep in mind that I am only aware of post-S3 events via fannish osmosis and occasional out of context episodes, so correct me if I'm wrong. Cut for post-S3 and possibly inaccurate spoilers:
( Read more... )
Premise Bait-and-Switch
As you may recall from my Dollhouse post, the concept of "two brothers helping people and hunting (supernatural) things" is the show's premise. So this is an unusual example of a show switching premises in midstream, to, as far as I can tell, "two brothers are caught up in an oncoming apocalypse."
Note that I did not think that Angel switched premises in S5, as the concept of the show continued to be "a vampire with a soul tries to help people and redeem himself." This is, obviously, arguable, and a lot of people did feel that it had switched premises and did stop watching.
That's the danger of switching premises: viewers signed up for one type of show, and may not be interested in or may be actively turned off by the other type of show. Given the enormous weight of the tradition in American TV that premises don't change, the new premise had better either be pretty damn cool, or contain a lot of elements which people who liked the first premise are likely to enjoy.
(Note: TV in other countries often follows different rules. I am aware of this, and am only speaking of US network TV. Nor am I arguing that it's always artistically better to stick to the same premise. I'm just explaining why, on US TV, problems can arise when you don't.)
So, is the new premise pretty damn cool? Well, theoretically it is. I tend to prefer arc-heavy shows to episodic ones, and I love apocalypses. In practice... it doesn't look like it. I liked the execution of the old premise enough to buy DVDs of S1. I haven't liked what I've seen of the execution of the new one. Nor does the new premise have many of the elements which attracted me to the old one. See below...
Cut for spoilers for "Dark of the Moon." Good angst, but...
( Read more... )