Do you like robot nuns? How about robot nuns commanding and telepathically puppeteering four-armed cyborg soldiers? Okay, how about a young woman, Asher, who will become a robot nun once she completes her studies and her soul is uploaded, unexpectedly ending up in command of a mission in which one of the cyborg soldiers is actually a mole?

I mean mole as in a spy from the other side. Not a burrowing rodent. This novella has such an awesomely wild premise, a rodent mole cyborg soldier seems completely possible.

This is basically a perfect novella. It has a great premise that it completely leans into, fascinating worldbuilding, a likable ensemble cast, a solid adventure/winter survival story, an equally solid mystery, emotional and cultural complexity, and a very, very satisfying resolution. It's one of those stories where every single one of the characters has their own motivations and agency, which is ironic/appropriate considering how central it is to both plot and theme that many of the characters are literally puppeted by others.

There's a lot going on but it's all very integrated and doesn't feel overloaded. But I would LOVE to see it expanded into or continue into a full novel, or to see a full novel in this world.

I can't say any more without spoilers, other than that you should all read this. If it doesn't get nominated for SFF awards, I will throw things. Anyone who intends to make Hugo nominations should definitely read it.

Read more... )

Content notes: It's a war story and involves child soldiers and issues of consent (not sexual) and mental/physical autonomy. There's some war violence but nothing graphic.

Here is a famous story about Wu Zetian, the only female emperor of China. I'm going to tell it in the style in which I first heard it.

There was a beautiful but ferocious stallion that no one could tame. Wu Zetian said, "I can tame that stallion."

They asked her how she would tame the stallion, when the strongest men had tried and failed.

Wu Zetian said, "All I need is a whip, a hammer, and an axe. First, I'd use the whip to show it I mean business. If the whip fails, I'd use the hammer to really drive my point home. And if the hammer fails, I'd use the axe to CUT OFF HIS HEAD!"

So I was initially quite excited when I heard that a YA book was coming out starring Wu Zetian as a teenage mecha pilot.

But when the book actually launched, the impression I got via fandom osmosis was that it was a joyless slog through oppression, murder, torture, foot-binding, and more oppression, interspersed with lectures on feminism. I pictured late seasons of The Handmaid's Tale, written in Tumblr-speak with a little mecha as an afterthought, and wrote the book off as yet another story that has a great premise and then avoids it.

Then I idly clicked on the "Look Inside" to see just how awesomely depressing it was. Chapter one was called "A Butterfly That Better Not Be My Dead Sister" - a title bearing more resemblance to Percy Jackson than the "I survived eye cancer and foot-binding only to be run over by a cement truck and then get tongue cancer" tone I was expecting.

The next thing I knew, I had hit the end of the sample and had to keep reading. So I bought the book, and tore through it in a single evening.

I'm now going to copy some comments from my previous post, because they illuminate the somewhat hilariously opposing results of what you expect going in vs. what you notice while reading:

Rachel: The description makes it sound so grim and depressing! And it does have those elements, but for me the reading experience was more like YES LAUGH MANIACALLY SOME MORE YOU BEAUTIFUL BLOODTHIRSTY MANIAC and BRING ON THE DRUNKEN BOXING and HAHA I KNOW WHO'S BEEN WATCHING EVANGELION and POWER UP and BRING ON THE QI TREATMENTS FOR THE FORCED ADDICTION and OH NO HIS KIDNEY.

Shadaras: I have read Iron Widow! Which was quite an experience, because I went into it for the tropes and then went "huh this has a lot more disability theory and patriarchal shittiness than I was expecting", which seems to have been the opposite of your experience. :)

Rivkat: FWIW I saw it promoted as tropey and was a little surprised about the grim overt patriarchy.

So this is a very polarizing book, partly but not only because of the "is it a vase or is it two faces optical illusion" phenemonon, or in this case "is about horrific violent sexism and rage against the patriarchy or is it about mecha and wuxia tropiness." (Both. It's both.)

It's also a very unique book. I've never read a female character quite like Zhao's Wu Zetian. I've never read a YA book quite like this one. A lot of its tropes aren't Western novel tropes at all, but are from wuxia and anime. The entire frame of reference feels very itself, from the moon "reincarnating" rather than being "new" to the CELEBRITY MECHA WEDDING. It has a ton of sources, but it feels sui generis.

Iron Widow is a vibrant, gleeful, furious, cracktastic mash-up of Chinese history, Chinese legends, mecha anime, classic SF tropes, The Hunger Games, feminist and disability theory, fanfic tropes, and Hamilton-esque anachronism. It's batshit and weird and compelling, and I loved it.

It's not without flaws, but some of the critiques of it I think are interrogating the text from the wrong perspective. ;) I don't think Wu Zetian is meant to be a role model for feminism or anything else, and I don't think she's supposed to be a naturalistic character at all.

Zhao's Wu Zetian is a larger-than-life force of nature, a wild AU of a historical character whose key anecdote involves "OFF WITH HIS HEAD!" She's more akin to Son Goku or Lian Nichang from The Bride With White Hair than to Katniss Everdeen. She places her lotus foot on the corpse of her enemy and laughs maniacally. She gets in a giant Gundam and stomps on the homes of her enemies. She is rage personified, without apology or regret, and she is a delight.

In an alternate 1914, Darwinists have perfected genetic engineering, and Clankers have sophisticated mecha. England’s Leviathan is a giant flying jellyfish that is both a complete self-contained ecosystem and a warship. One of its middies is Deryn, a girl disguised as a boy so she can serve. Alek, a prince from Clanker Austria, has been piloting mechs since he was a child, but when he has to flee after his parents are assassinated, he’s completely discombobulated by the flechette bats, messenger lizards, and other native fauna of the Leviathan.

In Behemoth, the Leviathan comes to cosmopolitan, multicultural Istanbul, where mech technology is nearly as cool as the biotech of the Darwinists: ghettoes guarded by iron golems, an immense ornate statue that mimics the movements of the sultan seated beneath, and mechanical elephants!

Alek, Deryn, and the crew of the Leviathan become entangled in politics: England has refused to turn over a warship and its accompanying bioengineered behemoth which the Ottoman Empire already paid for, Germany is maneuvering to be the power that pulls Istanbul’s strings, and a number of factions within Istanbul are jockeying for power or plotting revolution. It looks like a world war is about to begin. In the middle of all this, Dr. Barlow’s mysterious eggs hatch, Alek and Deryn have several hilarious conversations in which Alek fails to discern the existence of subtext, Deryn has an underwater mission, and several cool revolutionaries are introduced. Also, there is a taxi chase, a foreign correspondent with a recording bullfrog, and a Tesla cannon, not to mention the kitchen sink.

It’s all a great deal of fun, and the illustrations are absolutely gorgeous. If you liked book one, you will probably like this; if you were bit underwhelmed by book one, this is a significant improvement. Westerfeld does a particularly nice twist on the old “girl disguised as a boy likes boy, boy doesn’t realize his buddy is a girl and disses girls to her, beautiful second girl shows up for added complications.”

No major plot spoilers, but relationship spoilers for the love triangle.

Spoilers are beautifully illustrated )

Leviathan

Behemoth (Leviathan)
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