The three Pullein-Thompson sisters wrote popular pony novels from the 1940s through the 1990s - about 200 of them total. They wrote separately, not collaboratively, and began when they were still teenagers. (Their mother also wrote pony books.) I've read and enjoyed some of their pony books, so I was excited to read their memoir. It's written in alternating sections by the three of them.

Normally I enjoy any memoir by anybody writing about specific details of life in any reasonably interesting time period and place. This book does have that, to some degree, and yet it largely fails to be interesting. Here is a sample from page 2:

James passed the Preliminary Cambridge University Theological Examination, probably as an external student, and in 1876 he married Emily Darbyshire and was appointed a literate deacon at Salford, Manchester. Four years later, after ordination, he became curate at St. Mary's, Manningham, Bradford. In 1883 he moved to London to become Associate Secretary of the Colonoal and Continental Church Society, and in 1886 he was appointed vicar of St. Stephen's, Bow.

It does get more interesting than that, but only intermittently. They went to boarding school with Joan Aiken, along with some other people who clearly were famous but whose names I did not recognize, but she only appears in a few paragraphs. Christine and Diana were twins, which is something I did not know, and Christine particularly felt that being a twin was very difficult and that she never really got a chance to develop her individuality. In the afterword she says that she continues to feel that way and at that point she must have been about eighty.

But you know what's missing? HORSES! That is, they do have horses, and horsey stuff is discussed, but not in the vivid, detailed, appealing manner of their fictional pony books.

I plowed through, though with some skimming, because I was curious about how they got to be professional writers as 18-year-olds right after World War II. Inexplicably, the book ends just as one of them is beginning to write her first book. Very frustrating.

From Goodreads:

Fermin Rocker was born in the East End of London in 1907, the son of Rudolf Rocker, the famous anarchist theorist, activist and disciple of Kropotkin. A book illustrator, and painter, in exploring his origins as an artist, Fermin conjures a moving and colorful picture of his remarkable father, of Anarchism and of the Jewish East End. Heavily illustrated by the author.

This slim memoir is about half perceptive and well-written anecdotes illuminating a very particular time and culture, and about half with the same subject but kind of dry. Possibly the parts I found dry would be more interesting if I knew anything about the anarchists he was describing. The illustrations, unsurprisingly, are lovely.

Fermin Rocker (his real name) was very close to his German father, who was interned during WWI along with Rocker's mother. This, like his account of the war and the splitting of anarchists over the Russian Revolution, is a heavy topic that he treats with delicacy without glossing it over. But just as much of the book is about the things he happened to remember from his childhood, from his childhood habit of peeing down on cops from off his balcony to his father's bedtime stories to the anarchist who gets treated to a lavish meal from an anonymous donor who turns out to be a local Mafia leader impressed by anyone who had two detectives tailing him at all times.

Rocker comes across as a good guy, both idealistic and willing to question his assumptions. Also, based on a photo at the back of the book, he was really hot stuff when he was a young man.

A childhood/teenage memoir of growing up in Harlem during the 1940s and 1950s, focusing on Myers’ family and neighborhood, his early attempts at writing, and the pervasive racism that slowly poisons his life and dreams.

Myers’ relaxed, warm style and deadpan humor make this easy reading, though I suspect that the episodic structure and lack of emphasis on the moments of conventional action would appeal more to adults than to teenagers.

View on Amazon: Bad Boy: A Memoir

Donorboy: A Novel, by Brendan Halpin. After her mothers are killed in an accident, a teenage girl ends up with the biological father she never knew. A YA novel told entirely in emails, journal entries, recorded conversations, etc, it’s clever and funny but the form eventually becomes wearisome.

The Girl Who Saw The Future, by Zoe Sherburne. A psychic girl struggles with fame when her stage mother makes her go public. Nothing brilliant, but a readable and unusual take on the psychic kid plot.

A Country Child, by Alison Uttley. A childhood memoir barely veiled in fiction by the author of many mostly-forgotten but quite good British children’s books. If you like vivid descriptions of old-timey life in rural England, and I know I do, this book is for you. There’s no plot, but who cares?

The Company They Keep: C. S. Lewis and J. R. R. Tolkien as Writers in Community, by Diana Pavlac Glyer. An excellent analysis of the Inklings as a writing group. Recommended to anyone with any interest in the Inklings, or who has basic knowledge of them and is interested in how writing groups function.

Here Abide Monsters, by Andre Norton. This bizarre fantasy put the Bermuda Triangle, elves, aliens, time travel, and Avalon in a blender, then forgot to actually blend. People from our world blunder into another weird world where they meet others from all periods of history, and learn that elves in flying saucers are kidnapping people and making them go cold and glowy, or maybe the flyer saucer people were aliens and the elves were someone else, it was hard to tell. Roman soldiers march, nixies attack, and there might be unicorns, I forget. Disjointed and strange, and I have no idea what was going on during the climax—and by “no idea,” I mean that, for instance, I could not tell whether or not several characters died. A mildly entertaining farrago of randomness.
A memoir of the author’s teenage years in India during WWII. Rau and her older sister grew up in London, but returned to Bombay with their mother when their diplomat father was stationed in South Africa. (They tried living in South Africa, but her mother packed them up when she went to a movie theatre and found a sign reading “Indians, natives, and dogs are not allowed.”)

It’s hard to review this in a way that differentiates it from the many other books about people grappling with cultural identity and loyalty during a return to their homeland after a long separation. I did particularly like this one, though. It’s not primarily a comedy, but there are many funny bits, often involving her deadpan sister and a grandfather who reinvents Descartes via musings on the existence or nonexistence of the Indian sweet on his plate. Rau’s ear for dialogue is as sharp as her observation of a country and cultures she’s more or less encountering as a newcomer, as she had left India when she was six.

Unsurprisingly, she gets involved in the political scene. Her mother is a friend of the politician and poet Sarojini Naidu, who comes across particularly vividly, reigning over a dinner party in a blouse printed with the cover of her favorite book! She also meets Nehru a couple of times. Rau captures the excitement of the political scene, as friends often call up to apologize in advance for missing dinner parties, as they’ve decided to get arrested for civil disobedience instead.

The book was published in 1944, when Rau was about 21. It feels very immediate, with little mediation by hindsight. Her thoughts on politics and identity are honest and serious: you can see her growing up intellectually as the book progresses.

But though the content is weighty, the touch is light. It’s a quick, easy, enjoyable read. I was not surprised to learn that Rau became quite a successful writer, author of a number of books and the film version of A Passage To India.

View on Amazon: Home to India (Perennial library)

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