The house was in an uproar. A very angry Jennifer Wynd was chasing her younger brother Perry around the living room. She was terribly quick, but then so was Perry, prompted by the little balls of fire Jennifer was throwing at his heels.

Magic runs in the Wynd family, but Professor Wynd and his five kids live quietly - well, mostly quietly - in a small town in Massachusetts. Nine-year-old Perry's biggest problem is that he's been cast as King Arthur in the school play, while his nemesis Nancy is playing Guinevere. Until the kids' illusions start going wrong, some tiny porcelain gargoyles attack, and a bunch of dragons invade the town. Wynds to the rescue!

A short, delightful children's fantasy which I fondly recalled from childhood. It's now on Kindle and is exactly as charming as I remembered. Also, it cracks me up that of the two Stephen Krensky books I've read, both involve a boy desperate to get out of the school play. As I also once desperately tried to get out a school play, I sympathize.

THE DRAGON CIRCLE: 1 The Wynd Family Chronicles

Children of the Dragon is a small-scale but otherwise standard story about three siblings and their dragon eggs; ends just as it starts to get interesting, that is, with the hatching. I wonder if a sequel was intended but never written? It certainly read that way.

Revenge of the Rainbow Dragons is an adorable, lighthearted entry in the Endless Quest (same principle as Choose Your Own Adventure), with rainbow dragons, a castle in the clouds, and a bratty princess.

My favorite Rose Estes book, and also my favorite Endless Quest (D&D-based, which I preferred to Choose Your Own Adventure), is still Circus of Fear, which has three totally different and super-fun tracks in which you run away to a fantasy circus and apprentice with 1) fantasy animal trainers, 2) freaks, 3) acrobats. Obviously 1 is best because blink dogs, pegasi, etc., but the other two, with very sympathetic “freaks” and an arrogant acrobat, are fun as well.

Any of you read Endless Quest and/or Choose Your Own Adventure? Which was your favorite, or most memorably bonkers? Anyone else stick slips of paper at choice points to help you backtrack when you ran out of fingers?

Revenge of the Rainbow Dragons (An Endless Quest Book, 6) (Pick A Path to Adventure)



Circus of Fear (An Endless Quest Book, 10)



The continued adventures of Lady Isabella Trent, Victorian explorer and DRAGON NATURALIST. In this volume, Isabella sails around the world on the appropriately named Basilisk, accompanied by her young son Jake, an underwater archaeologist named Suhail, and other companions.

I enjoyed this the most of the series so far. It strikes a perfect balance between action and exploration. Isabella has matured enough to be interesting in a different way from the monomaniac of the first book: still obsessive and headstrong, but more introspective, thoughtful, and interested in people in addition to dragons.

The dragons are great, and there are lots of them. I thoroughly enjoyed the interconnected mysteries of taxonomy, biology, and history. Some mysteries are solved, but others are deepened. I feel confident that the final explanation will be satisfying. (I’m assuming it’s not going to be Isabella discovering evolution, because that seems to already have been discovered – she mentions the concept of different species having a common ancestor as if that’s an ordinary idea to consider.)

The supporting characters in are more vivid and interesting than in the previous installments. Jake comes to life as a personality, both like and unlike his mother, obsessive but on a different topic. Their relationship neatly steers between the obvious clichés of “I hate you for loving dragons more than me” and “Who cares about dragons now that I’m a mommy.” Suhail is a satisfying possible love interest, both sexy and geeky. To Isabella, he’s mostly sexy because he’s geeky, though she does appreciate the multiple occasions when his underwater explorations require him to remove his shirt. I also liked the adrenaline junkie ship’s captain, Aekinitos.

But my favorite supporting character was Heali’i. And that leads neatly into spoilers. Read more... )

A tremendously fun and unexpectedly thought-provoking installment of the series, with all the dragons one could desire.

I read an ARC that was missing the illustrations, but based on the stellar quality of the illustrations in the first two books and the extremely tempting captions, I will have to buy the actual book to get them. I would also pay for a book of more illustrations plus Isabella’s field notes on dragons, and I bet I’m not the only one.

Voyage of the Basilisk: A Memoir by Lady Trent (A Natural History of Dragons)
In which Lady Isabella Trent, alt-Victorian dragon naturalist and explorer, goes to Africa.

Needless to say, she learns about dragons, but also about herself. She’s already grown up quite a bit at the start of the book, and grows more during it, becoming less blinkered, reckless, and self-centered. This allows for a wider and more complex view of both the individual people and the cultures she encounters, but loses some of the humor of the first book, which largely came from Isabella being monomaniacal.

The first half of the book is largely taken up with Isabella traveling and meeting people and learning about the region’s culture and politics— but not, alas, its dragons. That part was interesting on a worldbuilding level, but slow. I also really, really wanted more dragons.

About halfway through, the plot gains a lot of suspense, some dragons appear, and I got more involved with Isabella’s character growth. The second half read very quickly, and had some fun surprises. But while the dragons were satisfyingly different from the ones in the first book, they play a surprisingly small role— more quest object than actual presence. Given how fascinating they were in the first book, I definitely could have used more dragons in this one.

While a solid story in its own right, the book does feel like a lot of it is there to set up later events. I’m looking forward to Voyage of the Basilisk, which I suspect and hope will have more dragons.

A Natural History of Dragons: A Memoir by Lady Trent

The Tropic of Serpents: A Memoir by Lady Trent (A Natural History of Dragons)

Voyage of the Basilisk: A Memoir by Lady Trent (A Natural History of Dragons)
I have read quite a few memoirs by British Victorian travelers, including some by women. They make good reading, if you like that sort of thing: evocative, intriguing, infuriating, sometimes ahead of their time, sometimes very much a part of it. The glimpse into a different mindset is a large part of what makes them interesting, in the sense of "the past was a different country."

And, of course, they would be even better reading with DRAGONS.

A Natural History of Dragons is the first volume of the memoirs of Isabella, Lady Trent, famous explorer and dragon naturalist. They include lovely pencil illustrations of her obsession: dragons.

Possibly inspired by Isabella Bird (A Lady's Life in the Rocky Mountains, Sketches In The Malay Peninsula), Isabella is not exactly an unreliable narrator, but she is a product of her fictional culture— a woman with some liberal views (though still within her context) and some distinctly not. The attitudes of the characters are not necessarily critiqued within the book; that is left to the reader. Similarly, Isabella can be self-centered, obsessive, privileged, and reckless. She’s not always likable, but her flaws are what make her interesting.

Personally, I was fine with being allowed to come to my own conclusions without being presented with an obligatory “voice of the correct point of view” opinion within the text itself. I found Isabella’s flaws and blinkered point of view refreshing. It made the book read much more like its premise— the memoir of a Victorian lady explorer WITH DRAGONS— than it would have if she had been given all the attitudes of the modern reader.

On that note, be aware that the book contains animal harm in the form of the hunting and dissection of dragons. Also a hilariously indignant defense of such by the now-elderly Isabella, ostensibly to her younger readers of more delicate dispositions, but also, on a meta level, to outraged readers of the novel by Marie Brennan, pointing out that many naturalists of earlier eras did indeed hunt as well as observe.

The dragons are meticulously detailed, yet pleasingly mysterious. Isabella is obsessed with dragons largely because they’re poorly understood, so we learn with her. By the end, we have a handful of answers and a whole lot of new questions.

Among the more subtle worldbuilding touches is that Judaism takes the place of Christianity in terms of being the religion that caught on. Because the names are different, I wasn’t sure of this until something religious finally got mentioned without a terminology shift, when some characters sit shiva for the dead. I leave it to the alternate history buffs to debate whether the British Victorian age would have stayed otherwise similar to the actual one in that event. (Not to mention in the event of DRAGONS.)

Leisurely but engrossing, the novel immerses you in a familiar-but-alien world and a familiar-but-alien narrator. I am a sucker for the scientific exploration of a fantasy phenomenon, and this book very much satisfies on that basis. And while one mysterious dragon-related issue (the burned-in footprints) turns out to have the obvious explanation, the motivation of the villain was unexpected, creepy, convincing, and probably fodder for more story to come. I enjoyed the hell out of this book, and will be getting the sequel shortly. I could read an unlimited number of volumes of Isabella wandering around, studying dragons.

A Natural History of Dragons: A Memoir by Lady Trent
I promised [profile] bookelfe I would read this. Thanks! I think.

[profile] bookelfe reviewed a remarkable book, Pigs Don’t Fly, in which a rather unlikable heroine goes on a quest with six companions to make the mystical seven: a blind amnesiac knight, a horse princess, a cockney mutt, a Turtle of Love, a farm boy named Dickon, and The Wimperling, a winged pig who flies by farting. I am not making this up. I commend you to her hilarious review before you read mine, since this review is of the sequel, which she challenged me to read. Especially since I am about to spoil the end of Pigs Don’t Fly, since it motivates the entire action of this book.

Pigs Don’t Fly ends with Summer, the heroine, kissing her beloved pet flying farting pig. Poof! He turns into a dragon! Poof! He turns into a man! In a somewhat confusing scene, they have sex. Poof! He turns into a dragon!

He is a dragon who was under an enchantment which made him look like a pig. But since Summer kissed him three times as a pig, though he is now a dragon again, he is also now cursed to periodically turn into a man. He explains all this, then flies off to China, ditching Summer.

Master of Many Treasures picks up with Summer stalking her dragon-pig-not-boyfriend across the world. Occasionally she finds it necessary to justify herself to the reader:

But why fall in love with a dragon? Because I had loved the pig and the dragon wasn’t a dragon all the time.

Summer. Summer. You do not make falling in love with a dragon more acceptable by protesting that you actually fell in love with a pig!

But mostly, she doesn’t think about her dragon-pig not-boyfriend much at all. She’s too busy wandering around collecting plot coupons as she travels around, having basically everyone she meets see through her "boy" disguise and periodically conversing ethnically stereotyped characters speaking in comic dialect. This book is over-burdened with comic dialect. Her own companions include Growch the cockney mutt, a slave boy speaking an unknown language and broken English otherwise, and a developmentally disabled dancing bear. (Yes, really.)

Thankfully, three of Summer’s obligatory six companions do not speak in dialect: Ky-Lin, a magical Chinese stone chimera which she gets literally handed to her for no actual reason other than that the plot requires her to have it, Dickon, and the teeny dragon egg with which Summer was unknowingly impregnated.

Yes. She is pregnant with an egg. She keeps feeling sick in a pregnancy-signalling manner, but thinks that she can’t possibly be pregnant because it’s been a year since she had sex that one time. There are flashbacks to her sexcapade with the dragon-pig-dude, which are written in a manner probably meant to convey that it was all very unexpected and confusing, but really make it sound like the entire thing lasted about fifteen seconds. Which is entirely possible, all things considered.

With the help of Ky-Lin, Summer lays the egg through her belly button. I think. The scene is really vague. It’s possible that she lays it through some other orifice, but it’s then stuck into her belly button. It ends up stuck to her belly button, anyway.

Ky-Lin then helpfully explains that dragons are “bisexual.” He defines this as meaning that they are both male and female, and can fertilize themselves, so… I forget why this was relevant.

I don’t know why an egg that does not speak, telepathically communicate, or hatch counts as a companion, but it does. Mystic seven!

Ky-Lin spouts a lot of Buddhist philosophy which, based on its accuracy, I surmise was gleaned from the author vaguely remembering what she’d read in the Religions of the World chapter of some textbook when she was twelve. That being said, he does not speak in comic dialect and is the only character with any intelligence or common sense, so I cut him a lot of slack.

I barely remember Dickon from the first book, other than as a generic farm boy. In this book, he seems to be running for most unlikable character ever. He spends the entire book stalking Summer because he thinks she’s on a quest for treasure. He steals her stuff, drugs her, insults her and her companions, flees in a cowardly fashion whenever they’re endangered, and drinks all their water when they’re lost in the desert.

They have the same unbelievably annoying interaction something like six times in the book: Dickon shows up and harasses, vaguely threatens, robs, and/or leeches on Summer. She has an extremely bad feeling about him (I wonder why!) but even though she’s not afraid of him and she has a premonition that he will do something horrible, she always feels unable to tell him to get lost. He proceeds to harass, vaguely threaten, rob, and/or leech on Summer until he somehow gets ditched. She proceeds without him, until he turns up again, and the process repeats.

Summer is one of the stupidest protagonists I have ever encountered. Whenever someone acts suspicious or threatening, she assumes they can't possibly have bad intentions, and is amazed when they do. Whenever a clearly friendly person warns her of something, she is suspicious and ignores them. My very favorite instance of this was when Ky-Lin is leading her through a marsh full of quicksand and rotting corpses, and says, "The left path will dump you in quicksand. Take the right path."

Summer: "I'm tired of people bossing me!"

Summer: [Takes left path.]

Summer: [Is dumped into rotting corpse-filled quicksand.]

And then the true WTF begins. Even more WTF than the belly-button dragon egg.

Read more... )

This all seems even more WTF than it would anyway because there has been no set-up that would make any of this make sense, thematically or any other way. The entire book is Summer's first person POV, except for the two epilogues.

I don't think I've ever read a book which was improved by two epilogues.

I think there’s a third book that explains what happened to the egg. I’ll pass.

Here There Be Dragonnes (Pigs Don't Fly omnibus). This is an omnibus which contains The Unlikely Ones, which has some problems but which I actually like. It's a very similar story to Pigs Don't Fly: girl who thinks she's ugly due to manipulation by an older woman guardian goes on a quest with one man and five animals, and discovers that she was beautiful all along. The difference is that it's written as a dreamy, poetic fairy-tale, and parts of it are quite beautiful and moving. Other parts show a witch having sex with a broomstick, in a short but understandably memorable scene. One of the heroes is a unicorn who is in love with an enchanted prince, so the human/mythical animal theme is also there. It's done a lot better and less ridiculously in The Unlikely Ones.
This is the long-delayed fourth book in Jane Yolen’s “Pit Dragon” series, and probably the concluding one. While it makes a better ending to the series than the third book did, as a reading experience by itself, I was underwhelmed.

I still really like Dragon’s Blood, which takes a very old story – young person bonds with cool animal, escapes rotten life – and tells it with clarity, conciseness, and grace, so that it seems classic rather than clichéd.

In this particular version of the story, bonded slaves on a desert planet may buy their way out of slavery, though this is so ridiculously difficult that very few ever manage it. But Jakkin, a boy at a ranch which trains dragons for gladiatorial combat, plots to steal an egg, raise the dragon, train it to fight, and PROFIT – sorry – escape slavery. (I should note that slavery in this context is nowhere near as horrific as it was in, say, the US, but is more like being an indentured servant, that is, it sucks but no one’s getting beaten to death.) Unsurprisingly, complications ensue. I loved the realistic details of life at a dragon ranch, and the lovely way that the dragons communicate, in bursts of telepathic color.

I was not thrilled with the sequels. I don’t think it’s horribly spoilery to say that Jakkin discovers more sophisticated dragon communication… but the talking dragons were so much less interesting than the color-communicating ones. And though I see why Yolen wanted to tackle the looming revolution, I was less interested in that than in the dragons. Also, honestly, Yolen is better at dragons than she is at revolutionaries.

Dragon Heart has problems with pace and editing. While a fair amount happens, the length and pace make it feel as if not much is – it’s significantly longer than the other books in the series, but there’s about the same amount of plot. A number of potentially interesting situations are set up and then never delved into, like the dragon pregnancies and Slakk’s encounter with the drakk, while pages and pages are spent on nothing in particular.

Apart from artistic problems, this book was largely not telling the story I wanted to read. I was interested in the dragons, and Yolen was interested in social change, and while her portrait of a slave/owner society struggling to cope with legal equality was quite believable, I wanted to read about dragon hatchings and dragon communication and so forth. Oh, and there was a lot of pus and puking. Too much for my taste, in my opinion.

This sounds like I hated the book. I didn’t hate it. But Dragon’s Blood is still the only one I’ll ever re-read.

ETA: Ack, sorry for the lost spoiler cut! Here it is.

Read more... )

Dragon's Blood: The Pit Dragon Chronicles, Volume One

Dragon's Heart: The Pit Dragon Chronicles, Volume Four
I liked this more while I was reading it than when I thought about it in retrospect. Given how much of the total text is set-up, it moves along at deceptively rapid-seeming clip.

This is a sequel to three different trilogies, but involves different characters and has lots of catch-up exposition, so it probably stands on its own.

After three trilogies of stuff happening, some dragons (previously extinct) have hatched in the Rain Wilds, a mysterious place with an acidic river. Humans who live there mutate into beings who vaguely resemble the extinct dragons, or maybe the extinct Elderlings.

The dragons, unfortunately, are weak and pathetic and can't fly, and are a financial drag on the locals as well as potentially dangerous to them. So the dragons, along with a bunch of misfits and troublemakers, are shipped off, along with a bluestocking scholar of dragon lore and her abusive husband's secretary (actually her husband's secret lover) and a jolly captain, ostensibly to seek the lost city of the dragons but really to get rid of them all in one fell swoop.

That is where the book ends. A sequel is forthcoming shortly.

There are a lot of potentially interesting ideas here, and as I said the book is very readable, but it suffers from bloat and pacing problems: all set up and no pay-off. This is a chronic problem for Hobb, though oddly enough is not a problem in any of her shorter novels under her real name, Megan Lindholm. Even more problematically, most of the characters are thoroughly unlikable, including the dragons, who take out their misery on everyone around them. It's seemingly meant as a take-down of the animal companion genre, but it's quite unpleasant to read. There's a reason why the animal companion genre appeals, and it's not because people like reading about sentient animals who hate you.

There are two gay characters, one of whom is a sociopathic abuser and rapist, and the other of whom, his secret lover, a pathetic loser who, in the very last pages, commits an absolutely horrifying act of violence for personal gain. Character development is what Hobb is all about so the loser will probably reform (the abuser probably won't) but without any non-evil gay characters and with the (probable) character development pushed into the next book, this book comes across as really homophobic.

That being said, there is a fantastic epistolatory subplot involving two of the few likable characters, a pair of carrier pigeon-keepers who append personal messages to their official ones. And I'm curious to see how it will all come out. My bet is that the well of silvery water in the lost city which the old dragons drank is what's needed to allow them to fly, and also what makes the river an acidic mutagen.

Dragon Keeper: Volume One of the Rain Wilds Chronicles
This is a heads-up, not an actual review. I'll write more about this terrific fantasy-- a perfect antidote to venom cock-- when it comes out in March 2006. (The British edition may be out earlier.)

As the advance publicity pointed out, it's basically Patrick O'Brian with dragons.

In an alternate version of the Napoleonic wars, both sides have an air force-- dragons! When English captain William Laurence captures a French ship, he finds its prize: a dragon egg about to hatch. Dragons are rare and valuable and essential to the war effort, and must bond with their handler immediately after birth, or else they'll go feral and fly away. No one wants to bond with the dragon, for aviators live apart from the rest of society, are looked down upon, and and are rumored to be quite weird. Whoever gets the dragon has to abandon his Navy career, whatever place in society he already has, and will have huge problems finding a woman willing to marry him. So the sailors draw lots for the dubious honor. Laurence dodges that bullet, but the newly emerged dragon, Temeraire, ignores the sailor who was chosen and zeroes straight in on Laurence.

And so begins the most fun novel I've read all year. From the pitch-perfect period language, to the touching relationship between Laurence and Temeraire, to the carefully thought-out aviator society, to thrilling aerial battles, this book contains everything that drew us to Anne McCaffrey when we were younger, only it's actually good! Well-written! Without bizarre gender-related hang-ups! Without creepy dragon-mediated quasi-rape scenes! And, best of all, utterly without venom cocks.

Read the first chapter here: http://www.temeraire.org/
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